The city as subject: public art and urban discourse in Berlin
"In The City as Subject, Carolyn S. Loeb examines three bodies of public art in Berlin in the postwar and contemporary periods: legal and illegal murals painted on exposed residential firewalls in West Berlin in the 1970s and 1980s, public sculpture created primarily during the decade and a hal...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
Bloomsbury Visual Arts
2022
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| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Zusammenfassung: | "In The City as Subject, Carolyn S. Loeb examines three bodies of public art in Berlin in the postwar and contemporary periods: legal and illegal murals painted on exposed residential firewalls in West Berlin in the 1970s and 1980s, public sculpture created primarily during the decade and a half following reunification, and the official Berlin Wall Memorial. Through careful analysis of these works, Loeb develops a conception of the city as not only shaped by its citizens but capable of connecting Berlin's inhabitants with the past. The three structures in question each represent a distinctive body of public art that has emerged in the city--and beyond their ostensible subjects, they are all embedded within Berlin's specifically urban landscape. These bodies together demonstrate public art's reliance on the city's own forms and materials as a means of visual expression. By considering the history, contexts, subjects, materials, and formal decisions manifested in each work, as well as their relationship to a prevailing climate of citizen activism, this book shows how these bodies of public art present a vision of Berlin that counters today's homogenizing practices, and in doing so each one keeps alive citizen-activists' conversations about the nature of the city that they desire." |
| Beschreibung: | 1 Online-Ressource (xviii, 239 Seiten) Illustrationen |
| ISBN: | 9781350258631 9781350258617 |
| DOI: | 10.5040/9781350258631 |
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| 505 | 8 | |a Preface and acknowledgments -- 1. Introduction: Public Art and the Affirmation of the City -- 2. West Berlin Walls, Street Art, and the Right to the City -- 3. City Spaces: Contemporary Public Sculpture in Berlin -- 4. The Memorial Landscape of the Berlin Wall -- 5. Conclusion: Public Art within an Urban Discourse -- Bibliography -- Index | |
| 520 | 3 | |a "In The City as Subject, Carolyn S. Loeb examines three bodies of public art in Berlin in the postwar and contemporary periods: legal and illegal murals painted on exposed residential firewalls in West Berlin in the 1970s and 1980s, public sculpture created primarily during the decade and a half following reunification, and the official Berlin Wall Memorial. Through careful analysis of these works, Loeb develops a conception of the city as not only shaped by its citizens but capable of connecting Berlin's inhabitants with the past. The three structures in question each represent a distinctive body of public art that has emerged in the city--and beyond their ostensible subjects, they are all embedded within Berlin's specifically urban landscape. These bodies together demonstrate public art's reliance on the city's own forms and materials as a means of visual expression. By considering the history, contexts, subjects, materials, and formal decisions manifested in each work, as well as their relationship to a prevailing climate of citizen activism, this book shows how these bodies of public art present a vision of Berlin that counters today's homogenizing practices, and in doing so each one keeps alive citizen-activists' conversations about the nature of the city that they desire." | |
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Datensatz im Suchindex
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| author | Loeb, Carolyn S. 1948- |
| author_GND | (DE-588)1212142195 |
| author_facet | Loeb, Carolyn S. 1948- |
| author_role | aut |
| author_sort | Loeb, Carolyn S. 1948- |
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| contents | Preface and acknowledgments -- 1. Introduction: Public Art and the Affirmation of the City -- 2. West Berlin Walls, Street Art, and the Right to the City -- 3. City Spaces: Contemporary Public Sculpture in Berlin -- 4. The Memorial Landscape of the Berlin Wall -- 5. Conclusion: Public Art within an Urban Discourse -- Bibliography -- Index |
| ctrlnum | (OCoLC)1310241734 (DE-599)BVBBV047904752 |
| discipline | Kunstgeschichte Architektur |
| discipline_str_mv | Kunstgeschichte Architektur |
| doi_str_mv | 10.5040/9781350258631 |
| era | Geschichte 1970-2010 gnd |
| era_facet | Geschichte 1970-2010 |
| format | Electronic eBook |
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| geographic | Berlin (DE-588)4005728-8 gnd |
| geographic_facet | Berlin |
| id | DE-604.BV047904752 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:29:41Z |
| indexdate | 2024-07-10T09:24:44Z |
| institution | BVB |
| isbn | 9781350258631 9781350258617 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033286625 |
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| physical | 1 Online-Ressource (xviii, 239 Seiten) Illustrationen |
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| publishDate | 2022 |
| publishDateSearch | 2022 |
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| publisher | Bloomsbury Visual Arts |
| record_format | marc |
| spelling | Loeb, Carolyn S. 1948- Verfasser (DE-588)1212142195 aut The city as subject public art and urban discourse in Berlin Carolyn S. Loeb London Bloomsbury Visual Arts 2022 1 Online-Ressource (xviii, 239 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Preface and acknowledgments -- 1. Introduction: Public Art and the Affirmation of the City -- 2. West Berlin Walls, Street Art, and the Right to the City -- 3. City Spaces: Contemporary Public Sculpture in Berlin -- 4. The Memorial Landscape of the Berlin Wall -- 5. Conclusion: Public Art within an Urban Discourse -- Bibliography -- Index "In The City as Subject, Carolyn S. Loeb examines three bodies of public art in Berlin in the postwar and contemporary periods: legal and illegal murals painted on exposed residential firewalls in West Berlin in the 1970s and 1980s, public sculpture created primarily during the decade and a half following reunification, and the official Berlin Wall Memorial. Through careful analysis of these works, Loeb develops a conception of the city as not only shaped by its citizens but capable of connecting Berlin's inhabitants with the past. The three structures in question each represent a distinctive body of public art that has emerged in the city--and beyond their ostensible subjects, they are all embedded within Berlin's specifically urban landscape. These bodies together demonstrate public art's reliance on the city's own forms and materials as a means of visual expression. By considering the history, contexts, subjects, materials, and formal decisions manifested in each work, as well as their relationship to a prevailing climate of citizen activism, this book shows how these bodies of public art present a vision of Berlin that counters today's homogenizing practices, and in doing so each one keeps alive citizen-activists' conversations about the nature of the city that they desire." Geschichte 1970-2010 gnd rswk-swf Öffentlicher Raum (DE-588)4172385-5 gnd rswk-swf Kunst am Bau (DE-588)4114334-6 gnd rswk-swf Stadtplanung (DE-588)4056754-0 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Berlin (DE-588)4005728-8 gnd rswk-swf Art / Germany / Berlin Berlin Wall, Berlin, Germany, 1961-1989 Art / Allemagne / Berlin Mur de Berlin Art Germany Germany / Berlin 1961-1989 Berlin (DE-588)4005728-8 g Stadtplanung (DE-588)4056754-0 s Kunst am Bau (DE-588)4114334-6 s Kunst (DE-588)4114333-4 s Öffentlicher Raum (DE-588)4172385-5 s Geschichte 1970-2010 z DE-604 Erscheint auch als Druck-Ausgabe 978-1-350-25860-0 https://doi.org/10.5040/9781350258631?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Loeb, Carolyn S. 1948- The city as subject public art and urban discourse in Berlin Preface and acknowledgments -- 1. Introduction: Public Art and the Affirmation of the City -- 2. West Berlin Walls, Street Art, and the Right to the City -- 3. City Spaces: Contemporary Public Sculpture in Berlin -- 4. The Memorial Landscape of the Berlin Wall -- 5. Conclusion: Public Art within an Urban Discourse -- Bibliography -- Index Öffentlicher Raum (DE-588)4172385-5 gnd Kunst am Bau (DE-588)4114334-6 gnd Stadtplanung (DE-588)4056754-0 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4172385-5 (DE-588)4114334-6 (DE-588)4056754-0 (DE-588)4114333-4 (DE-588)4005728-8 |
| title | The city as subject public art and urban discourse in Berlin |
| title_auth | The city as subject public art and urban discourse in Berlin |
| title_exact_search | The city as subject public art and urban discourse in Berlin |
| title_exact_search_txtP | The city as subject public art and urban discourse in Berlin |
| title_full | The city as subject public art and urban discourse in Berlin Carolyn S. Loeb |
| title_fullStr | The city as subject public art and urban discourse in Berlin Carolyn S. Loeb |
| title_full_unstemmed | The city as subject public art and urban discourse in Berlin Carolyn S. Loeb |
| title_short | The city as subject |
| title_sort | the city as subject public art and urban discourse in berlin |
| title_sub | public art and urban discourse in Berlin |
| topic | Öffentlicher Raum (DE-588)4172385-5 gnd Kunst am Bau (DE-588)4114334-6 gnd Stadtplanung (DE-588)4056754-0 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Öffentlicher Raum Kunst am Bau Stadtplanung Kunst Berlin |
| url | https://doi.org/10.5040/9781350258631?locatt=label:secondary_bloomsburyCollections |
| work_keys_str_mv | AT loebcarolyns thecityassubjectpublicartandurbandiscourseinberlin |