Gainsborough's Blue Boy: the return of a British icon
Marking the return of Gainsborough's Blue Boy to the UK exactly 100 years since it left for the United States, this richly illustrated publication will explore the lasting influence of this iconic painting on British art and culture. During the nineteenth century, the painting's fame grew...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
London
National Gallery Company
[2022]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Marking the return of Gainsborough's Blue Boy to the UK exactly 100 years since it left for the United States, this richly illustrated publication will explore the lasting influence of this iconic painting on British art and culture. During the nineteenth century, the painting's fame grew and full-length portraits by Gainsborough and his contemporaries became much sought after by wealthy American collectors. The sale of The Blue Boy to the American railroad magnate and collector Henry E. Huntington in 1921 was unsurprisingly viewed as a national tragedy-emblematic of a shift in economic and cultural power. However, its afterlife, as a permanent ambassador for British art, has undoubtedly fed into ideas of Britain and Britishness-its history, society, culture and character-that still resonate today. Including a select group of paintings that demonstrate the profound influence of Sir Anthony van Dyck and the old master tradition on Gainsborough's practice and identity, Gainsborough's Blue Boy will examine this masterpiece within the context of the National Gallery's collection. Exhibition: The National Gallery, London, UK (25.01. - 15.05.2022) |
| Beschreibung: | Titelblatt Rückseite: Published to accompany the exhibition "Gainsborough's Blue Boy", The National Gallery, London, 25 January - 15 May 2022 |
| Beschreibung: | 88 Seiten 27 cm |
| ISBN: | 9781857096804 1857096800 |
Internformat
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| 520 | 3 | |a Marking the return of Gainsborough's Blue Boy to the UK exactly 100 years since it left for the United States, this richly illustrated publication will explore the lasting influence of this iconic painting on British art and culture. During the nineteenth century, the painting's fame grew and full-length portraits by Gainsborough and his contemporaries became much sought after by wealthy American collectors. The sale of The Blue Boy to the American railroad magnate and collector Henry E. Huntington in 1921 was unsurprisingly viewed as a national tragedy-emblematic of a shift in economic and cultural power. However, its afterlife, as a permanent ambassador for British art, has undoubtedly fed into ideas of Britain and Britishness-its history, society, culture and character-that still resonate today. Including a select group of paintings that demonstrate the profound influence of Sir Anthony van Dyck and the old master tradition on Gainsborough's practice and identity, Gainsborough's Blue Boy will examine this masterpiece within the context of the National Gallery's collection. Exhibition: The National Gallery, London, UK (25.01. - 15.05.2022) | |
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Datensatz im Suchindex
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Contents 6 FOREWORDS KAREN R. LAWRENCE AND GABRIELE FINALDI 9 Van Dyck, Gainsborough and The Blue Boy CHRISTINE RIDING շ5 Gainsborough and the Status of British Art SUSANNA AVERY-QUASH AND JACQUELINE RIDING 39 Testament of Youth MELINDA McCURDY 50 Catalogue Entries MELINDA McCURDY, CHRISTINE RIDING AND IMOGEN TEDBURY 81 NOTES 84 BIBLIOGRAPHY 87 ACKNOWLEDGEMENTS 88 LIST OF LENDERS AND PHOTOGRAPHIC CREDITS |
| adam_txt |
Contents 6 FOREWORDS KAREN R. LAWRENCE AND GABRIELE FINALDI 9 Van Dyck, Gainsborough and The Blue Boy CHRISTINE RIDING շ5 Gainsborough and the Status of British Art SUSANNA AVERY-QUASH AND JACQUELINE RIDING 39 Testament of Youth MELINDA McCURDY 50 Catalogue Entries MELINDA McCURDY, CHRISTINE RIDING AND IMOGEN TEDBURY 81 NOTES 84 BIBLIOGRAPHY 87 ACKNOWLEDGEMENTS 88 LIST OF LENDERS AND PHOTOGRAPHIC CREDITS |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
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| building | Verbundindex |
| bvnumber | BV047892186 |
| classification_rvk | LI 31850 |
| ctrlnum | (OCoLC)1314895188 (DE-599)BVBBV047892186 |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| format | Book |
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| spelling | Gainsborough's Blue Boy the return of a British icon Christine Riding ; with contributions by Susanna Avery-Quash, Melinda McCurdy, Jacqueline Riding and Imogen Tedbury London National Gallery Company [2022] [New Haven, CT] Yale University Press 88 Seiten 27 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Titelblatt Rückseite: Published to accompany the exhibition "Gainsborough's Blue Boy", The National Gallery, London, 25 January - 15 May 2022 Marking the return of Gainsborough's Blue Boy to the UK exactly 100 years since it left for the United States, this richly illustrated publication will explore the lasting influence of this iconic painting on British art and culture. During the nineteenth century, the painting's fame grew and full-length portraits by Gainsborough and his contemporaries became much sought after by wealthy American collectors. The sale of The Blue Boy to the American railroad magnate and collector Henry E. Huntington in 1921 was unsurprisingly viewed as a national tragedy-emblematic of a shift in economic and cultural power. However, its afterlife, as a permanent ambassador for British art, has undoubtedly fed into ideas of Britain and Britishness-its history, society, culture and character-that still resonate today. Including a select group of paintings that demonstrate the profound influence of Sir Anthony van Dyck and the old master tradition on Gainsborough's practice and identity, Gainsborough's Blue Boy will examine this masterpiece within the context of the National Gallery's collection. Exhibition: The National Gallery, London, UK (25.01. - 15.05.2022) Gainsborough, Thomas 1727-1788 Blue Boy (DE-588)4631702-8 gnd rswk-swf Gainsborough, Thomas / 1727-1788 / Blue boy Gainsborough, Thomas / 1727-1788 / Exhibitions Blue boy (Gainsborough, Thomas) (DE-588)4135467-9 Ausstellungskatalog The National Gallery 25.01.2022-15.05.2022 London gnd-content Gainsborough, Thomas 1727-1788 Blue Boy (DE-588)4631702-8 u DE-604 Riding, Christine (DE-588)140123423 wst Avery-Quash, Susanna (DE-588)140097708 wst McCurdy, Melinda (DE-588)1110074174 wst Riding, Jacqueline (DE-588)1216729751 wst Tedbury, Imogen wst The National Gallery (London) (DE-588)1003322-1 his isb Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033274276&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Gainsborough's Blue Boy the return of a British icon Gainsborough, Thomas 1727-1788 Blue Boy (DE-588)4631702-8 gnd |
| subject_GND | (DE-588)4631702-8 (DE-588)4135467-9 |
| title | Gainsborough's Blue Boy the return of a British icon |
| title_auth | Gainsborough's Blue Boy the return of a British icon |
| title_exact_search | Gainsborough's Blue Boy the return of a British icon |
| title_exact_search_txtP | Gainsborough's Blue Boy the return of a British icon |
| title_full | Gainsborough's Blue Boy the return of a British icon Christine Riding ; with contributions by Susanna Avery-Quash, Melinda McCurdy, Jacqueline Riding and Imogen Tedbury |
| title_fullStr | Gainsborough's Blue Boy the return of a British icon Christine Riding ; with contributions by Susanna Avery-Quash, Melinda McCurdy, Jacqueline Riding and Imogen Tedbury |
| title_full_unstemmed | Gainsborough's Blue Boy the return of a British icon Christine Riding ; with contributions by Susanna Avery-Quash, Melinda McCurdy, Jacqueline Riding and Imogen Tedbury |
| title_short | Gainsborough's Blue Boy |
| title_sort | gainsborough s blue boy the return of a british icon |
| title_sub | the return of a British icon |
| topic | Gainsborough, Thomas 1727-1788 Blue Boy (DE-588)4631702-8 gnd |
| topic_facet | Gainsborough, Thomas 1727-1788 Blue Boy Ausstellungskatalog The National Gallery 25.01.2022-15.05.2022 London |
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