Transnational German cinema: encountering Germany through film and events
Gespeichert in:
| Hauptverfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cham, Switzerland
Springer
[2021]
|
| Schriftenreihe: | Global Germany in transnational dialogues
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xi, 201 Seiten Illustrationen, Diagramme |
| ISBN: | 9783030729165 |
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Datensatz im Suchindex
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Contents Part I 1 2 3 4 Trans-National Encounters at the Berlinale: A Look from the Inside. Irina Herrschner and Kirsten Stevens 3 Translation and Dissemination of German Films in China (1994-2018). Haina Jin 25 Transnational Qualities of German Cinema: An Austro/European Audience Analysis. Sibel Kaba and Deniz Özpalman 39 International Feature Film Co-productions Between Australia and Germany: An Australian Perspective. Franziska Wagenfeld and Deb Verhoeven Part П 5 6 7 Films in Global Circuits 51 Transnational Audiences and Communities Tuvalu Live!: Live Re-Scoring, Transnational Digital Participation and Audience Engagement in a Film Festival Context. Sarah Atkinson 71 Romancing the Reich and What Film Twitter Had to Say About It. Benjamin Nicki 89 #Germancinema in the Eye of Instagram: Showcasing a Method Combination. Joan Ramon Rodriguez-Amat and Yulia Belinskaya 109 ix
x Contents Part III 8 9 10 11 German Filmmakers in a Global Environment Intercultural Experience Through Affective Encounters: Marten Persiel’s This Ain 't California (2012). James Cleverley 135 Werner Herzog and the Transnational-Appeal of the Mythic Hyperreal. Stefan Octavian Popescu 153 Lars von Trier and German Expressionism: Understanding von Trier’s Transnational Appeal. Aleks Wansbrough 167 ‘Denglish’, ‘International English’, ‘Garbage Language’ and ‘Corporate Speak’: Transnational Nonlanguage in Maren Ade’s Toni Erdmann. Blythe S. Worthy 181
Irina Herrschner · Kirsten Stevens · Benjamin Nicki Editors Transnational German Cinema Encountering Germany Through Film and Events This volume explores the notion of German cinema as both a national and increasingly transnational entity. It brings together chapters that analyse the international circuits of development and distribution that shape the emerging films as part of a contemporary “German cinema”, the events and spectacles that help frame and re-frame national cinemas and their discoverability, and the well-known filmmakers who sit at the vanguard of the contemporary canon. Thereby, it explores what we understand as German cinema today and the many points where this idea of national cinema can be interrogated, expanded and opened up to new readings. At the heart of this interrogation is a keen awareness of the technological, social, economic and cultural changes that have an impact on global cinemas more broadly: new distribution channels such as streaming platforms and online film festivals, and audience engagement that transcends national borders as well as the cinema space. International film production and financing further heightens the transnational aspects of cinema, a quality that is often neglected in marketing and branding of the filmic product. With particular focus on film festivals, this volume explores the tensions between the national and transnational in film, but also in the events that sit at the heart of global cinema culture. It includes contributions from filmmakers, cultural managers and other professionals in the field of film and cinema,
as well as scholarly contributions from academics researching popular culture, film, and events in relation to Germany. |
| adam_txt |
Contents Part I 1 2 3 4 Trans-National Encounters at the Berlinale: A Look from the Inside. Irina Herrschner and Kirsten Stevens 3 Translation and Dissemination of German Films in China (1994-2018). Haina Jin 25 Transnational Qualities of German Cinema: An Austro/European Audience Analysis. Sibel Kaba and Deniz Özpalman 39 International Feature Film Co-productions Between Australia and Germany: An Australian Perspective. Franziska Wagenfeld and Deb Verhoeven Part П 5 6 7 Films in Global Circuits 51 Transnational Audiences and Communities Tuvalu Live!: Live Re-Scoring, Transnational Digital Participation and Audience Engagement in a Film Festival Context. Sarah Atkinson 71 Romancing the Reich and What Film Twitter Had to Say About It. Benjamin Nicki 89 #Germancinema in the Eye of Instagram: Showcasing a Method Combination. Joan Ramon Rodriguez-Amat and Yulia Belinskaya 109 ix
x Contents Part III 8 9 10 11 German Filmmakers in a Global Environment Intercultural Experience Through Affective Encounters: Marten Persiel’s This Ain 't California (2012). James Cleverley 135 Werner Herzog and the Transnational-Appeal of the Mythic Hyperreal. Stefan Octavian Popescu 153 Lars von Trier and German Expressionism: Understanding von Trier’s Transnational Appeal. Aleks Wansbrough 167 ‘Denglish’, ‘International English’, ‘Garbage Language’ and ‘Corporate Speak’: Transnational Nonlanguage in Maren Ade’s Toni Erdmann. Blythe S. Worthy 181
Irina Herrschner · Kirsten Stevens · Benjamin Nicki Editors Transnational German Cinema Encountering Germany Through Film and Events This volume explores the notion of German cinema as both a national and increasingly transnational entity. It brings together chapters that analyse the international circuits of development and distribution that shape the emerging films as part of a contemporary “German cinema”, the events and spectacles that help frame and re-frame national cinemas and their discoverability, and the well-known filmmakers who sit at the vanguard of the contemporary canon. Thereby, it explores what we understand as German cinema today and the many points where this idea of national cinema can be interrogated, expanded and opened up to new readings. At the heart of this interrogation is a keen awareness of the technological, social, economic and cultural changes that have an impact on global cinemas more broadly: new distribution channels such as streaming platforms and online film festivals, and audience engagement that transcends national borders as well as the cinema space. International film production and financing further heightens the transnational aspects of cinema, a quality that is often neglected in marketing and branding of the filmic product. With particular focus on film festivals, this volume explores the tensions between the national and transnational in film, but also in the events that sit at the heart of global cinema culture. It includes contributions from filmmakers, cultural managers and other professionals in the field of film and cinema,
as well as scholarly contributions from academics researching popular culture, film, and events in relation to Germany. |
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| spellingShingle | Herrschner, Irina Stevens, Kirsten Nickl, Benjamin Transnational German cinema encountering Germany through film and events Media Sociology Global Cinema and TV. Cultural Studies Screen Studies Media and Communication Mass media Communication Motion pictures Cultural studies Motion pictures and television Internationaler Vergleich (DE-588)4120509-1 gnd Kino (DE-588)4129654-0 gnd Internationalität (DE-588)4443917-9 gnd Filmfestspiel (DE-588)4359942-4 gnd |
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| title | Transnational German cinema encountering Germany through film and events |
| title_auth | Transnational German cinema encountering Germany through film and events |
| title_exact_search | Transnational German cinema encountering Germany through film and events |
| title_exact_search_txtP | Transnational German cinema encountering Germany through film and events |
| title_full | Transnational German cinema encountering Germany through film and events Irina Herrschner, Kirsten Stevens, Benjamin Nickl, editors |
| title_fullStr | Transnational German cinema encountering Germany through film and events Irina Herrschner, Kirsten Stevens, Benjamin Nickl, editors |
| title_full_unstemmed | Transnational German cinema encountering Germany through film and events Irina Herrschner, Kirsten Stevens, Benjamin Nickl, editors |
| title_short | Transnational German cinema |
| title_sort | transnational german cinema encountering germany through film and events |
| title_sub | encountering Germany through film and events |
| topic | Media Sociology Global Cinema and TV. Cultural Studies Screen Studies Media and Communication Mass media Communication Motion pictures Cultural studies Motion pictures and television Internationaler Vergleich (DE-588)4120509-1 gnd Kino (DE-588)4129654-0 gnd Internationalität (DE-588)4443917-9 gnd Filmfestspiel (DE-588)4359942-4 gnd |
| topic_facet | Media Sociology Global Cinema and TV. Cultural Studies Screen Studies Media and Communication Mass media Communication Motion pictures Cultural studies Motion pictures and television Internationaler Vergleich Kino Internationalität Filmfestspiel Deutschland Aufsatzsammlung |
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