Dismantling the patriarchy, bit by bit: art, feminism, and digital technology
"Technology is commonly considered a masculine domain — an issue that has, in the past few years, come into the spotlight. ‘Gamergate’ and reports on the lack of women executives in Silicon Valley corporations have shown how controversial the problem is. However, like their male counterparts, w...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Visual Arts
2022
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "Technology is commonly considered a masculine domain — an issue that has, in the past few years, come into the spotlight. ‘Gamergate’ and reports on the lack of women executives in Silicon Valley corporations have shown how controversial the problem is. However, like their male counterparts, women artists have entered the digital arena. Though a flurry of books have emerged in recent years on the absence of women in the digital world, this is the first to look at women and digital technology in the art world. An important figure in the feminist art world, Judith Brodsky documents the work of women and transgender artists who are transforming technology under the impact of feminist theory. She argues that their work differs from the work of male artists, because they are putting forth ideas that can lead to freeing technology from its heteronormative context. This book is about how women and gender variant digital artists are transforming technology under the impact of feminist theory. It documents the history and contemporary practice of such artists in one volume for the first time and shows how they have made significant contributions to the aesthetic and practice of digital art and have altered digital technology itself. The 1960s and 1970s generation of feminist artists re-purposed traditional art disciplines seeking out new art forms to express women’s experience. In looking at the history of digital technology and art through the lens of feminism, feminist art theory played an important role in the development of digital artmaking and helped to free digital technology from the limitations imposed by its patriarchal origins and transforming it into an accessible way of apprehending the world for people everywhere. Feminism evolved in the 1960s and 1970s among mostly white, heterosexual and lesbian women to accord women parity with men [...]." |
| Beschreibung: | xi, 259 Seiten, 32 ungezählte Seiten Tafeln Illustrationen |
| ISBN: | 9781350243484 |
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Datensatz im Suchindex
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| adam_text | Contents List of Plates Preface List of Abbreviations 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Introduction Reinserting Women into the History of Digital Art: Pioneer Feminist Artists The 1970s: Feminism and Digital Art Inside and Outside the Academy Reimagining the Binary Nature of Digital Technology Using Websites and Browsers to Deliver Social Justice Messages Provoking the Patriarchy Through Digital Language Queerness, Race, and Digital Art The Avatar The Female Body Disappears Creating Feminist Paradigms of Knowledge Through Digital Technology Surveillance Feminist Artists and the Gaming Industry Japanese Feminism, Video Games, and Anime Artificial Intelligence, Facial Recognition, and Virtual Reality Digital Public Art and Augmented Reality Conclusion Select Bibliography Index vi viii xi 1 9 31 45 55 63 75 91 105 117 129 143 161 177 193 207 215 245
In Dismantling the Patriarchy, Bit by Bit, Judith K. Brodsky makes a ground-breaking inteUectuat Leap by connecting feminist art theory with the rise of digital art. Technology has commonly been considered the domain of white men but— unrecognized until this book—female artists, including women artists of color, have been innovators in the digital art arena as early as the late 1960s when computers first became available outside of government and university laboratories. Brodsky, an important figure in the feminist art world, looks at various forms of visual art that are quickly becoming the dominant art of the 21st century, examining the work of artists in such media as video [from pioneers Joan Jonas and Adrian Piper to Hannah Black today), websites and social networking [from Vera Frenkelio Ann Hirsch), virtual and augmented reality art (from Lynn Hershman Leeson and Jenny Holzer to HyphenLab), and art using artificial intelligence. She also documents the work of queer, transgender, and Black and brown artists, including Legacy RusselÎ and micha cárdenas, who are not only innovators in digital art but also transforming technology itself under the impact of feminist theory. In this radical study, Brodsky argues that their work frees technology from its patriarchal context, illustrating the crucial need to transform all areas of our culture including technology to achieve the goals of the #MeToo, Black Lives Matter [BLM), Black and Asian Minority Ethnicities (БАМЕ), and other global movements to empower femaleidentifying and Black and brown people, and to document their
contributions to human history. Judith K. Brodsky is Distinguished Professor Emerita (1978-2001) in the Department of Visual Arts at Rutgers University, USA and founder of the Rutgers Center for Innovative Print and Paper, renamed the Brodsky Center in 2006, now located at the Pennsylvania Academy of Fine Arts. Brodsky, also an artist and curator, is co-founder of the Rutgers University Institute for Women and Art and The Feminist Art Project.
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| adam_txt |
Contents List of Plates Preface List of Abbreviations 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Introduction Reinserting Women into the History of Digital Art: Pioneer Feminist Artists The 1970s: Feminism and Digital Art Inside and Outside the Academy Reimagining the Binary Nature of Digital Technology Using Websites and Browsers to Deliver Social Justice Messages Provoking the Patriarchy Through Digital Language Queerness, Race, and Digital Art The Avatar The Female Body Disappears Creating Feminist Paradigms of Knowledge Through Digital Technology Surveillance Feminist Artists and the Gaming Industry Japanese Feminism, Video Games, and Anime Artificial Intelligence, Facial Recognition, and Virtual Reality Digital Public Art and Augmented Reality Conclusion Select Bibliography Index vi viii xi 1 9 31 45 55 63 75 91 105 117 129 143 161 177 193 207 215 245
In Dismantling the Patriarchy, Bit by Bit, Judith K. Brodsky makes a ground-breaking inteUectuat Leap by connecting feminist art theory with the rise of digital art. Technology has commonly been considered the domain of white men but— unrecognized until this book—female artists, including women artists of color, have been innovators in the digital art arena as early as the late 1960s when computers first became available outside of government and university laboratories. Brodsky, an important figure in the feminist art world, looks at various forms of visual art that are quickly becoming the dominant art of the 21st century, examining the work of artists in such media as video [from pioneers Joan Jonas and Adrian Piper to Hannah Black today), websites and social networking [from Vera Frenkelio Ann Hirsch), virtual and augmented reality art (from Lynn Hershman Leeson and Jenny Holzer to HyphenLab), and art using artificial intelligence. She also documents the work of queer, transgender, and Black and brown artists, including Legacy RusselÎ and micha cárdenas, who are not only innovators in digital art but also transforming technology itself under the impact of feminist theory. In this radical study, Brodsky argues that their work frees technology from its patriarchal context, illustrating the crucial need to transform all areas of our culture including technology to achieve the goals of the #MeToo, Black Lives Matter [BLM), Black and Asian Minority Ethnicities (БАМЕ), and other global movements to empower femaleidentifying and Black and brown people, and to document their
contributions to human history. Judith K. Brodsky is Distinguished Professor Emerita (1978-2001) in the Department of Visual Arts at Rutgers University, USA and founder of the Rutgers Center for Innovative Print and Paper, renamed the Brodsky Center in 2006, now located at the Pennsylvania Academy of Fine Arts. Brodsky, also an artist and curator, is co-founder of the Rutgers University Institute for Women and Art and The Feminist Art Project. |
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