Solidarity by design: legitimizing Jules Chéret's poster aesthetic as republican civic decoration
The awarding of a decorative commission to artist Jules Chéret in the venerable civic site of Paris’s Hôtel de Ville would appear to legitimize an aesthetic—that of the fin-de-siècle commercial poster—anathema to public decoration’s and the Third Republic’s goal of instilling civic values and foster...
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| Format: | Elektronisch Artikel |
| Sprache: | English |
| Veröffentlicht: |
[2022]
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| Online-Zugang: | kostenfrei Volltext |
| Zusammenfassung: | The awarding of a decorative commission to artist Jules Chéret in the venerable civic site of Paris’s Hôtel de Ville would appear to legitimize an aesthetic—that of the fin-de-siècle commercial poster—anathema to public decoration’s and the Third Republic’s goal of instilling civic values and fostering national unity. An examination of the commission’s reception alongside the discourses of affichomanie (poster mania) and solidarism reveals, however, an underlying logic. The artist’s synthesis of modern vitality with "decorative" harmony, considered vital to the democratization of beauty and the shared, solidarist feeling it inspired, was worthy of gracing the Hôtel de Ville |
| Beschreibung: | 19 Illustrationen |
| ISSN: | 1543-1002 |
| DOI: | 10.29411/ncaw.2022.21.1.2 |
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| 520 | 3 | |a The awarding of a decorative commission to artist Jules Chéret in the venerable civic site of Paris’s Hôtel de Ville would appear to legitimize an aesthetic—that of the fin-de-siècle commercial poster—anathema to public decoration’s and the Third Republic’s goal of instilling civic values and fostering national unity. An examination of the commission’s reception alongside the discourses of affichomanie (poster mania) and solidarism reveals, however, an underlying logic. The artist’s synthesis of modern vitality with "decorative" harmony, considered vital to the democratization of beauty and the shared, solidarist feeling it inspired, was worthy of gracing the Hôtel de Ville | |
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| illustrated | Illustrated |
| index_date | 2024-07-03T19:26:41Z |
| indexdate | 2025-01-31T19:07:19Z |
| institution | BVB |
| issn | 1543-1002 |
| language | English |
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| physical | 19 Illustrationen |
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| spelling | Brion, Katherine Verfasser (DE-588)1024273059 aut Solidarity by design legitimizing Jules Chéret's poster aesthetic as republican civic decoration by Katherine Brion [2022] 19 Illustrationen txt rdacontent c rdamedia cr rdacarrier The awarding of a decorative commission to artist Jules Chéret in the venerable civic site of Paris’s Hôtel de Ville would appear to legitimize an aesthetic—that of the fin-de-siècle commercial poster—anathema to public decoration’s and the Third Republic’s goal of instilling civic values and fostering national unity. An examination of the commission’s reception alongside the discourses of affichomanie (poster mania) and solidarism reveals, however, an underlying logic. The artist’s synthesis of modern vitality with "decorative" harmony, considered vital to the democratization of beauty and the shared, solidarist feeling it inspired, was worthy of gracing the Hôtel de Ville Chéret, Jules 1836-1932 (DE-588)119091593 gnd rswk-swf Geschichte 1903 gnd rswk-swf Wandmalerei (DE-588)4064542-3 gnd rswk-swf Wanddekoration (DE-588)4124432-1 gnd rswk-swf Hôtel de Ville Paris (DE-588)4449171-2 gnd rswk-swf Chéret, Jules 1836-1932 (DE-588)119091593 p Hôtel de Ville Paris (DE-588)4449171-2 g Wanddekoration (DE-588)4124432-1 s Wandmalerei (DE-588)4064542-3 s Geschichte 1903 z DE-604 volume:21 number:1 year:2022 Nineteenth century art worldwide / Association of Historians of nineteenth century Art (AHNCA) College Park, Md., 2022 Volume 21, issue 1 (spring 2022) (DE-604)BV017067311 1543-1002 (DE-600)2107291-7 text/html http://www.19thc-artworldwide.org/spring22/brion-on-legitimizing-jules-cherets-poster-aesthetic-as-republican-civic-decoration Verlag kostenfrei Volltext https://doi.org/10.29411/ncaw.2022.21.1.2 Resolving-System Volltext |
| spellingShingle | Brion, Katherine Solidarity by design legitimizing Jules Chéret's poster aesthetic as republican civic decoration Chéret, Jules 1836-1932 (DE-588)119091593 gnd Wandmalerei (DE-588)4064542-3 gnd Wanddekoration (DE-588)4124432-1 gnd |
| subject_GND | (DE-588)119091593 (DE-588)4064542-3 (DE-588)4124432-1 (DE-588)4449171-2 |
| title | Solidarity by design legitimizing Jules Chéret's poster aesthetic as republican civic decoration |
| title_auth | Solidarity by design legitimizing Jules Chéret's poster aesthetic as republican civic decoration |
| title_exact_search | Solidarity by design legitimizing Jules Chéret's poster aesthetic as republican civic decoration |
| title_exact_search_txtP | Solidarity by design legitimizing Jules Chéret's poster aesthetic as republican civic decoration |
| title_full | Solidarity by design legitimizing Jules Chéret's poster aesthetic as republican civic decoration by Katherine Brion |
| title_fullStr | Solidarity by design legitimizing Jules Chéret's poster aesthetic as republican civic decoration by Katherine Brion |
| title_full_unstemmed | Solidarity by design legitimizing Jules Chéret's poster aesthetic as republican civic decoration by Katherine Brion |
| title_short | Solidarity by design |
| title_sort | solidarity by design legitimizing jules cheret s poster aesthetic as republican civic decoration |
| title_sub | legitimizing Jules Chéret's poster aesthetic as republican civic decoration |
| topic | Chéret, Jules 1836-1932 (DE-588)119091593 gnd Wandmalerei (DE-588)4064542-3 gnd Wanddekoration (DE-588)4124432-1 gnd |
| topic_facet | Chéret, Jules 1836-1932 Wandmalerei Wanddekoration Hôtel de Ville Paris |
| url | http://www.19thc-artworldwide.org/spring22/brion-on-legitimizing-jules-cherets-poster-aesthetic-as-republican-civic-decoration https://doi.org/10.29411/ncaw.2022.21.1.2 |
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