Angela Carter's pyrotechnics: a union of contraries
"Representing a shift in Carter studies for the 21st century, this book critically explores her legacy and showcases the current state of Angela Carter scholarship. It gives new insights into Carter’s pyrotechnic creativity and pays tribute to her incendiary imagination in a reappraisal of Ange...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2022
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "Representing a shift in Carter studies for the 21st century, this book critically explores her legacy and showcases the current state of Angela Carter scholarship. It gives new insights into Carter’s pyrotechnic creativity and pays tribute to her incendiary imagination in a reappraisal of Angela Carter’s work, her influences and influence. Drawing attention to the highly constructed artifice of Angela Carter’s work, it brings to the fore her lesser-known collection of short stories, Fireworks: Nine Profane Pieces to reposition her as more than just the author of The Bloody Chamber. On the way, it also explores the impact of her experiences living in Japan, in the light of Edmund Gordon’s 2016 biography and Natsumi Ikoma’s translation of Sozo Araki’s Japanese memoirs of Carter." |
| Beschreibung: | xv, 258 Seiten Illustrationen |
| ISBN: | 9781350182721 |
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Datensatz im Suchindex
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| adam_text | Contents List of Illustrations Notes on Contributors Foreword Gina Wisker Acknowledgements ix x xiv xvi Introduction Fireworks: Angela Carter’s incendiary imagination Charlotte Crofts and Marie Mulvey-Roberts Part One 1 2 4 5 7 8 17 31 Music, performance and fairy tale ‘Down to the greenwood’: Angela Carter and traditional folk singing Polly Paulusma 43 From Griseldas patience to feminist grit: Angela Carter’s ‘The Patience of Grizelda’ as a hidden intertext to ‘The Bloody Chamber’ and ‘The Tiger’s Bride’ Martine Hennard Dutheil de la Rochère 71 Of tales, tragic opera, transformation and ‘tongues’: Tristan und Isolde in Angela Carter’s The Bloody Chamber Ashley Riggs 95 Part Three 6 Signs and objects Carter and Japanese signs: Bunraku, Mishima, irezumi and Sozo Araki Natsumi Ikoma Some kinds of love: Angela Carter, art and objects David Punter Part Two 3 1 Ways of seeing Adapting Carter: The Lady of the House of Love and The Bloody Chamber on the Australian stage Belinda Locke ‘What then?’ Apocalypticism and Angela Carter’s surrealist esthetics Scott A. Dimovitz Kaleidoscopes, stereoscopes and desire machines: Revolutions in vision in Angela Carter’s The Infernal Desire Machines of Doctor Hoffman Caleb Sivyer 115 139 153
viii 9 Contents ‘lhe strangeness of the world made visible’: Reading alignments between Angela Carter and Paula Rego Béatrice Bijon Part Four 173 Material bodies 10 Perceiving pleasures and appetites in The Bloody Chamber·. ‘Surprise me for dessert with every ice-cream in the ice box’ Maria José Pires 11 The skin that holds you in: States of dress and undress in Angela Carter’s animal/human transformation stories Carys Crossen 12 Angela Carter’s questioning of age-appropriate’ appearance and behaviour in Wise Children Zoe Brennan 229 Index 244 189 207
Representing a shift in Carter studies for the 21 st century, this book critically explores her legacy, showcases the current state of Angela Carter scholarship and examines its future directions. It gives new insights into Carter’s pyrotechnic creativity and pays tribute to her incendiary imagination in a reappraisal of her work, her influences and influence. Paying attention to the highly constructed artifice of Angela Carter’s work, this book brings to the fore her lesser-known collection of short stories, Fireworh: Nine Profane Pieces to reposition her as more than just the author of The Bloody Chamber. The book also explores the impact of Carter’s experiences of living in Japan on her work, in the light of Edmund Gordon’s 2016 biography and Natsumi Ikoma’s translation of Sozo Araki’s Japanese memoirs of Carter.
|
| adam_txt |
Contents List of Illustrations Notes on Contributors Foreword Gina Wisker Acknowledgements ix x xiv xvi Introduction Fireworks: Angela Carter’s incendiary imagination Charlotte Crofts and Marie Mulvey-Roberts Part One 1 2 4 5 7 8 17 31 Music, performance and fairy tale ‘Down to the greenwood’: Angela Carter and traditional folk singing Polly Paulusma 43 From Griseldas patience to feminist grit: Angela Carter’s ‘The Patience of Grizelda’ as a hidden intertext to ‘The Bloody Chamber’ and ‘The Tiger’s Bride’ Martine Hennard Dutheil de la Rochère 71 Of tales, tragic opera, transformation and ‘tongues’: Tristan und Isolde in Angela Carter’s The Bloody Chamber Ashley Riggs 95 Part Three 6 Signs and objects Carter and Japanese signs: Bunraku, Mishima, irezumi and Sozo Araki Natsumi Ikoma Some kinds of love: Angela Carter, art and objects David Punter Part Two 3 1 Ways of seeing Adapting Carter: The Lady of the House of Love and The Bloody Chamber on the Australian stage Belinda Locke ‘What then?’ Apocalypticism and Angela Carter’s surrealist esthetics Scott A. Dimovitz Kaleidoscopes, stereoscopes and desire machines: Revolutions in vision in Angela Carter’s The Infernal Desire Machines of Doctor Hoffman Caleb Sivyer 115 139 153
viii 9 Contents ‘lhe strangeness of the world made visible’: Reading alignments between Angela Carter and Paula Rego Béatrice Bijon Part Four 173 Material bodies 10 Perceiving pleasures and appetites in The Bloody Chamber·. ‘Surprise me for dessert with every ice-cream in the ice box’ Maria José Pires 11 The skin that holds you in: States of dress and undress in Angela Carter’s animal/human transformation stories Carys Crossen 12 Angela Carter’s questioning of age-appropriate’ appearance and behaviour in Wise Children Zoe Brennan 229 Index 244 189 207
Representing a shift in Carter studies for the 21 st century, this book critically explores her legacy, showcases the current state of Angela Carter scholarship and examines its future directions. It gives new insights into Carter’s pyrotechnic creativity and pays tribute to her incendiary imagination in a reappraisal of her work, her influences and influence. Paying attention to the highly constructed artifice of Angela Carter’s work, this book brings to the fore her lesser-known collection of short stories, Fireworh: Nine Profane Pieces to reposition her as more than just the author of The Bloody Chamber. The book also explores the impact of Carter’s experiences of living in Japan on her work, in the light of Edmund Gordon’s 2016 biography and Natsumi Ikoma’s translation of Sozo Araki’s Japanese memoirs of Carter. |
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| discipline | Anglistik / Amerikanistik |
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| spelling | Angela Carter's pyrotechnics a union of contraries edited by Charlotte Crofts and Marie Mulvey-Roberts London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2022 xv, 258 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier "Representing a shift in Carter studies for the 21st century, this book critically explores her legacy and showcases the current state of Angela Carter scholarship. It gives new insights into Carter’s pyrotechnic creativity and pays tribute to her incendiary imagination in a reappraisal of Angela Carter’s work, her influences and influence. Drawing attention to the highly constructed artifice of Angela Carter’s work, it brings to the fore her lesser-known collection of short stories, Fireworks: Nine Profane Pieces to reposition her as more than just the author of The Bloody Chamber. On the way, it also explores the impact of her experiences living in Japan, in the light of Edmund Gordon’s 2016 biography and Natsumi Ikoma’s translation of Sozo Araki’s Japanese memoirs of Carter." Carter, Angela 1940-1992 (DE-588)119058804 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Carter, Angela 1940-1992 (DE-588)119058804 p DE-604 Crofts, Charlotte (DE-588)173653537 edt Mulvey Roberts, Marie 1955- (DE-588)132805766 edt Äquivalent Erscheinungstermin unbekannt Druck-Ausgabe, Paperback 978-1-3501-8286-8 Erscheint auch als Online-Ausgabe, PDF 978-1-3501-8273-8 Erscheint auch als Online-Ausgabe, EPUB 978-1-3501-8274-5 B:DE-16 V:DE-576 https://swbplus.bsz-bw.de/bsz1795266856inh.htm 20220704092335 Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033264954&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033264954&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Angela Carter's pyrotechnics a union of contraries |
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| title_exact_search | Angela Carter's pyrotechnics a union of contraries |
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| title_full | Angela Carter's pyrotechnics a union of contraries edited by Charlotte Crofts and Marie Mulvey-Roberts |
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| title_full_unstemmed | Angela Carter's pyrotechnics a union of contraries edited by Charlotte Crofts and Marie Mulvey-Roberts |
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