Portugal's global cinema: industry, history and culture
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2022
|
| Ausgabe: | This paperback edition |
| Schriftenreihe: | World cinema series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | First published 2018 by I.B. Tauris |
| Beschreibung: | xx, 284 Seiten Illustrationen 24 cm |
| ISBN: | 1350248096 9781350248090 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804183500168888320 |
|---|---|
| adam_text | Contents List of Illustrations Acknowledgements List of Contributors xiii xv xvii Introduction: Framing the Global Appeal of Contemporary Portuguese Cinema Mariana Liz 1 Portuguese cinema on the international stage Cinema of small nations: between globalization and internationalization Key issues in contemporary Portuguese cinema 1 Filming Narratives Becoming Events: Documentary and the ‘Emplotments’ of the Carnation Revolution Luís Trindade Narratives of the Carnation Revolution: an introduction Scenes from the class struggle in Portugal Revolution as narrative 2 2 4 10 15 16 21 26 Our Beloved Month ofAugust; Between the Filming of the Real and the Reality of Filming Rui Gonçalves Miranda 33 lhe reality of filming Filming of the real Just so: love for reality, desire for cinema Conclusion: the section which isn’t there 35 38 42 45 3 Political Oliveira Randal Johnson 47 Legacy of the empire 53 ix
Contents 4 Portugal, Europe and the World: Geopolitics and the Human Condition in Manoel de Oliveira’s Films Carolin OverhoffFerreira 67 69 73 76 82 Regional/National Supranational/Transnational/Global Universal/Local Conclusion 5 Amália (2008): Stories of a Singer and Tales of a National Cinema AnthoYty De Melo Amália and fado biographies Between Hollywood melodrama and national Portuguese cinema 6 7 87 90 93 La Cage Dorée/The Gilded Cage: A FrancoPortuguese Comedy of Integration Ginette Vincendeau 99 French comedy of integration Negotiating Portuguese stereotypes Music, nostalgia, modernity Conclusion 102 104 107 112 Cinema and the City in European Portugal Mariana Liz 115 The complex relationship between Portugal and Europe Lisbon Story and European postcards Portugal, Europe and heritage in Porto of My Childhood Conclusion 8 Contextualizing Pedro Costa’s Digital Filmmaking Nuno Barradas Jorge Digital cinema as a (low-budget) production paradigm Filmmaking at the interstices Authorship renegotiated Conclusion X 116 12Ö 126 131 135 136 139 144 148
Contents 9 Broken Links: The Cinema of Teresa Villaverde Cristina Álvarez López and Adrian Martin 151 151 155 161 The holy family Forms and transformations Figures and feelings 10 Mysteries of Raúl Ruiz’s Portugal: Territory, Littoral, City and Memory Bridge Michael Goddard 167 Portugal as Ruizian territory Three Crowns of a Sailor (1982), City of Pirates (1983) and impossible cartographies Mysteries of Lisbon and mysteries of enchantment 11 White Faces/Black Masks: The White Woman’s Burden in Pedro Costa’s Down to Earth Hilary Owen 168 171 176 185 Remaking Hollywood? Volcanoes, zombies, crazy women Neo-colonial gaze, desire and sexuality Female embodiment of male masochism: between science and sexuality Conclusion: a dystopian Island of Love? 187 191 196 201 12 Light Drops: Portugal Critically Reviewing the Colonial Past? 205 Paul Melo e Castro Light Drops as post-colonial film Rui Pedro’s two families Post-colonialism and nostalgia? 208 211 218 13 Colonialism as Fantastic Realism in Tabu Lúcia Nagib 223 Historical detours The non-story and the index Fantasy as truth procedure 14 Luso-Brazilian Co-Productions: Rescue and Expansion Natália Pinazza xi 226 230 234 239
Contents Globalization and the national cinemas of Brazil and Portugal The role of co-productions in Brazilian and Portuguese cinema Conclusion 243 248 254 257 277 Bibiiography Index xii
|
| adam_txt |
Contents List of Illustrations Acknowledgements List of Contributors xiii xv xvii Introduction: Framing the Global Appeal of Contemporary Portuguese Cinema Mariana Liz 1 Portuguese cinema on the international stage Cinema of small nations: between globalization and internationalization Key issues in contemporary Portuguese cinema 1 Filming Narratives Becoming Events: Documentary and the ‘Emplotments’ of the Carnation Revolution Luís Trindade Narratives of the Carnation Revolution: an introduction Scenes from the class struggle in Portugal Revolution as narrative 2 2 4 10 15 16 21 26 Our Beloved Month ofAugust; Between the Filming of the Real and the Reality of Filming Rui Gonçalves Miranda 33 lhe reality of filming Filming of the real Just so: love for reality, desire for cinema Conclusion: the section which isn’t there 35 38 42 45 3 Political Oliveira Randal Johnson 47 Legacy of the empire 53 ix
Contents 4 Portugal, Europe and the World: Geopolitics and the Human Condition in Manoel de Oliveira’s Films Carolin OverhoffFerreira 67 69 73 76 82 Regional/National Supranational/Transnational/Global Universal/Local Conclusion 5 Amália (2008): Stories of a Singer and Tales of a National Cinema AnthoYty De Melo Amália and fado biographies Between Hollywood melodrama and national Portuguese cinema 6 7 87 90 93 La Cage Dorée/The Gilded Cage: A FrancoPortuguese Comedy of Integration Ginette Vincendeau 99 French comedy of integration Negotiating Portuguese stereotypes Music, nostalgia, modernity Conclusion 102 104 107 112 Cinema and the City in European Portugal Mariana Liz 115 The complex relationship between Portugal and Europe Lisbon Story and European postcards Portugal, Europe and heritage in Porto of My Childhood Conclusion 8 Contextualizing Pedro Costa’s Digital Filmmaking Nuno Barradas Jorge Digital cinema as a (low-budget) production paradigm Filmmaking at the interstices Authorship renegotiated Conclusion X 116 12Ö 126 131 135 136 139 144 148
Contents 9 Broken Links: The Cinema of Teresa Villaverde Cristina Álvarez López and Adrian Martin 151 151 155 161 The holy family Forms and transformations Figures and feelings 10 Mysteries of Raúl Ruiz’s Portugal: Territory, Littoral, City and Memory Bridge Michael Goddard 167 Portugal as Ruizian territory Three Crowns of a Sailor (1982), City of Pirates (1983) and impossible cartographies Mysteries of Lisbon and mysteries of enchantment 11 White Faces/Black Masks: The White Woman’s Burden in Pedro Costa’s Down to Earth Hilary Owen 168 171 176 185 Remaking Hollywood? Volcanoes, zombies, crazy women Neo-colonial gaze, desire and sexuality Female embodiment of male masochism: between science and sexuality Conclusion: a dystopian Island of Love? 187 191 196 201 12 Light Drops: Portugal Critically Reviewing the Colonial Past? 205 Paul Melo e Castro Light Drops as post-colonial film Rui Pedro’s two families Post-colonialism and nostalgia? 208 211 218 13 Colonialism as Fantastic Realism in Tabu Lúcia Nagib 223 Historical detours The non-story and the index Fantasy as truth procedure 14 Luso-Brazilian Co-Productions: Rescue and Expansion Natália Pinazza xi 226 230 234 239
Contents Globalization and the national cinemas of Brazil and Portugal The role of co-productions in Brazilian and Portuguese cinema Conclusion 243 248 254 257 277 Bibiiography Index xii |
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| index_date | 2024-07-03T19:26:54Z |
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| spelling | Portugal's global cinema industry, history and culture edited by Mariana Liz This paperback edition London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2022 xx, 284 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier World cinema series First published 2018 by I.B. Tauris Geschichte gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Portugal (DE-588)4046843-4 gnd rswk-swf Motion pictures / Portugal / History Motion picture industry / Portugal / History Motion picture industry Motion pictures Portugal History (DE-588)4143413-4 Aufsatzsammlung gnd-content Portugal (DE-588)4046843-4 g Film (DE-588)4017102-4 s Geschichte z DE-604 Liz, Mariana (DE-588)1114523550 edt win aut Äquivalent Druck-Ausgabe, Hardcover 978-1-7845-3198-0 (DE-604)BV044883708 Erscheint auch als Online-Ausgabe, PDF 978-1-7867-3275-0 Erscheint auch als Online-Ausgabe, EPUB 978-1-7867-2275-1 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033275393&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Portugal's global cinema industry, history and culture |
| title_auth | Portugal's global cinema industry, history and culture |
| title_exact_search | Portugal's global cinema industry, history and culture |
| title_exact_search_txtP | Portugal's global cinema industry, history and culture |
| title_full | Portugal's global cinema industry, history and culture edited by Mariana Liz |
| title_fullStr | Portugal's global cinema industry, history and culture edited by Mariana Liz |
| title_full_unstemmed | Portugal's global cinema industry, history and culture edited by Mariana Liz |
| title_short | Portugal's global cinema |
| title_sort | portugal s global cinema industry history and culture |
| title_sub | industry, history and culture |
| topic | Film (DE-588)4017102-4 gnd |
| topic_facet | Film Portugal Aufsatzsammlung |
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