Popular cinemas in East Central Europe: film cultures and histories
Gespeichert in:
| Hauptverfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Bloomsbury Academic
2021
|
| Ausgabe: | This paperback edition |
| Schriftenreihe: | International library of the moving image
40 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | First published in Great Britain 2017 by I.B. Tauris |
| Beschreibung: | xvi, 363 Seiten Illustrationen 24 cm |
| ISBN: | 1350244260 9781350244269 |
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Datensatz im Suchindex
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Contents Figures Graphs Tables List of Contributors Acknowledgements A Note on Naming Conventions viii viii ix x xv xvi Introduction: European Popular Cinema: The Centre and Its Margins 1 Dorota Ostrowska, Francesco Pitassio, Zsuzsanna Varga PART I POLITICS OF POPULAR CINEMA IN THE INTERWAR PERIOD 1 Czech Historical Film and Historical Traditions: The Merry Wives (1938) 31 Ivan Klimeš 2 Starlets and Heart-throbs: Hungarian Cinema in the Interwar Period 47 Zsuzsanna Varga PART II TOWARDS SOCIALISM: CONTINUITIES AND RUPTURES 3 The Stripping of His Charms: The Stability and Transformation of Oldřich Nový’s Star Image (1936-55) 67 Šárka Gmiterková 4 Transformations: Hungarian Popular Cinema in the 1950s Balázs Varga v 85
Contents 5 Postwar Czechoslovak Comedy: The Autonomisation of Parody, and Lemonade Joe (1964) 102 Petr Szczepanik PART III SOCIALIST FILM CULTURES 6 How To Be Loved? Three Takes on ‘The Popular’ in Socialist and Non-Socialist Cinema: The Popular and The People 123 Paul Coates 7 ‘Humanist Screens’: Foreign Cinema in Socialist Poland (1945-56) 136 Dorota Ostrowska 8 Poland’s Wild West and East: Polish Westerns of the 1960s 157 Mikołaj Kunicki 9 Film in Full Gallop: Aesthetics and the Equine in Poland’s Epic Cinema 173 Matilda Mroz 10 The Czechoslovak-East German Co-production Tři oříšky pro Popelku/Drei Haselnüsse für Aschenbrödel/Three Wishes for Cinderella: A Transnational Tale 184 Pavel Skopal 11 The Paradox of Popularity: The Case of the Socialist Crime Movie in Hungary 198 Gábor Gelencsér PART IV OUT OF SOCIALISM: CO HABITING MODELS OF POPULAR CINEMA 12 Popular Nostalgia: On Alternative Modes of Popular Cinema in Post-1989 Czech Production 215 Francesco Pitassio 13 The Power of Love: Polish Post-communist Popular Cinema Elżbieta Ostrowska ví 233
Contents 14 When Walls Fall: Families in Hungarian Films of the New Europe 248 Clara Orban PARTY NATIONAL CINEMAS AND GLOBALISED FILM CULTURES 15 The ‘Hollywood Factor’ in the Most Popular Hungarian Films of the Period 1996-2014: When a Small Post-communist Cinema Meets a Mainstream One 263 Andrea Virginás 16 The Exhibition of Popular Cinema in the Czech Republic and Slovakia: After 1989 Within the Context of the European Union 282 Jan Hanzlík Bibliography Filmography Index 302 327 346 vii |
| adam_txt |
Contents Figures Graphs Tables List of Contributors Acknowledgements A Note on Naming Conventions viii viii ix x xv xvi Introduction: European Popular Cinema: The Centre and Its Margins 1 Dorota Ostrowska, Francesco Pitassio, Zsuzsanna Varga PART I POLITICS OF POPULAR CINEMA IN THE INTERWAR PERIOD 1 Czech Historical Film and Historical Traditions: The Merry Wives (1938) 31 Ivan Klimeš 2 Starlets and Heart-throbs: Hungarian Cinema in the Interwar Period 47 Zsuzsanna Varga PART II TOWARDS SOCIALISM: CONTINUITIES AND RUPTURES 3 The Stripping of His Charms: The Stability and Transformation of Oldřich Nový’s Star Image (1936-55) 67 Šárka Gmiterková 4 Transformations: Hungarian Popular Cinema in the 1950s Balázs Varga v 85
Contents 5 Postwar Czechoslovak Comedy: The Autonomisation of Parody, and Lemonade Joe (1964) 102 Petr Szczepanik PART III SOCIALIST FILM CULTURES 6 How To Be Loved? Three Takes on ‘The Popular’ in Socialist and Non-Socialist Cinema: The Popular and The People 123 Paul Coates 7 ‘Humanist Screens’: Foreign Cinema in Socialist Poland (1945-56) 136 Dorota Ostrowska 8 Poland’s Wild West and East: Polish Westerns of the 1960s 157 Mikołaj Kunicki 9 Film in Full Gallop: Aesthetics and the Equine in Poland’s Epic Cinema 173 Matilda Mroz 10 The Czechoslovak-East German Co-production Tři oříšky pro Popelku/Drei Haselnüsse für Aschenbrödel/Three Wishes for Cinderella: A Transnational Tale 184 Pavel Skopal 11 The Paradox of Popularity: The Case of the Socialist Crime Movie in Hungary 198 Gábor Gelencsér PART IV OUT OF SOCIALISM: CO HABITING MODELS OF POPULAR CINEMA 12 Popular Nostalgia: On Alternative Modes of Popular Cinema in Post-1989 Czech Production 215 Francesco Pitassio 13 The Power of Love: Polish Post-communist Popular Cinema Elżbieta Ostrowska ví 233
Contents 14 When Walls Fall: Families in Hungarian Films of the New Europe 248 Clara Orban PARTY NATIONAL CINEMAS AND GLOBALISED FILM CULTURES 15 The ‘Hollywood Factor’ in the Most Popular Hungarian Films of the Period 1996-2014: When a Small Post-communist Cinema Meets a Mainstream One 263 Andrea Virginás 16 The Exhibition of Popular Cinema in the Czech Republic and Slovakia: After 1989 Within the Context of the European Union 282 Jan Hanzlík Bibliography Filmography Index 302 327 346 vii |
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| title | Popular cinemas in East Central Europe film cultures and histories |
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