DIY cultures and underground music scenes:
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2020
|
| Ausgabe: | First issued in paperback |
| Schriftenreihe: | Routledge advances in sociology
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | "This book is primarily an outcome of the KISMIF ("Keep it Simple Make it Fast") conference, an international event dedicated to the study and discussion of DIY (do-it-yourself) cultural scenes in a global context." - Acknowledgements |
| Beschreibung: | xiv, 250 Seiten |
| ISBN: | 9780367664510 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents List of illustrations Notes on contributors Acknowledgements Introduction x xi xv 1 ANDY BENNETT AND PAULA GUERRA 1 Rethinking DIY culture in a post-industrial and global context 7 ANDY BENNETT AND PAULA GUERRA PART I Underground music scenes between the local and the translocal 2 Visibility and conviviality in music scenes 19 21 WILL STRAW 3 Punk stories 31 CARLES FEIXA 4 Between popular and underground culture: an analysis of Bucharest urban culture 41 ANDA GEORGIANA BECUŢ 5 DIY as a constitutive resource of the specific punk capital in France PIERIO HUMEAU 52
viii Contents 6 Boys in black, girls in punk: gender performances in the Goth and hardcore punk scenes in Northern Germany 63 YVONNE NIEKRENZ PART II Music and DIY cultures: DIY or die! 7 Music, protest politics, DIY and identity in the Basque Country 75 77 ION ANDONI DEL AMO CASTRO 8 Home Economics: fusing imaginaries in Wellington’s musical underground 89 KATIE ROCHOW 9 Proud amateurs: deterritorialized expertise in contemporary Finnish DIY micro-labels 101 JUHO KAITAJÄRVI-TIEKSO 10 Noise records as noise culture: DIY practices, aesthetics and trades 112 SARAH BENHAÏM 11 Punk positif: the DIY ethic and the politics of value in the Indonesian hardcore punk scene 125 SEAN MARTIN-IVERSON PART III Art, music and technologicalchange 137 12 So far, yet so near: the Brazilian DIY politics of Sofar Sounds - a collaborative network for live music audiences լ 39 JEDER SILVEIRA JANOTTI JR AND VICTOR DE ALMEIDA NOBRE PIRES 13 Cassette cultures in Berlin: resurgence, DIY freedom or sellout? BENJAMIN DUSTER AND RAPHAËL NOWAK 15Q
Contents 14 ‘Here Today’։ the role of ephemera in clarifying underground culture ix 160 JOHN WILLSTEED 15 Birth of an underground music scene? Creative networks and (digital) DIY technologies in a Hungarian context 171 EMÍLIA BARNA PART IV M usic scenes, memory and emotional geographies 183 16 The inoperative subculture: history, identity and avant-gardism in garage rock 185 DANIEL S. TRABER 17 Collectivity and individuality in US free-folk musics 195 MAXIMILIAN SPIEGEL 18 The independent record label, ideology and longevity: twenty years of Chemikai Underground Records in Glasgow 207 J. MARK PERCIVAL 19 Verbal Sound System (1997-98)։ recalling a raver’s DIY practices in the British free party counterculture 219 ZOE ARMOUR 20 A howl of the estranged: post-punk and contemporary underground scenes in Bulgarian popular music 230 ASYA DRAGANOVA AND SHANE BLACKMAN Index 243
|
| adam_txt |
Contents List of illustrations Notes on contributors Acknowledgements Introduction x xi xv 1 ANDY BENNETT AND PAULA GUERRA 1 Rethinking DIY culture in a post-industrial and global context 7 ANDY BENNETT AND PAULA GUERRA PART I Underground music scenes between the local and the translocal 2 Visibility and conviviality in music scenes 19 21 WILL STRAW 3 Punk stories 31 CARLES FEIXA 4 Between popular and underground culture: an analysis of Bucharest urban culture 41 ANDA GEORGIANA BECUŢ 5 DIY as a constitutive resource of the specific punk capital in France PIERIO HUMEAU 52
viii Contents 6 Boys in black, girls in punk: gender performances in the Goth and hardcore punk scenes in Northern Germany 63 YVONNE NIEKRENZ PART II Music and DIY cultures: DIY or die! 7 Music, protest politics, DIY and identity in the Basque Country 75 77 ION ANDONI DEL AMO CASTRO 8 Home Economics: fusing imaginaries in Wellington’s musical underground 89 KATIE ROCHOW 9 Proud amateurs: deterritorialized expertise in contemporary Finnish DIY micro-labels 101 JUHO KAITAJÄRVI-TIEKSO 10 Noise records as noise culture: DIY practices, aesthetics and trades 112 SARAH BENHAÏM 11 Punk positif: the DIY ethic and the politics of value in the Indonesian hardcore punk scene 125 SEAN MARTIN-IVERSON PART III Art, music and technologicalchange 137 12 So far, yet so near: the Brazilian DIY politics of Sofar Sounds - a collaborative network for live music audiences լ 39 JEDER SILVEIRA JANOTTI JR AND VICTOR DE ALMEIDA NOBRE PIRES 13 Cassette cultures in Berlin: resurgence, DIY freedom or sellout? BENJAMIN DUSTER AND RAPHAËL NOWAK 15Q
Contents 14 ‘Here Today’։ the role of ephemera in clarifying underground culture ix 160 JOHN WILLSTEED 15 Birth of an underground music scene? Creative networks and (digital) DIY technologies in a Hungarian context 171 EMÍLIA BARNA PART IV M usic scenes, memory and emotional geographies 183 16 The inoperative subculture: history, identity and avant-gardism in garage rock 185 DANIEL S. TRABER 17 Collectivity and individuality in US free-folk musics 195 MAXIMILIAN SPIEGEL 18 The independent record label, ideology and longevity: twenty years of Chemikai Underground Records in Glasgow 207 J. MARK PERCIVAL 19 Verbal Sound System (1997-98)։ recalling a raver’s DIY practices in the British free party counterculture 219 ZOE ARMOUR 20 A howl of the estranged: post-punk and contemporary underground scenes in Bulgarian popular music 230 ASYA DRAGANOVA AND SHANE BLACKMAN Index 243 |
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