Science Fiction Cinema: Between Fantasy and Reality
This major new study offers a broad historical and theoretical reassessment of the science fiction film genre. The book explores the development of science fiction in cinema from its beginnings in early film through to recent examples of the genre. Each chapter sets analyses of chosen films within a...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | This major new study offers a broad historical and theoretical reassessment of the science fiction film genre. The book explores the development of science fiction in cinema from its beginnings in early film through to recent examples of the genre. Each chapter sets analyses of chosen films within a wider historical/cultural context, while concentrating on a specific thematic issue. The book therefore presents vital and unique perspectives in its approach to the genre, which include discussion of the relevance of psychedelic imagery, the 'new woman of science', generic performance and the prevalence of 'techno-orientalism' in recent films. While American films will be one of the principle areas covered, the author also engages with a range of pertinent examples from other nations, as well as discussing the centrality of science fiction as a transnational film genre. Films discussed include The Day the Earth Stood Still, The Body Snatchers, Forbidden Planet, The Quatermass Experiment, 2001: A Space Odyssey, Demon Seed, Star Trek: The Motion Picture, Star Wars, Altered States, Alien, Blade Runner, The Brother from Another Planet, Back to the Future, The Terminator, Predator, The One, Dark City, The Matrix, Fifth Element and eXistenZ.Key FeaturesThematically organised for use as a course text.Introduces current and past theories and practices, and provides an overview of the main themes, approaches and areas of study.Covers new and burgeoning approaches such as generic performance and aspects of postmodern identity.Includes new interviews with some of the main practitioners in the field: Roland Emmerich, Paul Verhoeven, Ken Russell, Stan Winston, William Gibson, Brian Aldiss, Joe Morton, Dean Norris and Billy Gray |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (320 Seiten) |
| ISBN: | 9780748628704 |
| DOI: | 10.1515/9780748628704 |
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| 520 | |a This major new study offers a broad historical and theoretical reassessment of the science fiction film genre. The book explores the development of science fiction in cinema from its beginnings in early film through to recent examples of the genre. Each chapter sets analyses of chosen films within a wider historical/cultural context, while concentrating on a specific thematic issue. The book therefore presents vital and unique perspectives in its approach to the genre, which include discussion of the relevance of psychedelic imagery, the 'new woman of science', generic performance and the prevalence of 'techno-orientalism' in recent films. While American films will be one of the principle areas covered, the author also engages with a range of pertinent examples from other nations, as well as discussing the centrality of science fiction as a transnational film genre. Films discussed include The Day the Earth Stood Still, The Body Snatchers, Forbidden Planet, The Quatermass Experiment, 2001: A Space Odyssey, Demon Seed, Star Trek: The Motion Picture, Star Wars, Altered States, Alien, Blade Runner, The Brother from Another Planet, Back to the Future, The Terminator, Predator, The One, Dark City, The Matrix, Fifth Element and eXistenZ.Key FeaturesThematically organised for use as a course text.Introduces current and past theories and practices, and provides an overview of the main themes, approaches and areas of study.Covers new and burgeoning approaches such as generic performance and aspects of postmodern identity.Includes new interviews with some of the main practitioners in the field: Roland Emmerich, Paul Verhoeven, Ken Russell, Stan Winston, William Gibson, Brian Aldiss, Joe Morton, Dean Norris and Billy Gray | ||
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Datensatz im Suchindex
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| author | Cornea, Christine |
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| dewey-ones | 791 - Public performances |
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| doi_str_mv | 10.1515/9780748628704 |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:33:40Z |
| indexdate | 2024-07-10T09:25:09Z |
| institution | BVB |
| isbn | 9780748628704 |
| language | English |
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| spelling | Cornea, Christine Verfasser aut Science Fiction Cinema Between Fantasy and Reality Christine Cornea Edinburgh Edinburgh University Press [2022] © 2007 1 Online-Ressource (320 Seiten) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) This major new study offers a broad historical and theoretical reassessment of the science fiction film genre. The book explores the development of science fiction in cinema from its beginnings in early film through to recent examples of the genre. Each chapter sets analyses of chosen films within a wider historical/cultural context, while concentrating on a specific thematic issue. The book therefore presents vital and unique perspectives in its approach to the genre, which include discussion of the relevance of psychedelic imagery, the 'new woman of science', generic performance and the prevalence of 'techno-orientalism' in recent films. While American films will be one of the principle areas covered, the author also engages with a range of pertinent examples from other nations, as well as discussing the centrality of science fiction as a transnational film genre. Films discussed include The Day the Earth Stood Still, The Body Snatchers, Forbidden Planet, The Quatermass Experiment, 2001: A Space Odyssey, Demon Seed, Star Trek: The Motion Picture, Star Wars, Altered States, Alien, Blade Runner, The Brother from Another Planet, Back to the Future, The Terminator, Predator, The One, Dark City, The Matrix, Fifth Element and eXistenZ.Key FeaturesThematically organised for use as a course text.Introduces current and past theories and practices, and provides an overview of the main themes, approaches and areas of study.Covers new and burgeoning approaches such as generic performance and aspects of postmodern identity.Includes new interviews with some of the main practitioners in the field: Roland Emmerich, Paul Verhoeven, Ken Russell, Stan Winston, William Gibson, Brian Aldiss, Joe Morton, Dean Norris and Billy Gray In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Films de science-fiction Histoire et critique États-Unis United States USA. Science fiction films History and criticism United States Science fiction films United States History and criticism https://doi.org/10.1515/9780748628704 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Cornea, Christine Science Fiction Cinema Between Fantasy and Reality Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Films de science-fiction Histoire et critique États-Unis United States USA. Science fiction films History and criticism United States Science fiction films United States History and criticism |
| title | Science Fiction Cinema Between Fantasy and Reality |
| title_auth | Science Fiction Cinema Between Fantasy and Reality |
| title_exact_search | Science Fiction Cinema Between Fantasy and Reality |
| title_exact_search_txtP | Science Fiction Cinema Between Fantasy and Reality |
| title_full | Science Fiction Cinema Between Fantasy and Reality Christine Cornea |
| title_fullStr | Science Fiction Cinema Between Fantasy and Reality Christine Cornea |
| title_full_unstemmed | Science Fiction Cinema Between Fantasy and Reality Christine Cornea |
| title_short | Science Fiction Cinema |
| title_sort | science fiction cinema between fantasy and reality |
| title_sub | Between Fantasy and Reality |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Films de science-fiction Histoire et critique États-Unis United States USA. Science fiction films History and criticism United States Science fiction films United States History and criticism |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General Films de science-fiction Histoire et critique États-Unis United States USA. Science fiction films History and criticism United States Science fiction films United States History and criticism |
| url | https://doi.org/10.1515/9780748628704 |
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