Radio's legacy in popular culture: the sounds of British broadcasting over the decades
"Radio's Legacy in Popular Culture examines work by novelists, film-makers, TV producers, and songwriters to uncover the manner in which the radio – and the act of listening – has been written about for the past hundred years. It is an accessible account of how radio has appeared in histor...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Bloomsbury Academic
2022
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Radio's Legacy in Popular Culture examines work by novelists, film-makers, TV producers, and songwriters to uncover the manner in which the radio – and the act of listening – has been written about for the past hundred years. It is an accessible account of how radio has appeared in history and popular culture over the decades. Ever since the first public wireless broadcasts, people have been writing about the radio: often negatively, sometimes full of praise, but always with an eye and an ear to explain, and offer an opinion, about what they think they have heard. Novelists including Graham Greene, Agatha Christie, Ernest Hemmingway, and James Joyce wrote about characters listening to this new medium with mixtures of delight, frustration, and despair. Clint Eastwood frightened moviegoers half to death in Play Misty for Me, but Lou Reed's Rock & Roll said listening to a New York station had saved Jenny's life. Frasier showed the urbane side of broadcasting, whilst Good Morning Vietnam exploded through transistor radios with a raw energy all of its own. Queen thought that all the audience heard was gaga, even as the Buggles said video had killed the radio star and Tom Petty and the Heartbreakers lamented The Last DJ. This book explores the cultural fascination with radio; the act of listening as a cultural expression – focusing on fiction, films and songs about radio. Martin Cooper, a broadcaster and academic, uses these movies, TV shows, songs, novels and more to tell a story of listening to the radio – as created by these contemporary writers, film-makers, and musicians." |
| Beschreibung: | ix, 247 Seiten Illustrationen |
| ISBN: | 9781501360442 |
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| 520 | 3 | |a "Radio's Legacy in Popular Culture examines work by novelists, film-makers, TV producers, and songwriters to uncover the manner in which the radio – and the act of listening – has been written about for the past hundred years. It is an accessible account of how radio has appeared in history and popular culture over the decades. Ever since the first public wireless broadcasts, people have been writing about the radio: often negatively, sometimes full of praise, but always with an eye and an ear to explain, and offer an opinion, about what they think they have heard. Novelists including Graham Greene, Agatha Christie, Ernest Hemmingway, and James Joyce wrote about characters listening to this new medium with mixtures of delight, frustration, and despair. Clint Eastwood frightened moviegoers half to death in Play Misty for Me, but Lou Reed's Rock & Roll said listening to a New York station had saved Jenny's life. Frasier showed the urbane side of broadcasting, whilst Good Morning Vietnam exploded through transistor radios with a raw energy all of its own. Queen thought that all the audience heard was gaga, even as the Buggles said video had killed the radio star and Tom Petty and the Heartbreakers lamented The Last DJ. This book explores the cultural fascination with radio; the act of listening as a cultural expression – focusing on fiction, films and songs about radio. Martin Cooper, a broadcaster and academic, uses these movies, TV shows, songs, novels and more to tell a story of listening to the radio – as created by these contemporary writers, film-makers, and musicians." | |
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Datensatz im Suchindex
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| adam_text |
Contents List of figures 1 2 3 4 5 6 7 8 9 10 Constructing a radio culture: The years up to 1922 Broadcasting on air, 1922 to 1935 Developing ways of listening: Class and distinction, 1935 to 1938 The home front: Modernism, war and its aftermath, 1938 to 1949 The new Elizabethans and new questions, 1950 to 1968 Britain and the fascination with American radio nostalgia, 1969 to 1979 Video killed the radio star: Satire, politics and international listening, 1979 to 1984 Hang the DJ: Critiquing the present, remembering the past, 1984 to 1993 Death and psychology: Radio, genocide and loneliness, 1993 to 2006 Listening back and looking forward: Nostalgia and new technology, 2006 to 2022 viii 1 17 39 61 85 109 127 147 167 187 Afterword 209 References Index 211 241 |
| adam_txt |
Contents List of figures 1 2 3 4 5 6 7 8 9 10 Constructing a radio culture: The years up to 1922 Broadcasting on air, 1922 to 1935 Developing ways of listening: Class and distinction, 1935 to 1938 The home front: Modernism, war and its aftermath, 1938 to 1949 The new Elizabethans and new questions, 1950 to 1968 Britain and the fascination with American radio nostalgia, 1969 to 1979 Video killed the radio star: Satire, politics and international listening, 1979 to 1984 Hang the DJ: Critiquing the present, remembering the past, 1984 to 1993 Death and psychology: Radio, genocide and loneliness, 1993 to 2006 Listening back and looking forward: Nostalgia and new technology, 2006 to 2022 viii 1 17 39 61 85 109 127 147 167 187 Afterword 209 References Index 211 241 |
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| spelling | Cooper, Martin Verfasser aut Radio's legacy in popular culture the sounds of British broadcasting over the decades Martin Cooper New York, NY Bloomsbury Academic 2022 ix, 247 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier "Radio's Legacy in Popular Culture examines work by novelists, film-makers, TV producers, and songwriters to uncover the manner in which the radio – and the act of listening – has been written about for the past hundred years. It is an accessible account of how radio has appeared in history and popular culture over the decades. Ever since the first public wireless broadcasts, people have been writing about the radio: often negatively, sometimes full of praise, but always with an eye and an ear to explain, and offer an opinion, about what they think they have heard. Novelists including Graham Greene, Agatha Christie, Ernest Hemmingway, and James Joyce wrote about characters listening to this new medium with mixtures of delight, frustration, and despair. Clint Eastwood frightened moviegoers half to death in Play Misty for Me, but Lou Reed's Rock & Roll said listening to a New York station had saved Jenny's life. Frasier showed the urbane side of broadcasting, whilst Good Morning Vietnam exploded through transistor radios with a raw energy all of its own. Queen thought that all the audience heard was gaga, even as the Buggles said video had killed the radio star and Tom Petty and the Heartbreakers lamented The Last DJ. This book explores the cultural fascination with radio; the act of listening as a cultural expression – focusing on fiction, films and songs about radio. Martin Cooper, a broadcaster and academic, uses these movies, TV shows, songs, novels and more to tell a story of listening to the radio – as created by these contemporary writers, film-makers, and musicians." Rezeption (DE-588)4049716-1 gnd rswk-swf Massenkultur (DE-588)4125858-7 gnd rswk-swf Hörfunk (DE-588)4025408-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Radio in mass media Mass media / Great Britain Radio in popular culture / Great Britain Großbritannien (DE-588)4022153-2 g Hörfunk (DE-588)4025408-2 s Rezeption (DE-588)4049716-1 s Massenkultur (DE-588)4125858-7 s DE-604 Erscheint auch als Online-Ausgabe, PDF 978-1-5013-6042-8 Erscheint auch als Online-Ausgabe 978-1-5013-6043-5 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033301075&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Cooper, Martin Radio's legacy in popular culture the sounds of British broadcasting over the decades Rezeption (DE-588)4049716-1 gnd Massenkultur (DE-588)4125858-7 gnd Hörfunk (DE-588)4025408-2 gnd |
| subject_GND | (DE-588)4049716-1 (DE-588)4125858-7 (DE-588)4025408-2 (DE-588)4022153-2 |
| title | Radio's legacy in popular culture the sounds of British broadcasting over the decades |
| title_auth | Radio's legacy in popular culture the sounds of British broadcasting over the decades |
| title_exact_search | Radio's legacy in popular culture the sounds of British broadcasting over the decades |
| title_exact_search_txtP | Radio's legacy in popular culture the sounds of British broadcasting over the decades |
| title_full | Radio's legacy in popular culture the sounds of British broadcasting over the decades Martin Cooper |
| title_fullStr | Radio's legacy in popular culture the sounds of British broadcasting over the decades Martin Cooper |
| title_full_unstemmed | Radio's legacy in popular culture the sounds of British broadcasting over the decades Martin Cooper |
| title_short | Radio's legacy in popular culture |
| title_sort | radio s legacy in popular culture the sounds of british broadcasting over the decades |
| title_sub | the sounds of British broadcasting over the decades |
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| topic_facet | Rezeption Massenkultur Hörfunk Großbritannien |
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