Tenue est mendacium: rethinking fakes and authorship in classical, late antique & early Christian works
Many new and fruitful avenues of investigation open up when scholars consider forgery as a creative act rather than a crime. We invited authors to contribute work without imposing any restrictions beyond a willingness to consider new approaches to the subject of ancient fakes, forgeries and question...
Gespeichert in:
Weitere Verfasser: | , |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Groningen
Barkhuis
2021
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | Many new and fruitful avenues of investigation open up when scholars consider forgery as a creative act rather than a crime. We invited authors to contribute work without imposing any restrictions beyond a willingness to consider new approaches to the subject of ancient fakes, forgeries and questions of authenticity. The result is this volume, in which our aim is to display some of the many possibilities available to scholarship.00The exposure of fraud and the pursuit of truth may still be valid scholarly goals, but they implicitly demand that we confront the status of any text as a focal point for matters of belief and conviction. Recent approaches to forgery have begun to ask new questions, some intended purely for the sake of debate: Ought we to consider any author to have some inherent authenticity that precludes the possibility of a forger's successful parody? If every fake text has a real context, what can be learned about the cultural circumstances which give rise to forgeries? If every real text can potentially engender a parallel history of fakes, what can this alternative narrative teach us? What epistemological prejudices can lead us to swear a fake is genuine, or dismiss the real thing as inauthentic?00Following 'Splendide Mendax' and 'Animo Decipiendi?', this is the latest installment of an ongoing inquiry, conducted by scholars in numerous countries, into how the ancient world - its literature and culture, its history and art - appears when viewed through the lens of fakes and forgeries, sincerities and authenticities, genuine signatures and pseudepigrapha. How does scholarship tell the truth if evidence doesn't? But fabula docet: The falsum does not simply make the great, annoying stone before the door of the truth (otherwise this here would really be a "council of antiquarians and paleographers"). The falsum makes a delicate, fine tissue |
Beschreibung: | IX, 357 Seiten Illustrationen |
ISBN: | 9789493194366 9493194361 |
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520 | 3 | |a Many new and fruitful avenues of investigation open up when scholars consider forgery as a creative act rather than a crime. We invited authors to contribute work without imposing any restrictions beyond a willingness to consider new approaches to the subject of ancient fakes, forgeries and questions of authenticity. The result is this volume, in which our aim is to display some of the many possibilities available to scholarship.00The exposure of fraud and the pursuit of truth may still be valid scholarly goals, but they implicitly demand that we confront the status of any text as a focal point for matters of belief and conviction. Recent approaches to forgery have begun to ask new questions, some intended purely for the sake of debate: Ought we to consider any author to have some inherent authenticity that precludes the possibility of a forger's successful parody? If every fake text has a real context, what can be learned about the cultural circumstances which give rise to forgeries? If every real text can potentially engender a parallel history of fakes, what can this alternative narrative teach us? What epistemological prejudices can lead us to swear a fake is genuine, or dismiss the real thing as inauthentic?00Following 'Splendide Mendax' and 'Animo Decipiendi?', this is the latest installment of an ongoing inquiry, conducted by scholars in numerous countries, into how the ancient world - its literature and culture, its history and art - appears when viewed through the lens of fakes and forgeries, sincerities and authenticities, genuine signatures and pseudepigrapha. How does scholarship tell the truth if evidence doesn't? But fabula docet: The falsum does not simply make the great, annoying stone before the door of the truth (otherwise this here would really be a "council of antiquarians and paleographers"). The falsum makes a delicate, fine tissue | |
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Datensatz im Suchindex
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adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author2 | Lennartz, Klaus 1963- Martínez García, Francisco Javier 1965- |
author2_role | edt edt |
author2_variant | k l kl g f j m gfj gfjm |
author_GND | (DE-588)1024799611 (DE-588)173045677 |
author_facet | Lennartz, Klaus 1963- Martínez García, Francisco Javier 1965- |
building | Verbundindex |
bvnumber | BV047920065 |
callnumber-first | D - World History |
callnumber-label | DF |
callnumber-raw | DF |
callnumber-search | DF |
callnumber-sort | DF |
callnumber-subject | DF - Greece |
classification_rvk | FB 5110 |
ctrlnum | (OCoLC)1317697561 (DE-599)KXP1787067785 |
dewey-full | 938 |
dewey-hundreds | 900 - History & geography |
dewey-ones | 938 - Greece to 323 |
dewey-raw | 938 |
dewey-search | 938 |
dewey-sort | 3938 |
dewey-tens | 930 - History of ancient world to ca. 499 |
discipline | Geschichte Philologie / Byzantinistik / Neulatein |
discipline_str_mv | Geschichte Philologie / Byzantinistik / Neulatein |
format | Book |
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spelling | Tenue est mendacium rethinking fakes and authorship in classical, late antique & early Christian works edited by Klaus Lennartz and Javier Martinez Groningen Barkhuis 2021 IX, 357 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Many new and fruitful avenues of investigation open up when scholars consider forgery as a creative act rather than a crime. We invited authors to contribute work without imposing any restrictions beyond a willingness to consider new approaches to the subject of ancient fakes, forgeries and questions of authenticity. The result is this volume, in which our aim is to display some of the many possibilities available to scholarship.00The exposure of fraud and the pursuit of truth may still be valid scholarly goals, but they implicitly demand that we confront the status of any text as a focal point for matters of belief and conviction. Recent approaches to forgery have begun to ask new questions, some intended purely for the sake of debate: Ought we to consider any author to have some inherent authenticity that precludes the possibility of a forger's successful parody? If every fake text has a real context, what can be learned about the cultural circumstances which give rise to forgeries? If every real text can potentially engender a parallel history of fakes, what can this alternative narrative teach us? What epistemological prejudices can lead us to swear a fake is genuine, or dismiss the real thing as inauthentic?00Following 'Splendide Mendax' and 'Animo Decipiendi?', this is the latest installment of an ongoing inquiry, conducted by scholars in numerous countries, into how the ancient world - its literature and culture, its history and art - appears when viewed through the lens of fakes and forgeries, sincerities and authenticities, genuine signatures and pseudepigrapha. How does scholarship tell the truth if evidence doesn't? But fabula docet: The falsum does not simply make the great, annoying stone before the door of the truth (otherwise this here would really be a "council of antiquarians and paleographers"). The falsum makes a delicate, fine tissue Antike (DE-588)4068754-5 gnd rswk-swf Fälschung (DE-588)4016247-3 gnd rswk-swf Autor (DE-588)4003982-1 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Fälschung (DE-2581)TH000005097 gbd Antike (DE-588)4068754-5 s Fälschung (DE-588)4016247-3 s Autor (DE-588)4003982-1 s DE-604 Lennartz, Klaus 1963- (DE-588)1024799611 edt Martínez García, Francisco Javier 1965- (DE-588)173045677 edt B:DE-16 V:DE-576 https://swbplus.bsz-bw.de/bsz1787067785inh.htm 20220325193524 Inhaltsverzeichnis |
spellingShingle | Tenue est mendacium rethinking fakes and authorship in classical, late antique & early Christian works Antike (DE-588)4068754-5 gnd Fälschung (DE-588)4016247-3 gnd Autor (DE-588)4003982-1 gnd |
subject_GND | (DE-588)4068754-5 (DE-588)4016247-3 (DE-588)4003982-1 (DE-588)4143413-4 |
title | Tenue est mendacium rethinking fakes and authorship in classical, late antique & early Christian works |
title_auth | Tenue est mendacium rethinking fakes and authorship in classical, late antique & early Christian works |
title_exact_search | Tenue est mendacium rethinking fakes and authorship in classical, late antique & early Christian works |
title_exact_search_txtP | Tenue est mendacium rethinking fakes and authorship in classical, late antique & early Christian works |
title_full | Tenue est mendacium rethinking fakes and authorship in classical, late antique & early Christian works edited by Klaus Lennartz and Javier Martinez |
title_fullStr | Tenue est mendacium rethinking fakes and authorship in classical, late antique & early Christian works edited by Klaus Lennartz and Javier Martinez |
title_full_unstemmed | Tenue est mendacium rethinking fakes and authorship in classical, late antique & early Christian works edited by Klaus Lennartz and Javier Martinez |
title_short | Tenue est mendacium |
title_sort | tenue est mendacium rethinking fakes and authorship in classical late antique early christian works |
title_sub | rethinking fakes and authorship in classical, late antique & early Christian works |
topic | Antike (DE-588)4068754-5 gnd Fälschung (DE-588)4016247-3 gnd Autor (DE-588)4003982-1 gnd |
topic_facet | Antike Fälschung Autor Aufsatzsammlung |
url | https://swbplus.bsz-bw.de/bsz1787067785inh.htm |
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