André Bazin on adaptation: cinema's literary imagination
"Adaptation was central to André Bazin's lifelong query: What is cinema? Placing films alongside literature let him identify the aesthetic and sociological distinctiveness of each. More importantly, it helped him wage his campaign for a modern conception of cinema, one that owed a great de...
Gespeichert in:
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| Weitere Verfasser: | , , |
| Format: | Buch |
| Sprache: | English |
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Oakland, California
University of California Press
[2022]
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| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Adaptation was central to André Bazin's lifelong query: What is cinema? Placing films alongside literature let him identify the aesthetic and sociological distinctiveness of each. More importantly, it helped him wage his campaign for a modern conception of cinema, one that owed a great deal to developments in the novel. His critical genius is on full display in this collection, where readers are introduced to the foundational concepts of the relationship between film and literary adaptation as put forth by one of the greatest film and cultural critics of the 20th century. Expertly curated and with an introduction by celebrated film scholar Dudley Andrew, the book begins with a selection of essays that show Bazin's film theory in action, followed by reviews of films adapted from renowned novelists of the day (Conrad, Hemingway, Steinbeck; Colette, Sagan, Duras; and more) as well as classic novels of the 19th century (Bronte, Melville, Tolstoy; Balzac, Hugo, Zola; Stendhal and more). Taken together, this volume will be an indispensable resource for anyone interested in literary adaptation, authorship, classical film theory, French film history, and André Bazin's criticism alike. As a bonus, 250 years of French fiction is put in play as Bazin assesses adaptation after adaptation to determine what is at stake for culture, for literature and especially for cinema"-- |
| Beschreibung: | xxv, 407 Seiten 21 cm |
| ISBN: | 9780520375819 0520375815 9780520375802 0520375807 |
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| adam_text | Contents Preface xi Acknowledgments xxiii Introduction: André Bazins Position in Cinema’s Literary Imagination 1 PART ONE. ADAPTATION IN THEORY 45 1. Preview: A Postwar Renewal of Novel and Cinema 2. André Malraux, Espoir, or Style in Cinema 3. Cinema as Digest 52 67 4. C ritica I Stance: Defense of Adaptation 5, Cinema and Novel 81 83 6. Literature, is it a Trap for Cinema? 89 7. A Question on the Baccalaureate Exam: The Film-Novel Problem 95 51
8. Lamartine, Jocelyn: Should you Scruputousty Adapt such a Poem? 100 9. Roger Leenhardt has Filmed a Novel he neverWrote 106 10. Atexandre Astruc’s Les Mauvaises Rencontres ..(ßad Liaisons): Better than a Novel 112 115 11. Colette, Le Blé en herbe: Uncertain Fidelity 12. Rereading Stendhal s Le Rouge et le Noir (The Red and the Black! through a Camera Lens 126 13. Of Novels and Films: Μ. Ripois with or without Nemesis 132 14. Stendhal’s Mina de Vanghel, Captured beyond Fidelity 147 15. Mina de Vanghel: More Stendhalian than Stendhal 152 PART TWO. ADAPTING CONTEMPORARY FICTION 159 A. Best Sellers from Abroad 16. On William Saroyan’s The Human Comedy 17. Billy Wilder, The Lost Weekend 167 175 18. Hollywood Can Translate Faulkner, Hemingway, and Caldwell 179 19. John Ford, How Green Was My Valley 182 20. John Ford, The Grapes of Wrath, from Steinbeck 185 21. John Ford, Tobacco Road, from Erskine Caldwell 188 22. Theodore Dreiser s An American Tragedy becomes A Place in the Sun 190 23. D. H. Lawrence, Lady Chatterley s Lover 192
24. Has Hemingway influenced Cinema? 195 25. Ernest Hemingway, The Snows of Kilimanjaro 26. Ernest Hemingway, A Farewell to Arms 198 201 27. Graham Greene s The Power and the Glory becomes John Ford s The Fugitive 205 28. Graham Greene, Brighton Rock 207 29. Graham Greene and Carol· Reed, The Fallen Idol 30. Graham Greene, The Heart of the Matter ги 31. Joseph Conrad, Outcast of the Islands, filmed by Carol Reed 214 32. Arthur Miller s The Crucible and Nikos Kazantzakis’ He Who Must Die are now Two Great French Films 216 33. Franz Kafka on Screen: Clouzot’s 219 Les Espions ¡The Spiesi В. Fiction from France 34. Avec André Gide, by Marc Allegret 229 35. The Universe of Marcel Aymé on Screen: La Belle Image 234 36. Colette, Le Blé en herbe: The Ripening Seed... has Matured 236 37. Marguerite Duras, Barrage contre la Pacifique, adapted by René Clément 240 38. Françoise Sagan, Bonjour Tristesse, adapted by Otto Preminger 244 209
PART THREE! ADAPTING THE CLASSICS 249 A. The Nineteenth-Century Novel from Abroad 39. Chartotte Bronte, Jane Eyre 257 40. ChaHes Dickens, Oliver Twist 259 41. Nikolai Gogol, The Overcoat 261 42. Herman Melville, Moby Dick 264 43. Stephen Crane, The Red Badge of Courage 44. Leo Tolstoy, Anna Karenina 268 271 45. Fyodor Dostoevsky, The Brothers Karamazov 273 46. Dostoevsky, Crime and Punishment, alongside Tolstoy, War and Peace 275 B. French Classics on the French Screen 47. Abbé Prévost, Manon Lescaut, adapted bydouzot 281 48. Honoré de BaÎzac, Eugénie Grandet 284 49. Stendhal, Le Chartreuse de Parme iThe Charterhouse of Parmal 285 50. Stendhal, Le Rouge et le NoirlThe Red and the Blacki: Tastes and Colors 287 51. Victor Hugo, Les Miserables 290 52. Victor Hugo, Notre-Dame de Paris, alongside Jutes Verne, Michel Strogoff 293 53. Zola and Cinema: Pour une nuit d amour ¡For a Night of Love! 297 54. ÉmiÎe Zola, Thérèse Raquin, adapted by Marcel· Carné 299
55. Émite Zola s La Bête humaine becomes Fritz Lang’s Human Desire 305 56. ÉmiÎe Zola’s L Assommoir becomes René Clement’s Gervaise 308 57. Guy de Maupassant, Une vie IA Life}, adapted by Alexandre Astruc 312 58. Maupassant Stories adapted by Max Ophüls: Le Plaisir 316 59. Maupassant Stories adapted by André Michel: Trois femmes 319 60. French Cinema faces Literature 324 ADDENDUM. TWO LONG ESSAYS ON ADAPTATION, TRANSLATED BY HUGH GRAY 327 61. Journal d un curé de campagne and the Stylistics of Robert Bresson 331 62. In Defense of Mixed Cinema 354 Appendix: Chronological List of Articles Index of Films 385 Index of Proper Names 397 Indexof Topicsand Concepts 405 381
|
| adam_txt |
Contents Preface xi Acknowledgments xxiii Introduction: André Bazins Position in Cinema’s Literary Imagination 1 PART ONE. ADAPTATION IN THEORY 45 1. Preview: A Postwar Renewal of Novel and Cinema 2. André Malraux, Espoir, or Style in Cinema 3. Cinema as Digest 52 67 4. C ritica I Stance: Defense of Adaptation 5, Cinema and Novel 81 83 6. Literature, is it a Trap for Cinema? 89 7. A Question on the Baccalaureate Exam: The Film-Novel Problem 95 51
8. Lamartine, Jocelyn: Should you Scruputousty Adapt such a Poem? 100 9. Roger Leenhardt has Filmed a Novel he neverWrote 106 10. Atexandre Astruc’s Les Mauvaises Rencontres .(ßad Liaisons): Better than a Novel 112 115 11. Colette, Le Blé en herbe: Uncertain Fidelity 12. Rereading Stendhal's Le Rouge et le Noir (The Red and the Black! through a Camera Lens 126 13. Of Novels and Films: Μ. Ripois with or without Nemesis 132 14. Stendhal’s Mina de Vanghel, Captured beyond Fidelity 147 15. Mina de Vanghel: More Stendhalian than Stendhal 152 PART TWO. ADAPTING CONTEMPORARY FICTION 159 A. Best Sellers from Abroad 16. On William Saroyan’s The Human Comedy 17. Billy Wilder, The Lost Weekend 167 175 18. Hollywood Can Translate Faulkner, Hemingway, and Caldwell 179 19. John Ford, How Green Was My Valley 182 20. John Ford, The Grapes of Wrath, from Steinbeck 185 21. John Ford, Tobacco Road, from Erskine Caldwell 188 22. Theodore Dreiser's An American Tragedy becomes A Place in the Sun 190 23. D. H. Lawrence, Lady Chatterley's Lover 192
24. Has Hemingway influenced Cinema? 195 25. Ernest Hemingway, The Snows of Kilimanjaro 26. Ernest Hemingway, A Farewell to Arms 198 201 27. Graham Greene's The Power and the Glory becomes John Ford's The Fugitive 205 28. Graham Greene, Brighton Rock 207 29. Graham Greene and Carol· Reed, The Fallen Idol 30. Graham Greene, The Heart of the Matter ги 31. Joseph Conrad, Outcast of the Islands, filmed by Carol Reed 214 32. Arthur Miller's The Crucible and Nikos Kazantzakis’ He Who Must Die are now Two Great French Films 216 33. Franz Kafka on Screen: Clouzot’s 219 Les Espions ¡The Spiesi В. Fiction from France 34. Avec André Gide, by Marc Allegret 229 35. The Universe of Marcel Aymé on Screen: La Belle Image 234 36. Colette, Le Blé en herbe: The Ripening Seed. has Matured 236 37. Marguerite Duras, Barrage contre la Pacifique, adapted by René Clément 240 38. Françoise Sagan, Bonjour Tristesse, adapted by Otto Preminger 244 209
PART THREE! ADAPTING THE CLASSICS 249 A. The Nineteenth-Century Novel from Abroad 39. Chartotte Bronte, Jane Eyre 257 40. ChaHes Dickens, Oliver Twist 259 41. Nikolai Gogol, The Overcoat 261 42. Herman Melville, Moby Dick 264 43. Stephen Crane, The Red Badge of Courage 44. Leo Tolstoy, Anna Karenina 268 271 45. Fyodor Dostoevsky, The Brothers Karamazov 273 46. Dostoevsky, Crime and Punishment, alongside Tolstoy, War and Peace 275 B. French Classics on the French Screen 47. Abbé Prévost, Manon Lescaut, adapted bydouzot 281 48. Honoré de BaÎzac, Eugénie Grandet 284 49. Stendhal, Le Chartreuse de Parme iThe Charterhouse of Parmal 285 50. Stendhal, Le Rouge et le NoirlThe Red and the Blacki: Tastes and Colors 287 51. Victor Hugo, Les Miserables 290 52. Victor Hugo, Notre-Dame de Paris, alongside Jutes Verne, Michel Strogoff 293 53. Zola and Cinema: Pour une nuit d'amour ¡For a Night of Love! 297 54. ÉmiÎe Zola, Thérèse Raquin, adapted by Marcel· Carné 299
55. Émite Zola's La Bête humaine becomes Fritz Lang’s Human Desire 305 56. ÉmiÎe Zola’s L'Assommoir becomes René Clement’s Gervaise 308 57. Guy de Maupassant, Une vie IA Life}, adapted by Alexandre Astruc 312 58. Maupassant Stories adapted by Max Ophüls: Le Plaisir 316 59. Maupassant Stories adapted by André Michel: Trois femmes 319 60. French Cinema faces Literature 324 ADDENDUM. TWO LONG ESSAYS ON ADAPTATION, TRANSLATED BY HUGH GRAY 327 61. Journal d'un curé de campagne and the Stylistics of Robert Bresson 331 62. In Defense of Mixed Cinema 354 Appendix: Chronological List of Articles Index of Films 385 Index of Proper Names 397 Indexof Topicsand Concepts 405 381 |
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| spelling | Bazin, André 1918-1958 Verfasser (DE-588)118657704 aut André Bazin on adaptation cinema's literary imagination edited and with an introduction by Dudley Andrew ; Deborah Glassman and Nataša Ďurovičová, translators Oakland, California University of California Press [2022] xxv, 407 Seiten 21 cm txt rdacontent n rdamedia nc rdacarrier "Adaptation was central to André Bazin's lifelong query: What is cinema? Placing films alongside literature let him identify the aesthetic and sociological distinctiveness of each. More importantly, it helped him wage his campaign for a modern conception of cinema, one that owed a great deal to developments in the novel. His critical genius is on full display in this collection, where readers are introduced to the foundational concepts of the relationship between film and literary adaptation as put forth by one of the greatest film and cultural critics of the 20th century. Expertly curated and with an introduction by celebrated film scholar Dudley Andrew, the book begins with a selection of essays that show Bazin's film theory in action, followed by reviews of films adapted from renowned novelists of the day (Conrad, Hemingway, Steinbeck; Colette, Sagan, Duras; and more) as well as classic novels of the 19th century (Bronte, Melville, Tolstoy; Balzac, Hugo, Zola; Stendhal and more). Taken together, this volume will be an indispensable resource for anyone interested in literary adaptation, authorship, classical film theory, French film history, and André Bazin's criticism alike. As a bonus, 250 years of French fiction is put in play as Bazin assesses adaptation after adaptation to determine what is at stake for culture, for literature and especially for cinema"-- Bazin, André / 1918-1958 Film adaptations / History and criticism Motion pictures / France / History and criticism Film adaptations Motion pictures France Criticism, interpretation, etc Andrew, Dudley 1945- (DE-588)124182755 edt win Glassman, Deborah trl Ďurovičová, Nataša (DE-588)140073280 trl Erscheint auch als Online-Ausgabe 978-0-520-97625-2 In Beziehung stehendes Werk Bazin, André Écrit complets [Paris] : Éditions Macula, 2018 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033278462&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Bazin, André 1918-1958 André Bazin on adaptation cinema's literary imagination |
| title | André Bazin on adaptation cinema's literary imagination |
| title_auth | André Bazin on adaptation cinema's literary imagination |
| title_exact_search | André Bazin on adaptation cinema's literary imagination |
| title_exact_search_txtP | André Bazin on adaptation cinema's literary imagination |
| title_full | André Bazin on adaptation cinema's literary imagination edited and with an introduction by Dudley Andrew ; Deborah Glassman and Nataša Ďurovičová, translators |
| title_fullStr | André Bazin on adaptation cinema's literary imagination edited and with an introduction by Dudley Andrew ; Deborah Glassman and Nataša Ďurovičová, translators |
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