Sapphism on Screen: Lesbian Desire in French and Francophone Cinema
GBS_insertPreviewButtonPopup('ISBN:9780748621651);This book sets out to investigate and theorise mediations of lesbian desire in a substantial corpus of films (spanning the period 1936-2002) by male and female directors working in France and also in French-speaking parts of Belgium, Canada, Swi...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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Schlagworte: | |
Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
Zusammenfassung: | GBS_insertPreviewButtonPopup('ISBN:9780748621651);This book sets out to investigate and theorise mediations of lesbian desire in a substantial corpus of films (spanning the period 1936-2002) by male and female directors working in France and also in French-speaking parts of Belgium, Canada, Switzerland and Africa. The corpus is unique in never before having been assembled, and represents a valuable tool not just for researchers but also for university teachers creating courses both on lesbianism in film and on sexuality in French cinema. A fair number of the 89 texts treated are mainstream films which have achieved high critical acclaim and/or high viewing figures: to cite just a few examples, Henri-Georges Clouzot's Quai des orfèvres (1947), Louis Malle's Milou en mai (1989), Claude Chabrol's La Cérémonie (1995), André Téchiné's Les Voleurs (1995), and François Ozon's Huit femmes (2001). As such, they have contributed to hegemonic constructions of and debate on (female) homosexuality, in a century wherein sexed/ gendered identity, including sexual orientation, has become a preeminent factor in the constitution of subjectivity. While such constructions and debate have a French-language specificity, and have been produced in distinct socio-political and cultural contexts, this study also engages in analytical comparisons with relevant anglophone films and their own distinct discursive contexts. |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) |
Beschreibung: | 1 Online-Ressource (232 Seiten) |
ISBN: | 9780748626632 |
DOI: | 10.1515/9780748626632 |
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index_date | 2024-07-03T19:33:40Z |
indexdate | 2024-07-10T09:25:09Z |
institution | BVB |
isbn | 9780748626632 |
language | English |
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physical | 1 Online-Ressource (232 Seiten) |
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publishDate | 2022 |
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publisher | Edinburgh University Press |
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spelling | Cairns, Lucille Verfasser aut Sapphism on Screen Lesbian Desire in French and Francophone Cinema Lucille Cairns Edinburgh Edinburgh University Press [2022] © 2006 1 Online-Ressource (232 Seiten) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) GBS_insertPreviewButtonPopup('ISBN:9780748621651);This book sets out to investigate and theorise mediations of lesbian desire in a substantial corpus of films (spanning the period 1936-2002) by male and female directors working in France and also in French-speaking parts of Belgium, Canada, Switzerland and Africa. The corpus is unique in never before having been assembled, and represents a valuable tool not just for researchers but also for university teachers creating courses both on lesbianism in film and on sexuality in French cinema. A fair number of the 89 texts treated are mainstream films which have achieved high critical acclaim and/or high viewing figures: to cite just a few examples, Henri-Georges Clouzot's Quai des orfèvres (1947), Louis Malle's Milou en mai (1989), Claude Chabrol's La Cérémonie (1995), André Téchiné's Les Voleurs (1995), and François Ozon's Huit femmes (2001). As such, they have contributed to hegemonic constructions of and debate on (female) homosexuality, in a century wherein sexed/ gendered identity, including sexual orientation, has become a preeminent factor in the constitution of subjectivity. While such constructions and debate have a French-language specificity, and have been produced in distinct socio-political and cultural contexts, this study also engages in analytical comparisons with relevant anglophone films and their own distinct discursive contexts. In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Homosexuality in motion pictures Lesbianism in motion pictures Motion pictures France https://doi.org/10.1515/9780748626632 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Cairns, Lucille Sapphism on Screen Lesbian Desire in French and Francophone Cinema Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Homosexuality in motion pictures Lesbianism in motion pictures Motion pictures France |
title | Sapphism on Screen Lesbian Desire in French and Francophone Cinema |
title_auth | Sapphism on Screen Lesbian Desire in French and Francophone Cinema |
title_exact_search | Sapphism on Screen Lesbian Desire in French and Francophone Cinema |
title_exact_search_txtP | Sapphism on Screen Lesbian Desire in French and Francophone Cinema |
title_full | Sapphism on Screen Lesbian Desire in French and Francophone Cinema Lucille Cairns |
title_fullStr | Sapphism on Screen Lesbian Desire in French and Francophone Cinema Lucille Cairns |
title_full_unstemmed | Sapphism on Screen Lesbian Desire in French and Francophone Cinema Lucille Cairns |
title_short | Sapphism on Screen |
title_sort | sapphism on screen lesbian desire in french and francophone cinema |
title_sub | Lesbian Desire in French and Francophone Cinema |
topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Homosexuality in motion pictures Lesbianism in motion pictures Motion pictures France |
topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General Homosexuality in motion pictures Lesbianism in motion pictures Motion pictures France |
url | https://doi.org/10.1515/9780748626632 |
work_keys_str_mv | AT cairnslucille sapphismonscreenlesbiandesireinfrenchandfrancophonecinema |