Shakespeare and British World War Two film:
"During the dark days of World War Two, British actors, politicians, writers and cultural commentators turned to Shakespeare in order to articulate both their national identity and the values for which their country was fighting. According to the literary critic G. Wilson Knight, Shakespeare is...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom
Cambridge University Press
2022
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "During the dark days of World War Two, British actors, politicians, writers and cultural commentators turned to Shakespeare in order to articulate both their national identity and the values for which their country was fighting. According to the literary critic G. Wilson Knight, Shakespeare is "the authentic voice of England" ; to the actor Donald Wolfit, "[he] represents more than everything else the fighting spirit of our country" ; and for the statesman and future prime minister Anthony Eden "our history is enacted, our philosophy as a people is given expression, in plays which are the greatest gift of English genius to mankind." In these formulations, Shakespeare and his works capture essential qualities of the nation; they serve as a principle of unity, a marker of what binds its people together. It is against this cultural backdrop that we can place Laurence Olivier's Henry V (1944). As Jennifer Barnes has noted, Shakespeare "could be made to function as a trope for the imagined community of the nation in wartime Britain," and Olivier's film, with its depiction of English, Irish, Scottish and Welsh soldiers coming together to form a "band of brothers," represents an important cinematic articulation of that trope, which I term the wartime Shakespeare topos (WST) |
| Beschreibung: | Includes index |
| Beschreibung: | xi, 203 Seiten Illustrationen |
| ISBN: | 9781108842648 9781108829663 |
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| 520 | 3 | |a "During the dark days of World War Two, British actors, politicians, writers and cultural commentators turned to Shakespeare in order to articulate both their national identity and the values for which their country was fighting. According to the literary critic G. Wilson Knight, Shakespeare is "the authentic voice of England" ; to the actor Donald Wolfit, "[he] represents more than everything else the fighting spirit of our country" ; and for the statesman and future prime minister Anthony Eden "our history is enacted, our philosophy as a people is given expression, in plays which are the greatest gift of English genius to mankind." In these formulations, Shakespeare and his works capture essential qualities of the nation; they serve as a principle of unity, a marker of what binds its people together. It is against this cultural backdrop that we can place Laurence Olivier's Henry V (1944). As Jennifer Barnes has noted, Shakespeare "could be made to function as a trope for the imagined community of the nation in wartime Britain," and Olivier's film, with its depiction of English, Irish, Scottish and Welsh soldiers coming together to form a "band of brothers," represents an important cinematic articulation of that trope, which I term the wartime Shakespeare topos (WST) | |
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Datensatz im Suchindex
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Contents List of Figures Acknowledgments Introduction 1 2 3 4 “Hamlet’s a Loser, Leslie”: Pimpernel Smith, Hamlet and Film Propaganda page viii x i 26 “What We All Have in Common”: Fires Were Started, Macbeth and the People’s War 58 The Black-White Gentleman: The Man in Grey, Othello and the Melodrama of Anglo-West IndianRelations 96 “Bottom’s Not a Gangsteri”: A Matter ofLife and Death, A Midsummer Night’s Dream and Postwar AngloAmerican Relations Coda Index Two Cities Films and “the Spirit of Britain”: Ln Which We Serve, The Way Ahead and Henry V 136 171 196
SHAKESPEARE AND BRITISH WORLD WAR TWO FILM During World War Two, many British writers and thinkers turned to Shakespeare to articulate the values for which their nation was fighting. Yet the cinema presented moviegoers with a more multifac eted Shakespeare, one who signaled division as well as unity. Shakespeare and British World War Two Film models a synchronic approach to adaptation that, by situating the Shakespeare movie within histories of film and society, avoids the familiar impasse in which the playwright’s works are the beginning, middle and end of critical study. Through close analysis of works by Laurence Olivier, Leslie Howard, Humphrey Jennings, and the partners Michael Powell and Emeric Pressburger, among others, this study demon strates how Shakespeare served as a powerfiil imaginative resource for filmmakers seeking to think through some of the most pressing issues and problems that beset wartime British society. |
| adam_txt |
Contents List of Figures Acknowledgments Introduction 1 2 3 4 “Hamlet’s a Loser, Leslie”: Pimpernel Smith, Hamlet and Film Propaganda page viii x i 26 “What We All Have in Common”: Fires Were Started, Macbeth and the People’s War 58 The Black-White Gentleman: The Man in Grey, Othello and the Melodrama of Anglo-West IndianRelations 96 “Bottom’s Not a Gangsteri”: A Matter ofLife and Death, A Midsummer Night’s Dream and Postwar AngloAmerican Relations Coda Index Two Cities Films and “the Spirit of Britain”: Ln Which We Serve, The Way Ahead and Henry V 136 171 196
SHAKESPEARE AND BRITISH WORLD WAR TWO FILM During World War Two, many British writers and thinkers turned to Shakespeare to articulate the values for which their nation was fighting. Yet the cinema presented moviegoers with a more multifac eted Shakespeare, one who signaled division as well as unity. Shakespeare and British World War Two Film models a synchronic approach to adaptation that, by situating the Shakespeare movie within histories of film and society, avoids the familiar impasse in which the playwright’s works are the beginning, middle and end of critical study. Through close analysis of works by Laurence Olivier, Leslie Howard, Humphrey Jennings, and the partners Michael Powell and Emeric Pressburger, among others, this study demon strates how Shakespeare served as a powerfiil imaginative resource for filmmakers seeking to think through some of the most pressing issues and problems that beset wartime British society. |
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| author | Sullivan, Garrett A. Jr. ca. 20./21. Jh |
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| dewey-full | 791.430942 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
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| discipline | Allgemeines Anglistik / Amerikanistik |
| discipline_str_mv | Allgemeines Anglistik / Amerikanistik |
| era | Geschichte 1939-1945 gnd |
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| spelling | Sullivan, Garrett A. Jr. ca. 20./21. Jh. Verfasser (DE-588)173275664 aut Shakespeare and British World War Two film Garrett A. Sullivan, Jr (Pennsylvania State University) Cambridge, United Kingdom Cambridge University Press 2022 xi, 203 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes index "During the dark days of World War Two, British actors, politicians, writers and cultural commentators turned to Shakespeare in order to articulate both their national identity and the values for which their country was fighting. According to the literary critic G. Wilson Knight, Shakespeare is "the authentic voice of England" ; to the actor Donald Wolfit, "[he] represents more than everything else the fighting spirit of our country" ; and for the statesman and future prime minister Anthony Eden "our history is enacted, our philosophy as a people is given expression, in plays which are the greatest gift of English genius to mankind." In these formulations, Shakespeare and his works capture essential qualities of the nation; they serve as a principle of unity, a marker of what binds its people together. It is against this cultural backdrop that we can place Laurence Olivier's Henry V (1944). As Jennifer Barnes has noted, Shakespeare "could be made to function as a trope for the imagined community of the nation in wartime Britain," and Olivier's film, with its depiction of English, Irish, Scottish and Welsh soldiers coming together to form a "band of brothers," represents an important cinematic articulation of that trope, which I term the wartime Shakespeare topos (WST) Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Geschichte 1939-1945 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Shakespeare, William / 1564-1616 / Influence World War, 1939-1945 / Motion pictures and the war Motion pictures / England Shakespeare, William / 1564-1616 Influence (Literary, artistic, etc.) Motion pictures War and motion pictures England 1939-1945 Shakespeare, William 1564-1616 (DE-588)118613723 p Drama (DE-588)4012899-4 s Großbritannien (DE-588)4022153-2 g Film (DE-588)4017102-4 s Geschichte 1939-1945 z DE-604 Erscheint auch als Online-Ausgabe, EPUB 978-1-108-90377-6 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033281178&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033281178&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Sullivan, Garrett A. Jr. ca. 20./21. Jh Shakespeare and British World War Two film Shakespeare, William 1564-1616 (DE-588)118613723 gnd Film (DE-588)4017102-4 gnd Drama (DE-588)4012899-4 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4017102-4 (DE-588)4012899-4 (DE-588)4022153-2 |
| title | Shakespeare and British World War Two film |
| title_auth | Shakespeare and British World War Two film |
| title_exact_search | Shakespeare and British World War Two film |
| title_exact_search_txtP | Shakespeare and British World War Two film |
| title_full | Shakespeare and British World War Two film Garrett A. Sullivan, Jr (Pennsylvania State University) |
| title_fullStr | Shakespeare and British World War Two film Garrett A. Sullivan, Jr (Pennsylvania State University) |
| title_full_unstemmed | Shakespeare and British World War Two film Garrett A. Sullivan, Jr (Pennsylvania State University) |
| title_short | Shakespeare and British World War Two film |
| title_sort | shakespeare and british world war two film |
| topic | Shakespeare, William 1564-1616 (DE-588)118613723 gnd Film (DE-588)4017102-4 gnd Drama (DE-588)4012899-4 gnd |
| topic_facet | Shakespeare, William 1564-1616 Film Drama Großbritannien |
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