The dramaturgy of commedia dell'arte:
"This book examines Commedia dell'Arte as a performative genre, and one that should be analysed through the framework of dramaturgy and dramaturgical practice. This volume examines the way Commedia has been explored in the C20th and C21st centuries, and details its reinventors' dramat...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2022
|
| Schlagworte: | |
| Zusammenfassung: | "This book examines Commedia dell'Arte as a performative genre, and one that should be analysed through the framework of dramaturgy and dramaturgical practice. This volume examines the way Commedia has been explored in the C20th and C21st centuries, and details its reinventors' dramaturgic approaches, both focusing in on specific examples such as Jacques Lecoq, Dario Fo and Antonio Fava, and also suggesting how modern discoveries may aid the study of historical performance practice. It also discusses how audiences read and receive masks; the relationship between the different masked and unmasked roles; the range of performance activities that come under the umbrella term 'improvisation'; the performative construction of a role performed 'live' from a scenario; the role of language and embodied locality in performance; the performative relationship between performative commedia and literary tragicomedy. Its focus is dramaturgy, and so may be read both as a text describing various theatrical practices from 1946 onwards, but also as way of creating one's own contemporary Commedia Practice. It is an important read for any student or scholar of Commedia dell'Arte and theatre historians grappling with the status of this unique and influential performance form"-- |
| Beschreibung: | xv, 179 Seiten Illustrationen, Karte |
| ISBN: | 9780367608859 9780367608842 |
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| 245 | 1 | 0 | |a The dramaturgy of commedia dell'arte |c Olly Crick ; with Sergio Costola |
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| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a The founders of neo-commedia -- The second and third generations of reinventors -- Commedia archetypes -- Fixed types and stock roles -- Actors, parts and roles / by Sergio Costola -- Improvisation and commedia -- Grammelot and the performance of language -- Neo-commedia and the ensemble -- Masks in neo-commedia -- The epilogue | |
| 520 | 3 | |a "This book examines Commedia dell'Arte as a performative genre, and one that should be analysed through the framework of dramaturgy and dramaturgical practice. This volume examines the way Commedia has been explored in the C20th and C21st centuries, and details its reinventors' dramaturgic approaches, both focusing in on specific examples such as Jacques Lecoq, Dario Fo and Antonio Fava, and also suggesting how modern discoveries may aid the study of historical performance practice. It also discusses how audiences read and receive masks; the relationship between the different masked and unmasked roles; the range of performance activities that come under the umbrella term 'improvisation'; the performative construction of a role performed 'live' from a scenario; the role of language and embodied locality in performance; the performative relationship between performative commedia and literary tragicomedy. Its focus is dramaturgy, and so may be read both as a text describing various theatrical practices from 1946 onwards, but also as way of creating one's own contemporary Commedia Practice. It is an important read for any student or scholar of Commedia dell'Arte and theatre historians grappling with the status of this unique and influential performance form"-- | |
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| 653 | 0 | |a Commedia dell'arte / Technique | |
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Datensatz im Suchindex
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| author | Crick, Olly 1960- |
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| author_facet | Crick, Olly 1960- |
| author_role | aut |
| author_sort | Crick, Olly 1960- |
| author_variant | o c oc |
| building | Verbundindex |
| bvnumber | BV047911710 |
| contents | The founders of neo-commedia -- The second and third generations of reinventors -- Commedia archetypes -- Fixed types and stock roles -- Actors, parts and roles / by Sergio Costola -- Improvisation and commedia -- Grammelot and the performance of language -- Neo-commedia and the ensemble -- Masks in neo-commedia -- The epilogue |
| ctrlnum | (OCoLC)1334016777 (DE-599)BVBBV047911710 |
| format | Book |
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| id | DE-604.BV047911710 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:31:31Z |
| indexdate | 2024-07-10T09:24:54Z |
| institution | BVB |
| isbn | 9780367608859 9780367608842 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033293447 |
| oclc_num | 1334016777 |
| open_access_boolean | |
| owner | DE-B170 DE-12 |
| owner_facet | DE-B170 DE-12 |
| physical | xv, 179 Seiten Illustrationen, Karte |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Routledge, Taylor & Francis Group |
| record_format | marc |
| spelling | Crick, Olly 1960- Verfasser (DE-588)1122141122 aut The dramaturgy of commedia dell'arte Olly Crick ; with Sergio Costola London ; New York Routledge, Taylor & Francis Group 2022 xv, 179 Seiten Illustrationen, Karte txt rdacontent n rdamedia nc rdacarrier The founders of neo-commedia -- The second and third generations of reinventors -- Commedia archetypes -- Fixed types and stock roles -- Actors, parts and roles / by Sergio Costola -- Improvisation and commedia -- Grammelot and the performance of language -- Neo-commedia and the ensemble -- Masks in neo-commedia -- The epilogue "This book examines Commedia dell'Arte as a performative genre, and one that should be analysed through the framework of dramaturgy and dramaturgical practice. This volume examines the way Commedia has been explored in the C20th and C21st centuries, and details its reinventors' dramaturgic approaches, both focusing in on specific examples such as Jacques Lecoq, Dario Fo and Antonio Fava, and also suggesting how modern discoveries may aid the study of historical performance practice. It also discusses how audiences read and receive masks; the relationship between the different masked and unmasked roles; the range of performance activities that come under the umbrella term 'improvisation'; the performative construction of a role performed 'live' from a scenario; the role of language and embodied locality in performance; the performative relationship between performative commedia and literary tragicomedy. Its focus is dramaturgy, and so may be read both as a text describing various theatrical practices from 1946 onwards, but also as way of creating one's own contemporary Commedia Practice. It is an important read for any student or scholar of Commedia dell'Arte and theatre historians grappling with the status of this unique and influential performance form"-- Dramaturgie (DE-588)4124796-6 gnd rswk-swf Commedia dell'arte (DE-588)4010433-3 gnd rswk-swf Commedia dell'arte / Technique Commedia dell'arte / History and criticism Commedia dell'arte Criticism, interpretation, etc Commedia dell'arte (DE-588)4010433-3 s Dramaturgie (DE-588)4124796-6 s DE-604 Costola, Sergio Sonstige (DE-588)132886383 oth Erscheint auch als Online-Ausgabe, ebk 978-1-00-310237-3 |
| spellingShingle | Crick, Olly 1960- The dramaturgy of commedia dell'arte The founders of neo-commedia -- The second and third generations of reinventors -- Commedia archetypes -- Fixed types and stock roles -- Actors, parts and roles / by Sergio Costola -- Improvisation and commedia -- Grammelot and the performance of language -- Neo-commedia and the ensemble -- Masks in neo-commedia -- The epilogue Dramaturgie (DE-588)4124796-6 gnd Commedia dell'arte (DE-588)4010433-3 gnd |
| subject_GND | (DE-588)4124796-6 (DE-588)4010433-3 |
| title | The dramaturgy of commedia dell'arte |
| title_auth | The dramaturgy of commedia dell'arte |
| title_exact_search | The dramaturgy of commedia dell'arte |
| title_exact_search_txtP | The dramaturgy of commedia dell'arte |
| title_full | The dramaturgy of commedia dell'arte Olly Crick ; with Sergio Costola |
| title_fullStr | The dramaturgy of commedia dell'arte Olly Crick ; with Sergio Costola |
| title_full_unstemmed | The dramaturgy of commedia dell'arte Olly Crick ; with Sergio Costola |
| title_short | The dramaturgy of commedia dell'arte |
| title_sort | the dramaturgy of commedia dell arte |
| topic | Dramaturgie (DE-588)4124796-6 gnd Commedia dell'arte (DE-588)4010433-3 gnd |
| topic_facet | Dramaturgie Commedia dell'arte |
| work_keys_str_mv | AT crickolly thedramaturgyofcommediadellarte AT costolasergio thedramaturgyofcommediadellarte |