The political in Rimsky-Korsakov's operas:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne
Cambridge Scholars Publishers
2022
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xii, 254 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781527577732 |
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Datensatz im Suchindex
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| adam_text | Table of Contents Acknowledgements......................................................................................x Chapter 1...................................................................................................... 1 Introduction Censorship as the autocratic response.....................................................3 Censorship and the theatre......................................................................6 The complex question of‘national identity’.......................................... 9 Rimsky-Korsakov’s political journey................................................... 15 Orthodoxy as an element of‘national identity’.....................................17 The significance of the abolition of the Imperial Theatre Monopoly .. 20 Summajy...............................................................................................23 Chapter 2....................................................................................................25 The Maid ofPskov - Rimsky-Korsakov ventures into politics Government service the mainstay of the family................................... 25 The recluse of Tikhvin..........................................................................27 Two different sons ֊ or were they?...................................................... 30 Nikolai, the navy and music................................................................. 33 The political climate of the time...........................................................39 Politics and the arts at the time of The Maid ofPskov........................ 53 The
Maid and its reception....................................................................59 Rimsky-Korsakov challenges the State................................................61 Chapter 3....................................................................................................63 A questioning of Russia’s attitude to Ukraine and Poland - May Night, Christmas Eve and Pan Voyevoda Introduction..........................................................................................63 Interest in the Dikanka stories by Russian and Ukrainian composers.... 64 Life as play-acting and discontent - the background to Gogol............ 67 The significance of Gogol’s Ukraine....................................................72 Evenings Near the Village ofDikanka.................................................75 Rimsky-Korsakov and Gogol...............................................................79 Characterisations and interpretations....................................................85 Pan Voyevoda and the Polish uprisings................................................89 Why highlight controversial tsarist policies?....................................... 95
viii Table of Contents Chapter 4.................................................................................................... 98 Rimsky-Korsakov questions Orthodoxy as a definition in Official Nationality’ Pagan and Christian influences........................................................... 102 The Orthodox Church and pagan traditions...................................... 104 The Orthodox Church and the skomorokhi....................................... 107 The skomorokhi in Rimsky-Korsakov’soperas................................... 109 Influences on Rimsky-Korsakov’s viewsof Orthodoxy.................... 115 Church chant in Rimsky-Korsakov’s seasonal operas and Sadko..... 120 Rimsky-Korsakov and his relationship with the Old Believers........ 128 The Legend of the Invisible City ofKitezh and the Maiden Fevronia...................................................................................... 133 Rimsky-Korsakov questions Russian Orthodoxy’.............................138 Chapter 5.................................................................................................. 139 Criticism of Tsar Nicholas II - from Sadko to The Golden Cockerel The politics of performance and the Imperial Theatre Monopoly....142 Theatre access for the many rather than the few............................... 145 The reluctant tsar................................................................................ 147 Concern over the attitude of Nicholas II.............................................149 The significance of the Old Believer’ merchants and Moscow....... 151 Rimsky-
Korsakov and Mamontov - the doors open at last.............. 154 Kashchei the Immortal - political and student unrest........................ 159 Rimsky-Korsakov turns to the radical writers for support..................169 Pushkin - the most damning criticism of the tsar...............................172 Summary............................................................................................. 182 Chapter 6.................................................................................................. 184 Rimsky-Korsakov’s legacy and his contribution to a Russian national identity Phases in the life and works of Rimsky-Korsakov.............................184 Autocracy criticised............................................................................188 Russian society and religion ֊ views on orthodoxy............................190 Rimsky-Korsakov’s concept of nationality.........................................193 List of Illustrations................................................................................... 199 Additional Notes...................................................................................... 201 Bibliography 202
The Political in Rimsky-Korsakov’s Operas ix Appendix 1...............................................................................................216 People mentioned in the text Appendix 2...............................................................................................241 Operas seen by Rimsky-Korsakov during his studies at the Cadet School Appendix 3...............................................................................................245 Imperial Manifesto concerning Poland Appendix 4...............................................................................................247 Operas performed at Mamontov’s Private Opera, 1885-1909, showing librettist and Abramtsevo artists involved Appendix 5...............................................................................................249 Performances of Rimsky-Korsakov Operas at the Mariinsky Theatre 1903-06 Appendix 6...............................................................................................250 Alexander Pushkin poems: The Prophet and The Upas Tree Appendix 7........................................................................................ Premières of Rimsky-Korsakov’s operas in St. Petersburg, Moscow and abroad 253
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| adam_txt |
Table of Contents Acknowledgements.x Chapter 1. 1 Introduction Censorship as the autocratic response.3 Censorship and the theatre.6 The complex question of‘national identity’. 9 Rimsky-Korsakov’s political journey. 15 Orthodoxy as an element of‘national identity’.17 The significance of the abolition of the Imperial Theatre Monopoly . 20 Summajy.23 Chapter 2.25 The Maid ofPskov - Rimsky-Korsakov ventures into politics Government service the mainstay of the family. 25 The recluse of Tikhvin.27 Two different sons ֊ or were they?. 30 Nikolai, the navy and music. 33 The political climate of the time.39 Politics and the arts at the time of The Maid ofPskov. 53 The
Maid and its reception.59 Rimsky-Korsakov challenges the State.61 Chapter 3.63 A questioning of Russia’s attitude to Ukraine and Poland - May Night, Christmas Eve and Pan Voyevoda Introduction.63 Interest in the Dikanka stories by Russian and Ukrainian composers. 64 Life as play-acting and discontent - the background to Gogol. 67 The significance of Gogol’s Ukraine.72 Evenings Near the Village ofDikanka.75 Rimsky-Korsakov and Gogol.79 Characterisations and interpretations.85 Pan Voyevoda and the Polish uprisings.89 Why highlight controversial tsarist policies?. 95
viii Table of Contents Chapter 4. 98 Rimsky-Korsakov questions Orthodoxy as a definition in Official Nationality’ Pagan and Christian influences. 102 The Orthodox Church and pagan traditions. 104 The Orthodox Church and the skomorokhi. 107 The skomorokhi in Rimsky-Korsakov’soperas. 109 Influences on Rimsky-Korsakov’s viewsof Orthodoxy. 115 Church chant in Rimsky-Korsakov’s seasonal operas and Sadko. 120 Rimsky-Korsakov and his relationship with the Old Believers. 128 The Legend of the Invisible City ofKitezh and the Maiden Fevronia. 133 Rimsky-Korsakov questions Russian Orthodoxy’.138 Chapter 5. 139 Criticism of Tsar Nicholas II - from Sadko to The Golden Cockerel The politics of performance and the Imperial Theatre Monopoly.142 Theatre access for the many rather than the few. 145 The reluctant tsar. 147 Concern over the attitude of Nicholas II.149 The significance of the Old Believer’ merchants and Moscow. 151 Rimsky-
Korsakov and Mamontov - the doors open at last. 154 Kashchei the Immortal - political and student unrest. 159 Rimsky-Korsakov turns to the radical writers for support.169 Pushkin - the most damning criticism of the tsar.172 Summary. 182 Chapter 6. 184 Rimsky-Korsakov’s legacy and his contribution to a Russian national identity Phases in the life and works of Rimsky-Korsakov.184 Autocracy criticised.188 Russian society and religion ֊ views on orthodoxy.190 Rimsky-Korsakov’s concept of nationality.193 List of Illustrations. 199 Additional Notes. 201 Bibliography 202
The Political in Rimsky-Korsakov’s Operas ix Appendix 1.216 People mentioned in the text Appendix 2.241 Operas seen by Rimsky-Korsakov during his studies at the Cadet School Appendix 3.245 Imperial Manifesto concerning Poland Appendix 4.247 Operas performed at Mamontov’s Private Opera, 1885-1909, showing librettist and Abramtsevo artists involved Appendix 5.249 Performances of Rimsky-Korsakov Operas at the Mariinsky Theatre 1903-06 Appendix 6.250 Alexander Pushkin poems: The Prophet and The Upas Tree Appendix 7. Premières of Rimsky-Korsakov’s operas in St. Petersburg, Moscow and abroad 253 |
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| index_date | 2024-07-03T19:24:39Z |
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| isbn | 9781527577732 |
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| spelling | Nelson, John Verfasser (DE-588)1261369335 aut The political in Rimsky-Korsakov's operas by John Nelson Newcastle upon Tyne Cambridge Scholars Publishers 2022 xii, 254 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Rimskij-Korsakov, Nikolaj 1844-1908 (DE-588)118601067 gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf Politik Motiv (DE-588)4202544-8 gnd rswk-swf Rimskij-Korsakov, Nikolaj 1844-1908 (DE-588)118601067 p Oper (DE-588)4043582-9 s Politik Motiv (DE-588)4202544-8 s DE-604 Äquivalent Druck-Ausgabe, Paperback 978-1-5275-9907-9 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033268908&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Nelson, John The political in Rimsky-Korsakov's operas Rimskij-Korsakov, Nikolaj 1844-1908 (DE-588)118601067 gnd Oper (DE-588)4043582-9 gnd Politik Motiv (DE-588)4202544-8 gnd |
| subject_GND | (DE-588)118601067 (DE-588)4043582-9 (DE-588)4202544-8 |
| title | The political in Rimsky-Korsakov's operas |
| title_auth | The political in Rimsky-Korsakov's operas |
| title_exact_search | The political in Rimsky-Korsakov's operas |
| title_exact_search_txtP | The political in Rimsky-Korsakov's operas |
| title_full | The political in Rimsky-Korsakov's operas by John Nelson |
| title_fullStr | The political in Rimsky-Korsakov's operas by John Nelson |
| title_full_unstemmed | The political in Rimsky-Korsakov's operas by John Nelson |
| title_short | The political in Rimsky-Korsakov's operas |
| title_sort | the political in rimsky korsakov s operas |
| topic | Rimskij-Korsakov, Nikolaj 1844-1908 (DE-588)118601067 gnd Oper (DE-588)4043582-9 gnd Politik Motiv (DE-588)4202544-8 gnd |
| topic_facet | Rimskij-Korsakov, Nikolaj 1844-1908 Oper Politik Motiv |
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