Film and identity in Kazakhstan: Soviet and post-Soviet culture in Central Asia
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2022
|
| Ausgabe: | Paperback edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Literaturverzeichnis Seite [315]-327 |
| Beschreibung: | XV, 332 Seiten Illustrationen |
| ISBN: | 9781350252295 |
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Datensatz im Suchindex
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CONTENTS Note on Transliteration List of Illustrations Acknowledgements x xi xiii Introduction From Constructed to Contested Nations: Theorising and Analysing Nation and Cinema Nations as Constructed Nations as Contested and Multiple Enter Cinema: Nationalist Myth-makingand Myth-breaking Multiple Nationalisms and National Identities in 1 3 6 11 Kazakhstan Analytical Framework and Structure of the Book 1. 14 Methods 19 30 Kazakh Khanate to Kazakh Eli: Nation-building in Kazakhstan in Historicaland Political Context 33 Ethno-genesis of the Kazakhstani Nation and the Rise and Fall of the Kazakh Khanate 35 The Development of Nationalist Movements in Kazakhstan under Russian Rule 39 Soviet Nation-building in Kazakhstan 43 Post-Soviet Nation-building 50 Conclusion 59
vm 2. 3. 4. 5. Film and Identity in Kazakhstan Between Two Worlds: Kazakh Film and Nation-building in the Soviet Era The Development of the Cinema Industry in the Soviet Union and Central Asia Antecedents to the Birth of Kazakh Cinema The Emergence of Kazakh Cinema and Shaken Aimanov I960-1970s: The National Awakening in Kazakh Cinema: The Two Worlds of Soviet Kazakh Cinema Conclusion: Influence of Kazakh Soviet Cinema The Disruption of Time: The ‘Kazakh New Wave’ 1985-95 Introduction Emergence of the New Wave ‘Kazakh New Wave’ as a Disruption of Empty Homogenous Time The Re-imagination of Kazakh History The Negation of Soviet Authority Capturing Transition on Screen After the ‘Kazakh New Wave’ Conclusion Naked in the Mirror: The Ethno-centric Narrative of Kazakh Nationhood Introduction The Context of the Cinema Industry in post-Soviet Kazakhstan Defence of the Homeland Ethnic Identity Power and Regime Legitimation Reception Conclusion May the Grass Never Grow at Your Door: The Civic Conception of Nationhood in Kazakh Cinema Inter-ethnic Harmony and Stability Kazakh Batyrs as Kind, Open and Hospitable Interpretation of History and Soviet Authority Reception Conclusion 62 65 67 71 76 88 91 91 93 97 100 108 114 120 122 123 123 125 128 135 142 148 151 153 154 162 167 171 173
Contents 6. ‘Hymn to Mother’: Tengrism, Motherhood and Nationhood Tengrism Literal Representations of Tengrism in Contemporary Kazakh Cinema Historical-philosophical Symbolic Representation of Tengrism in Contemporary Kazakh Cinema Quasi-primordial Symbolic Representation: Women, Family and the Cycle of Birth, Life and Death Controversy and Reception Conclusion 7. The Steppe, Disorientation, Division and Corruption: Social and Economic Visions of Modern Nationhood The Kazakh Steppe The Urban-rural Divide Struggles with Bureaucracy and Authority Home and Family Morality and Wealth Accumulation The Government’s Image of Modernity Conclusion ЇХ 175 177 181 185 193 195 197 200 203 208 212 221 226 232 236 Conclusion Heterogeneity of National Identity Dissent and Contentious Politics in Cinema Film and Nation-building 239 239 246 251 Notes Filmography Selected Bibliography Index 25^ 308 515 528 |
| adam_txt |
CONTENTS Note on Transliteration List of Illustrations Acknowledgements x xi xiii Introduction From Constructed to Contested Nations: Theorising and Analysing Nation and Cinema Nations as Constructed Nations as Contested and Multiple Enter Cinema: Nationalist Myth-makingand Myth-breaking Multiple Nationalisms and National Identities in 1 3 6 11 Kazakhstan Analytical Framework and Structure of the Book 1. 14 Methods 19 30 Kazakh Khanate to Kazakh Eli: Nation-building in Kazakhstan in Historicaland Political Context 33 Ethno-genesis of the Kazakhstani Nation and the Rise and Fall of the Kazakh Khanate 35 The Development of Nationalist Movements in Kazakhstan under Russian Rule 39 Soviet Nation-building in Kazakhstan 43 Post-Soviet Nation-building 50 Conclusion 59
vm 2. 3. 4. 5. Film and Identity in Kazakhstan Between Two Worlds: Kazakh Film and Nation-building in the Soviet Era The Development of the Cinema Industry in the Soviet Union and Central Asia Antecedents to the Birth of Kazakh Cinema The Emergence of Kazakh Cinema and Shaken Aimanov I960-1970s: The National Awakening in Kazakh Cinema: The Two Worlds of Soviet Kazakh Cinema Conclusion: Influence of Kazakh Soviet Cinema The Disruption of Time: The ‘Kazakh New Wave’ 1985-95 Introduction Emergence of the New Wave ‘Kazakh New Wave’ as a Disruption of Empty Homogenous Time The Re-imagination of Kazakh History The Negation of Soviet Authority Capturing Transition on Screen After the ‘Kazakh New Wave’ Conclusion Naked in the Mirror: The Ethno-centric Narrative of Kazakh Nationhood Introduction The Context of the Cinema Industry in post-Soviet Kazakhstan Defence of the Homeland Ethnic Identity Power and Regime Legitimation Reception Conclusion May the Grass Never Grow at Your Door: The Civic Conception of Nationhood in Kazakh Cinema Inter-ethnic Harmony and Stability Kazakh Batyrs as Kind, Open and Hospitable Interpretation of History and Soviet Authority Reception Conclusion 62 65 67 71 76 88 91 91 93 97 100 108 114 120 122 123 123 125 128 135 142 148 151 153 154 162 167 171 173
Contents 6. ‘Hymn to Mother’: Tengrism, Motherhood and Nationhood Tengrism Literal Representations of Tengrism in Contemporary Kazakh Cinema Historical-philosophical Symbolic Representation of Tengrism in Contemporary Kazakh Cinema Quasi-primordial Symbolic Representation: Women, Family and the Cycle of Birth, Life and Death Controversy and Reception Conclusion 7. The Steppe, Disorientation, Division and Corruption: Social and Economic Visions of Modern Nationhood The Kazakh Steppe The Urban-rural Divide Struggles with Bureaucracy and Authority Home and Family Morality and Wealth Accumulation The Government’s Image of Modernity Conclusion ЇХ 175 177 181 185 193 195 197 200 203 208 212 221 226 232 236 Conclusion Heterogeneity of National Identity Dissent and Contentious Politics in Cinema Film and Nation-building 239 239 246 251 Notes Filmography Selected Bibliography Index 25^ 308 515 528 |
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| author | Isaacs, Rico |
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| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| edition | Paperback edition |
| era | Geschichte 1939- gnd |
| era_facet | Geschichte 1939- |
| format | Book |
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| geographic_facet | Kasachstan Kasachische Sozialistische Sowjetrepublik |
| id | DE-604.BV047899629 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:28:33Z |
| indexdate | 2024-10-30T11:02:35Z |
| institution | BVB |
| isbn | 9781350252295 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033281573 |
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| physical | XV, 332 Seiten Illustrationen |
| publishDate | 2022 |
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| publisher | Bloomsbury Academic |
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| spelling | Isaacs, Rico Verfasser (DE-588)1179197771 aut Film and identity in Kazakhstan Soviet and post-Soviet culture in Central Asia Rico Isaacs Paperback edition London New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2022 © 2018 XV, 332 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Literaturverzeichnis Seite [315]-327 Geschichte 1939- gnd rswk-swf Nationalbewusstsein (DE-588)4041282-9 gnd rswk-swf Nationalismus Motiv (DE-588)4419039-6 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Kasachstan (DE-588)4029839-5 gnd rswk-swf Kasachische Sozialistische Sowjetrepublik (DE-588)1009150-6 gnd rswk-swf Kasachstan (DE-588)4029839-5 g Film (DE-588)4017102-4 s Nationalismus Motiv (DE-588)4419039-6 s Nationalbewusstsein (DE-588)4041282-9 s Geschichte 1939- z DE-604 Kasachische Sozialistische Sowjetrepublik (DE-588)1009150-6 g Äquivalent Druck-Ausgabe, Hardcover 978-1-7845-3838-5 Erscheint auch als Online-Ausgabe, PDF 978-1-350-98642-8 Erscheint auch als Online-Ausgabe, PDF 978-1-8386-0853-8 Erscheint auch als Online-Ausgabe, EPUB 978-1-8386-0852-1 Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033281573&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Isaacs, Rico Film and identity in Kazakhstan Soviet and post-Soviet culture in Central Asia Nationalbewusstsein (DE-588)4041282-9 gnd Nationalismus Motiv (DE-588)4419039-6 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4041282-9 (DE-588)4419039-6 (DE-588)4017102-4 (DE-588)4029839-5 (DE-588)1009150-6 |
| title | Film and identity in Kazakhstan Soviet and post-Soviet culture in Central Asia |
| title_auth | Film and identity in Kazakhstan Soviet and post-Soviet culture in Central Asia |
| title_exact_search | Film and identity in Kazakhstan Soviet and post-Soviet culture in Central Asia |
| title_exact_search_txtP | Film and identity in Kazakhstan Soviet and post-Soviet culture in Central Asia |
| title_full | Film and identity in Kazakhstan Soviet and post-Soviet culture in Central Asia Rico Isaacs |
| title_fullStr | Film and identity in Kazakhstan Soviet and post-Soviet culture in Central Asia Rico Isaacs |
| title_full_unstemmed | Film and identity in Kazakhstan Soviet and post-Soviet culture in Central Asia Rico Isaacs |
| title_short | Film and identity in Kazakhstan |
| title_sort | film and identity in kazakhstan soviet and post soviet culture in central asia |
| title_sub | Soviet and post-Soviet culture in Central Asia |
| topic | Nationalbewusstsein (DE-588)4041282-9 gnd Nationalismus Motiv (DE-588)4419039-6 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Nationalbewusstsein Nationalismus Motiv Film Kasachstan Kasachische Sozialistische Sowjetrepublik |
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