Radical Picasso: the use value of genius
Introduction -- The crystallisation of cubism -- Platonism after Cubism -- Mimesis after collage -- Cubism's refuse -- Picasso's sexuality -- Crucifixion and apocalypse -- Rotten sun -- Signed, Picasso.
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Oakland, California
University of California Press
[2021]
[Washington, DC] The Phillips Collection |
Schriftenreihe: | The Phillips Collection book prize series
8 |
Schlagworte: | |
Zusammenfassung: | Introduction -- The crystallisation of cubism -- Platonism after Cubism -- Mimesis after collage -- Cubism's refuse -- Picasso's sexuality -- Crucifixion and apocalypse -- Rotten sun -- Signed, Picasso. "While the personality cult of Pablo Picasso still holds sway over his popular reputation, the force of his work has fallen into disuse. In this groundbreaking and ambitious study, C. F. B. Miller uses that force to undo and remake our understanding of the twentieth century's most legendary artist. By critiquing this legend and showing how, even now, the art itself disrupts received ideas, Radical Picasso rethinks Picasso's function in the history of modernism. Presenting a fresh account of cubism as an art of negativity and excess, Miller juxtaposes early cubist painting with G. W. F. Hegel, high cubism with Plato and his critics, and 'synthetic' cubism with Walter Benjamin. The 'guitar' assemblages of 1926 radicalize collage, taking up the racialized and gendered remainders of modernist aesthetics. Next to surrealism, Picasso's sexuality becomes a biopolitical problem, while the Crucifixion of 1930, and the Picasso myth at large, intersect with the writings of Georges Bataille. At the same time we see how, from his arrival in the art market to the games he played with his self-image in the 1950s, Picasso exploited the very fictions of genius that today determine his posthumous brand. Ultimately, in deconstructing the institution we call 'Picasso,' Radical Picasso retrieves his art from misrepresentation and argues for its continuing use value as a means of thought"-- |
Beschreibung: | x, 301 Seiten Illustrationen |
ISBN: | 9780520290143 |
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id | DE-604.BV047891808 |
illustrated | Illustrated |
index_date | 2024-07-03T19:26:24Z |
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institution | BVB |
isbn | 9780520290143 |
language | English |
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physical | x, 301 Seiten Illustrationen |
publishDate | 2021 |
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publisher | University of California Press The Phillips Collection |
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series | The Phillips Collection book prize series |
series2 | The Phillips Collection book prize series An Ahmason Murphy book in fine arts |
spelling | Miller, C. F. B. ca. 20./21.Jh. Verfasser (DE-588)1052439543 aut Radical Picasso the use value of genius C.F.B. Miller Oakland, California University of California Press [2021] [Washington, DC] The Phillips Collection © 2021 x, 301 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier The Phillips Collection book prize series 8 An Ahmason Murphy book in fine arts Introduction -- The crystallisation of cubism -- Platonism after Cubism -- Mimesis after collage -- Cubism's refuse -- Picasso's sexuality -- Crucifixion and apocalypse -- Rotten sun -- Signed, Picasso. "While the personality cult of Pablo Picasso still holds sway over his popular reputation, the force of his work has fallen into disuse. In this groundbreaking and ambitious study, C. F. B. Miller uses that force to undo and remake our understanding of the twentieth century's most legendary artist. By critiquing this legend and showing how, even now, the art itself disrupts received ideas, Radical Picasso rethinks Picasso's function in the history of modernism. Presenting a fresh account of cubism as an art of negativity and excess, Miller juxtaposes early cubist painting with G. W. F. Hegel, high cubism with Plato and his critics, and 'synthetic' cubism with Walter Benjamin. The 'guitar' assemblages of 1926 radicalize collage, taking up the racialized and gendered remainders of modernist aesthetics. Next to surrealism, Picasso's sexuality becomes a biopolitical problem, while the Crucifixion of 1930, and the Picasso myth at large, intersect with the writings of Georges Bataille. At the same time we see how, from his arrival in the art market to the games he played with his self-image in the 1950s, Picasso exploited the very fictions of genius that today determine his posthumous brand. Ultimately, in deconstructing the institution we call 'Picasso,' Radical Picasso retrieves his art from misrepresentation and argues for its continuing use value as a means of thought"-- Picasso, Pablo 1881-1973 (DE-588)118594206 gnd rswk-swf Picasso, Pablo / 1881-1973 / Criticism and interpretation Picasso, Pablo 1881-1973 (DE-588)118594206 p DE-604 The Phillips Collection book prize series 8 (DE-604)BV036130920 8 |
spellingShingle | Miller, C. F. B. ca. 20./21.Jh Radical Picasso the use value of genius The Phillips Collection book prize series Picasso, Pablo 1881-1973 (DE-588)118594206 gnd |
subject_GND | (DE-588)118594206 |
title | Radical Picasso the use value of genius |
title_auth | Radical Picasso the use value of genius |
title_exact_search | Radical Picasso the use value of genius |
title_exact_search_txtP | Radical Picasso the use value of genius |
title_full | Radical Picasso the use value of genius C.F.B. Miller |
title_fullStr | Radical Picasso the use value of genius C.F.B. Miller |
title_full_unstemmed | Radical Picasso the use value of genius C.F.B. Miller |
title_short | Radical Picasso |
title_sort | radical picasso the use value of genius |
title_sub | the use value of genius |
topic | Picasso, Pablo 1881-1973 (DE-588)118594206 gnd |
topic_facet | Picasso, Pablo 1881-1973 |
volume_link | (DE-604)BV036130920 |
work_keys_str_mv | AT millercfb radicalpicassotheusevalueofgenius |