Griot potters of the Folona: the history of an African ceramic tradition
Griot Potters of the Folona reconstructs the past of a particular group of West African women potters using evidence found in their artistry and techniques. The potters of the Folona region of southeastern Mali serve a diverse clientele and firing thousands of pots weekly during the height of the dr...
Gespeichert in:
1. Verfasser: | |
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Format: | Karte |
Sprache: | English |
Veröffentlicht: |
Bloomington, Indiana
Indiana University Press
[2021]
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Schriftenreihe: | African expressive cultures
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Schlagworte: | |
Zusammenfassung: | Griot Potters of the Folona reconstructs the past of a particular group of West African women potters using evidence found in their artistry and techniques. The potters of the Folona region of southeastern Mali serve a diverse clientele and firing thousands of pots weekly during the height of the dry season. Although they identify themselves as Mande, the unique styles and types of objects the Folona women make, and more importantly, the way they form and fire them, are fundamentally different from Mande potters to the north and west. Through a brilliant comparative analysis of pottery production methods across the region, especially how the pots are formed and the way the techniques are taught by mothers to daughters, Barbara Frank concludes that the mothers of the potters of the Folona very likely came from the south and east, marrying Mande griots (West African leatherworkers who are better known as storytellers or musicians), as they made their way south in search of clientele as early as the 14th or 15th century CE. While the women may have nominally given up their mothers' identities through marriage, over the generations the potters preserved their maternal heritage through their technological style, passing this knowledge on to their daughters, and thus transforming the very nature of what it means to be a Mande griot. This is a story of resilience and the continuity of cultural heritage in the hands of women |
Beschreibung: | xii, 506 Seiten Illustrationen, Karten 24 cm |
ISBN: | 9780253058997 9780253059000 |
Internformat
MARC
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490 | 0 | |a African expressive cultures | |
520 | 3 | |a Griot Potters of the Folona reconstructs the past of a particular group of West African women potters using evidence found in their artistry and techniques. The potters of the Folona region of southeastern Mali serve a diverse clientele and firing thousands of pots weekly during the height of the dry season. Although they identify themselves as Mande, the unique styles and types of objects the Folona women make, and more importantly, the way they form and fire them, are fundamentally different from Mande potters to the north and west. Through a brilliant comparative analysis of pottery production methods across the region, especially how the pots are formed and the way the techniques are taught by mothers to daughters, Barbara Frank concludes that the mothers of the potters of the Folona very likely came from the south and east, marrying Mande griots (West African leatherworkers who are better known as storytellers or musicians), as they made their way south in search of clientele as early as the 14th or 15th century CE. While the women may have nominally given up their mothers' identities through marriage, over the generations the potters preserved their maternal heritage through their technological style, passing this knowledge on to their daughters, and thus transforming the very nature of what it means to be a Mande griot. This is a story of resilience and the continuity of cultural heritage in the hands of women | |
653 | 0 | |a Pottery / Mali | |
653 | 0 | |a Women potters / Mali | |
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653 | 0 | |a Women potters / Africa, West | |
653 | 0 | |a Mandingo (African people) / Social life and customs | |
653 | 0 | |a Femmes céramistes / Mali | |
653 | 0 | |a Femmes céramistes / Afrique occidentale | |
653 | 0 | |a Mandingue (Peuple d'Afrique) / Murs et coutumes | |
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653 | 0 | |a Pottery | |
653 | 0 | |a Women potters | |
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776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-0-253-05898-0 |
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Datensatz im Suchindex
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author | Frank, Barbara E. |
author_GND | (DE-588)119351780X |
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author_role | aut |
author_sort | Frank, Barbara E. |
author_variant | b e f be bef |
building | Verbundindex |
bvnumber | BV047891746 |
ctrlnum | (OCoLC)1317688812 (DE-599)BVBBV047891746 |
format | Map |
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id | DE-604.BV047891746 |
illustrated | Not Illustrated |
index_date | 2024-07-03T19:26:22Z |
indexdate | 2024-07-10T09:24:23Z |
institution | BVB |
isbn | 9780253058997 9780253059000 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033273834 |
oclc_num | 1317688812 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | xii, 506 Seiten Illustrationen, Karten 24 cm |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
publisher | Indiana University Press |
record_format | marc |
series2 | African expressive cultures |
spelling | Frank, Barbara E. Verfasser (DE-588)119351780X aut Griot potters of the Folona the history of an African ceramic tradition Barbara E. Frank Bloomington, Indiana Indiana University Press [2021] xii, 506 Seiten Illustrationen, Karten 24 cm txt rdacontent sti rdacontent cri rdacontent n rdamedia nc rdacarrier African expressive cultures Griot Potters of the Folona reconstructs the past of a particular group of West African women potters using evidence found in their artistry and techniques. The potters of the Folona region of southeastern Mali serve a diverse clientele and firing thousands of pots weekly during the height of the dry season. Although they identify themselves as Mande, the unique styles and types of objects the Folona women make, and more importantly, the way they form and fire them, are fundamentally different from Mande potters to the north and west. Through a brilliant comparative analysis of pottery production methods across the region, especially how the pots are formed and the way the techniques are taught by mothers to daughters, Barbara Frank concludes that the mothers of the potters of the Folona very likely came from the south and east, marrying Mande griots (West African leatherworkers who are better known as storytellers or musicians), as they made their way south in search of clientele as early as the 14th or 15th century CE. While the women may have nominally given up their mothers' identities through marriage, over the generations the potters preserved their maternal heritage through their technological style, passing this knowledge on to their daughters, and thus transforming the very nature of what it means to be a Mande griot. This is a story of resilience and the continuity of cultural heritage in the hands of women Pottery / Mali Women potters / Mali Pottery / Africa, West Women potters / Africa, West Mandingo (African people) / Social life and customs Femmes céramistes / Mali Femmes céramistes / Afrique occidentale Mandingue (Peuple d'Afrique) / Murs et coutumes Pottery Women potters West Africa Erscheint auch als Online-Ausgabe 978-0-253-05898-0 |
spellingShingle | Frank, Barbara E. Griot potters of the Folona the history of an African ceramic tradition |
title | Griot potters of the Folona the history of an African ceramic tradition |
title_auth | Griot potters of the Folona the history of an African ceramic tradition |
title_exact_search | Griot potters of the Folona the history of an African ceramic tradition |
title_exact_search_txtP | Griot potters of the Folona the history of an African ceramic tradition |
title_full | Griot potters of the Folona the history of an African ceramic tradition Barbara E. Frank |
title_fullStr | Griot potters of the Folona the history of an African ceramic tradition Barbara E. Frank |
title_full_unstemmed | Griot potters of the Folona the history of an African ceramic tradition Barbara E. Frank |
title_short | Griot potters of the Folona |
title_sort | griot potters of the folona the history of an african ceramic tradition |
title_sub | the history of an African ceramic tradition |
work_keys_str_mv | AT frankbarbarae griotpottersofthefolonathehistoryofanafricanceramictradition |