Stravinsky and the musical body: creative process and meaning
This book sheds new light on the role of the body in the music of Igor Stravinsky. The idea that the body plays an essential role in music has stimulated a wide range of new approaches in recent musicology. This book tries to apply them to the music of Igor Stravinsky from the perspective of the cre...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Turnhout
Brepols
2021
|
| Schriftenreihe: | Specvlvm mvsicae
volume 45 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This book sheds new light on the role of the body in the music of Igor Stravinsky. The idea that the body plays an essential role in music has stimulated a wide range of new approaches in recent musicology. This book tries to apply them to the music of Igor Stravinsky from the perspective of the creative process and the construction of meaning. Most of the works examined are compositions for theatre and dance, and the analyses address many other features of the spectacle, such as choreography, scenography, stage, and television direction. That said, many compositions not intended for the stage are also considered from the perspective of the ?embodied? creative process and their implicit bodily expressiveness. Each chapter focuses on a number of Stravinsky's most famous and significant works, from the 'Firebird' to the late serial compositions. A special place is reserved for the latter, which undoubtedly constitute the least well-known part of Stravinsky?s output. The chapters are accompanied by a large number of analyses that invite readers to go ?beyond? the musical text while still relying on it, allowing them to understand how the strong physicality clearly perceived in Stravinsky's music can be associated with some of its formal and structural characteristics. In so doing, the book encourages the reader to overcome overly rigid dichotomies such as formalist/contextualist, or historical/ analytical. |
| Beschreibung: | xiii, 398 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9782503597782 |
Internformat
MARC
| LEADER | 00000nam a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV047911453 | ||
| 003 | DE-604 | ||
| 005 | 20220513 | ||
| 007 | t | ||
| 008 | 220405s2021 be agl| |||| 00||| eng d | ||
| 020 | |a 9782503597782 |q hbk |9 978-2-503-59778-2 | ||
| 035 | |a (OCoLC)1309494668 | ||
| 035 | |a (DE-599)KXP1796796239 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a be |c XA-BE | ||
| 049 | |a DE-37 |a DE-355 |a DE-12 |a DE-20 |a DE-19 | ||
| 050 | 0 | |a M | |
| 082 | 0 | |a 780 | |
| 084 | |a MUS |q DE-12 |2 fid | ||
| 084 | |a LP 94889 |0 (DE-625)108881: |2 rvk | ||
| 100 | 1 | |a Locanto, Massimiliano |e Verfasser |0 (DE-588)1028235445 |4 aut | |
| 245 | 1 | 0 | |a Stravinsky and the musical body |b creative process and meaning |c Massimiliano Locanto |
| 264 | 1 | |a Turnhout |b Brepols |c 2021 | |
| 300 | |a xiii, 398 Seiten |b Illustrationen, Notenbeispiele | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Specvlvm mvsicae |v volume 45 | |
| 520 | 3 | |a This book sheds new light on the role of the body in the music of Igor Stravinsky. The idea that the body plays an essential role in music has stimulated a wide range of new approaches in recent musicology. This book tries to apply them to the music of Igor Stravinsky from the perspective of the creative process and the construction of meaning. Most of the works examined are compositions for theatre and dance, and the analyses address many other features of the spectacle, such as choreography, scenography, stage, and television direction. That said, many compositions not intended for the stage are also considered from the perspective of the ?embodied? creative process and their implicit bodily expressiveness. Each chapter focuses on a number of Stravinsky's most famous and significant works, from the 'Firebird' to the late serial compositions. A special place is reserved for the latter, which undoubtedly constitute the least well-known part of Stravinsky?s output. The chapters are accompanied by a large number of analyses that invite readers to go ?beyond? the musical text while still relying on it, allowing them to understand how the strong physicality clearly perceived in Stravinsky's music can be associated with some of its formal and structural characteristics. In so doing, the book encourages the reader to overcome overly rigid dichotomies such as formalist/contextualist, or historical/ analytical. | |
| 600 | 1 | 7 | |a Stravinsky, Igor |d 1882-1971 |t Žar-ptica |0 (DE-588)30015805X |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Stravinsky, Igor |d 1882-1971 |0 (DE-588)118642545 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Komposition |g Musik |0 (DE-588)4133320-2 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Stravinsky, Igor |d 1882-1971 |0 (DE-588)118642545 |D p |
| 689 | 0 | 1 | |a Komposition |g Musik |0 (DE-588)4133320-2 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Stravinsky, Igor |d 1882-1971 |t Žar-ptica |0 (DE-588)30015805X |D u |
| 689 | 1 | |5 DE-604 | |
| 830 | 0 | |a Specvlvm mvsicae |v volume 45 |w (DE-604)BV011188963 |9 45 | |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033293198&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |n oe | |
| 940 | 1 | |q BSB_NED_20220429 | |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 0904 |g 471 |
Datensatz im Suchindex
| _version_ | 1805072222943969280 |
|---|---|
| adam_text |
Contents ix Foreword Acknowledgements xii Notes on Musical Examples, Abbreviations and Conventions xiii Chapter One In Search of the Musical Body 1 Part I: Body, Voice, and Music in Stravinsky’s Theatre Premise: Stravinsky ’s Bodily Topics 1 The Emergence of an Anti-Realistic Vision of the Body 4 Against Logos 12 Part II: Analytic Issues Music Analysis, Meaning, and Embodiment: The Problem of ‘Formalist’ Analysis 23 Music Gestures as Energetic Continuities 26 An Example: Variationsfor Orchestra 29 Source for the Choreo-Musical Analysis: Some Issues 43 The Firebird between Tradition and ‘Reconstruction’ 50 A Collaboration Reconsidered 58 Chapter Two Representing the Body in The Firebird 63 A Collaborative Project 63 Excursus: Composing Music in the ‘Old’ Ballet 82
Composing Music for a ‘New’ Ballet 89 A ‘New’ Collaborative Method 97 Words, Gestures, Movements 105 Movements, Actions, Processions 116 ‘Improvising’Ballet Music 125 ‘Improvising’ with Leitmotifs 144 Opposite Characters, Opposite Bodies 172 Conclusion: After The Firebird 191 Chapter Three «Il ne faut pas mépriser les doigts»: Composing with Hands, Composing with Intervals 195 Part I: Composing with Hands The ‘Musical Idea’ and the ‘Composer’s Mind’ 195 The Body and the Hands: A Theoretical Framework 199 From Keyboard to Paper: Improvisation and Composition 205 Piano vs Orchestra ? 215 Ways of the Hand, Keys, Steps 219 Symmetries over the Keyboard: From Rimsky-Korsakov to Stravinsky A ‘Danse ’ of the Hands 226 238 Part и : Composing with Intervals ‘Change of Life’ 252 What Is a Motif ? 256 From Steps to Rows 263 From Motifs to Rows 269 From Rows to Motifs 276 Movements. over the Keyboard 285 Conclusion: Theory and Practice 295
Chapter Four Supernatural Beings, Human Bodies: The Flood as an Anti-Realistic Television Opera 299 Intellectuals and Mass Culture 300 A Collective Work 305 Between Theatre and Television : The Problem of ‘Realism’ 318 Different Styles, Different Bodies 327 From Heaven to Earth 345 Bibliography 365 Index of Names 393 |
| adam_txt |
Contents ix Foreword Acknowledgements xii Notes on Musical Examples, Abbreviations and Conventions xiii Chapter One In Search of the Musical Body 1 Part I: Body, Voice, and Music in Stravinsky’s Theatre Premise: Stravinsky ’s Bodily Topics 1 The Emergence of an Anti-Realistic Vision of the Body 4 Against Logos 12 Part II: Analytic Issues Music Analysis, Meaning, and Embodiment: The Problem of ‘Formalist’ Analysis 23 Music Gestures as Energetic Continuities 26 An Example: Variationsfor Orchestra 29 Source for the Choreo-Musical Analysis: Some Issues 43 The Firebird between Tradition and ‘Reconstruction’ 50 A Collaboration Reconsidered 58 Chapter Two Representing the Body in The Firebird 63 A Collaborative Project 63 Excursus: Composing Music in the ‘Old’ Ballet 82
Composing Music for a ‘New’ Ballet 89 A ‘New’ Collaborative Method 97 Words, Gestures, Movements 105 Movements, Actions, Processions 116 ‘Improvising’Ballet Music 125 ‘Improvising’ with Leitmotifs 144 Opposite Characters, Opposite Bodies 172 Conclusion: After The Firebird 191 Chapter Three «Il ne faut pas mépriser les doigts»: Composing with Hands, Composing with Intervals 195 Part I: Composing with Hands The ‘Musical Idea’ and the ‘Composer’s Mind’ 195 The Body and the Hands: A Theoretical Framework 199 From Keyboard to Paper: Improvisation and Composition 205 Piano vs Orchestra ? 215 Ways of the Hand, Keys, Steps 219 Symmetries over the Keyboard: From Rimsky-Korsakov to Stravinsky A ‘Danse ’ of the Hands 226 238 Part и : Composing with Intervals ‘Change of Life’ 252 What Is a Motif ? 256 From Steps to Rows 263 From Motifs to Rows 269 From Rows to Motifs 276 Movements. over the Keyboard 285 Conclusion: Theory and Practice 295
Chapter Four Supernatural Beings, Human Bodies: The Flood as an Anti-Realistic Television Opera 299 Intellectuals and Mass Culture 300 A Collective Work 305 Between Theatre and Television : The Problem of ‘Realism’ 318 Different Styles, Different Bodies 327 From Heaven to Earth 345 Bibliography 365 Index of Names 393 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Locanto, Massimiliano |
| author_GND | (DE-588)1028235445 |
| author_facet | Locanto, Massimiliano |
| author_role | aut |
| author_sort | Locanto, Massimiliano |
| author_variant | m l ml |
| building | Verbundindex |
| bvnumber | BV047911453 |
| callnumber-first | M - Music |
| callnumber-label | M |
| callnumber-raw | M |
| callnumber-search | M |
| callnumber-sort | M |
| callnumber-subject | M - Music |
| classification_rvk | LP 94889 |
| ctrlnum | (OCoLC)1309494668 (DE-599)KXP1796796239 |
| dewey-full | 780 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780 |
| dewey-search | 780 |
| dewey-sort | 3780 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 cb4500</leader><controlfield tag="001">BV047911453</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220513</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">220405s2021 be agl| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9782503597782</subfield><subfield code="q">hbk</subfield><subfield code="9">978-2-503-59778-2</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1309494668</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KXP1796796239</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">be</subfield><subfield code="c">XA-BE</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-37</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-20</subfield><subfield code="a">DE-19</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">M</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">780</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 94889</subfield><subfield code="0">(DE-625)108881:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Locanto, Massimiliano</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1028235445</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Stravinsky and the musical body</subfield><subfield code="b">creative process and meaning</subfield><subfield code="c">Massimiliano Locanto</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Turnhout</subfield><subfield code="b">Brepols</subfield><subfield code="c">2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xiii, 398 Seiten</subfield><subfield code="b">Illustrationen, Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Specvlvm mvsicae</subfield><subfield code="v">volume 45</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">This book sheds new light on the role of the body in the music of Igor Stravinsky. The idea that the body plays an essential role in music has stimulated a wide range of new approaches in recent musicology. This book tries to apply them to the music of Igor Stravinsky from the perspective of the creative process and the construction of meaning. Most of the works examined are compositions for theatre and dance, and the analyses address many other features of the spectacle, such as choreography, scenography, stage, and television direction. That said, many compositions not intended for the stage are also considered from the perspective of the ?embodied? creative process and their implicit bodily expressiveness. Each chapter focuses on a number of Stravinsky's most famous and significant works, from the 'Firebird' to the late serial compositions. A special place is reserved for the latter, which undoubtedly constitute the least well-known part of Stravinsky?s output. The chapters are accompanied by a large number of analyses that invite readers to go ?beyond? the musical text while still relying on it, allowing them to understand how the strong physicality clearly perceived in Stravinsky's music can be associated with some of its formal and structural characteristics. In so doing, the book encourages the reader to overcome overly rigid dichotomies such as formalist/contextualist, or historical/ analytical.</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Stravinsky, Igor</subfield><subfield code="d">1882-1971</subfield><subfield code="t">Žar-ptica</subfield><subfield code="0">(DE-588)30015805X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Stravinsky, Igor</subfield><subfield code="d">1882-1971</subfield><subfield code="0">(DE-588)118642545</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Komposition</subfield><subfield code="g">Musik</subfield><subfield code="0">(DE-588)4133320-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Stravinsky, Igor</subfield><subfield code="d">1882-1971</subfield><subfield code="0">(DE-588)118642545</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Komposition</subfield><subfield code="g">Musik</subfield><subfield code="0">(DE-588)4133320-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Stravinsky, Igor</subfield><subfield code="d">1882-1971</subfield><subfield code="t">Žar-ptica</subfield><subfield code="0">(DE-588)30015805X</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Specvlvm mvsicae</subfield><subfield code="v">volume 45</subfield><subfield code="w">(DE-604)BV011188963</subfield><subfield code="9">45</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033293198&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">oe</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20220429</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">471</subfield></datafield></record></collection> |
| id | DE-604.BV047911453 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:31:26Z |
| indexdate | 2024-07-20T04:50:17Z |
| institution | BVB |
| isbn | 9782503597782 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033293198 |
| oclc_num | 1309494668 |
| open_access_boolean | |
| owner | DE-37 DE-355 DE-BY-UBR DE-12 DE-20 DE-19 DE-BY-UBM |
| owner_facet | DE-37 DE-355 DE-BY-UBR DE-12 DE-20 DE-19 DE-BY-UBM |
| physical | xiii, 398 Seiten Illustrationen, Notenbeispiele |
| psigel | BSB_NED_20220429 |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Brepols |
| record_format | marc |
| series | Specvlvm mvsicae |
| series2 | Specvlvm mvsicae |
| spelling | Locanto, Massimiliano Verfasser (DE-588)1028235445 aut Stravinsky and the musical body creative process and meaning Massimiliano Locanto Turnhout Brepols 2021 xiii, 398 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Specvlvm mvsicae volume 45 This book sheds new light on the role of the body in the music of Igor Stravinsky. The idea that the body plays an essential role in music has stimulated a wide range of new approaches in recent musicology. This book tries to apply them to the music of Igor Stravinsky from the perspective of the creative process and the construction of meaning. Most of the works examined are compositions for theatre and dance, and the analyses address many other features of the spectacle, such as choreography, scenography, stage, and television direction. That said, many compositions not intended for the stage are also considered from the perspective of the ?embodied? creative process and their implicit bodily expressiveness. Each chapter focuses on a number of Stravinsky's most famous and significant works, from the 'Firebird' to the late serial compositions. A special place is reserved for the latter, which undoubtedly constitute the least well-known part of Stravinsky?s output. The chapters are accompanied by a large number of analyses that invite readers to go ?beyond? the musical text while still relying on it, allowing them to understand how the strong physicality clearly perceived in Stravinsky's music can be associated with some of its formal and structural characteristics. In so doing, the book encourages the reader to overcome overly rigid dichotomies such as formalist/contextualist, or historical/ analytical. Stravinsky, Igor 1882-1971 Žar-ptica (DE-588)30015805X gnd rswk-swf Stravinsky, Igor 1882-1971 (DE-588)118642545 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Stravinsky, Igor 1882-1971 (DE-588)118642545 p Komposition Musik (DE-588)4133320-2 s DE-604 Stravinsky, Igor 1882-1971 Žar-ptica (DE-588)30015805X u Specvlvm mvsicae volume 45 (DE-604)BV011188963 45 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033293198&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Locanto, Massimiliano Stravinsky and the musical body creative process and meaning Specvlvm mvsicae Stravinsky, Igor 1882-1971 Žar-ptica (DE-588)30015805X gnd Stravinsky, Igor 1882-1971 (DE-588)118642545 gnd Komposition Musik (DE-588)4133320-2 gnd |
| subject_GND | (DE-588)30015805X (DE-588)118642545 (DE-588)4133320-2 |
| title | Stravinsky and the musical body creative process and meaning |
| title_auth | Stravinsky and the musical body creative process and meaning |
| title_exact_search | Stravinsky and the musical body creative process and meaning |
| title_exact_search_txtP | Stravinsky and the musical body creative process and meaning |
| title_full | Stravinsky and the musical body creative process and meaning Massimiliano Locanto |
| title_fullStr | Stravinsky and the musical body creative process and meaning Massimiliano Locanto |
| title_full_unstemmed | Stravinsky and the musical body creative process and meaning Massimiliano Locanto |
| title_short | Stravinsky and the musical body |
| title_sort | stravinsky and the musical body creative process and meaning |
| title_sub | creative process and meaning |
| topic | Stravinsky, Igor 1882-1971 Žar-ptica (DE-588)30015805X gnd Stravinsky, Igor 1882-1971 (DE-588)118642545 gnd Komposition Musik (DE-588)4133320-2 gnd |
| topic_facet | Stravinsky, Igor 1882-1971 Žar-ptica Stravinsky, Igor 1882-1971 Komposition Musik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033293198&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV011188963 |
| work_keys_str_mv | AT locantomassimiliano stravinskyandthemusicalbodycreativeprocessandmeaning |