The sculpture of William Edmondson: tombstones, garden ornaments, and stonework
"A catalog of William Edmondson's work for the Cheekwood Estate and Gardens exhibit in 2021"--
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Nashville
Vanderbilt University Press
[2021]
|
| Schlagworte: | |
| Zusammenfassung: | "A catalog of William Edmondson's work for the Cheekwood Estate and Gardens exhibit in 2021"-- The Sculpture of William Edmondson: Tombstones, Garden Ornaments, and Stonework is the first large-scale museum examination of artist William Edmondson's career in over twenty years. Organized by Cheekwood Curator-at-Large Marin R. Sullivan, the exhibition draws upon new scholarship and methodologies to contextualize Edmondson's sculpture, both within the histories of Nashville during the Interwar years and the art histories of modern art in the United States. Edmondson has largely been confined to narratives that focus on his artistic discovery by white patrons in the 1930s, his work's formal resonance with so-called primitivism and direct carving techniques, and his place in the traditions of African American "outsider" art. This exhibition revisits Edmondson's work within these frameworks, but also seeks to reevaluate his sculpture on its own terms and as part of a comprehensive practice that included the creation of commercial objects rather than strictly fine art. The exhibition's title references the sign that hung on the outside of Edmondson's studio, advertising what was for sale and on view to the public in his yard, including tombstones, birdbaths, and statuary meant to be used and intended for outdoor rather than gallery display. -- Back cover William Edmondson (1874-1951) was the first African American sculptor to have a one-person exhibition at the Museum of Modern Art. Edmondson started sculpting in his late fifties, after the Nashville Women's Hospital, where he worked as a janitor, closed. During his life he was well known for his yard art, such as whimsical birdbaths and "critters" of real and imaginary provenance, and the grave markers he carved for African American families. His sculptures are now highly sought after by collectors.-- Amazon |
| Beschreibung: | Rückseite Titelblatt: Cheekwood Estate & Gardens, Nashville, Tennessee, August 12-October 31, 2021; Fisk University Galleries, Fisk University, Nashville, Tennessee, August 12-October 31, 2021 |
| Beschreibung: | x, 157 Seiten Illustrationen 31 x 23 cm |
| ISBN: | 9780826502360 0826502369 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV047881950 | ||
| 003 | DE-604 | ||
| 005 | 20230822 | ||
| 007 | t | ||
| 008 | 220314s2021 a||| |||| 00||| eng d | ||
| 020 | |a 9780826502360 |9 978-0-8265-0236-0 | ||
| 020 | |a 0826502369 |9 0-8265-0236-9 | ||
| 035 | |a (OCoLC)1312852894 | ||
| 035 | |a (DE-599)BVBBV047881950 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-255 |a DE-188 | ||
| 082 | 0 | |a 730.92 |2 23 | |
| 245 | 1 | 0 | |a The sculpture of William Edmondson |b tombstones, garden ornaments, and stonework |c Marin R. Sullivan |
| 264 | 1 | |a Nashville |b Vanderbilt University Press |c [2021] | |
| 300 | |a x, 157 Seiten |b Illustrationen |c 31 x 23 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 336 | |b sti |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Rückseite Titelblatt: Cheekwood Estate & Gardens, Nashville, Tennessee, August 12-October 31, 2021; Fisk University Galleries, Fisk University, Nashville, Tennessee, August 12-October 31, 2021 | ||
| 505 | 8 | |a Tombstones, Garden Ornaments, and Stonework / Marin R. Sullivan -- Hewing Stones of Hope in a City of Discarded Rocks: William Edmondson's Nashville / Learotha Williams -- Edmondson's Stone Women / Renée Ater -- Quotidian Monumentality: Practices of the Everyday in the Art of William Edmondson / Kéla Jackson -- Cartography / Anne Monahan -- The Labor of Commercial Collaboration: Photographs of William Edmondson and his Sculpture / Ellen Macfarlane -- Tombstones by William Edmondson in Nashville Cemeteries / Betsy Phillips | |
| 520 | 3 | |a "A catalog of William Edmondson's work for the Cheekwood Estate and Gardens exhibit in 2021"-- | |
| 520 | 3 | |a The Sculpture of William Edmondson: Tombstones, Garden Ornaments, and Stonework is the first large-scale museum examination of artist William Edmondson's career in over twenty years. Organized by Cheekwood Curator-at-Large Marin R. Sullivan, the exhibition draws upon new scholarship and methodologies to contextualize Edmondson's sculpture, both within the histories of Nashville during the Interwar years and the art histories of modern art in the United States. Edmondson has largely been confined to narratives that focus on his artistic discovery by white patrons in the 1930s, his work's formal resonance with so-called primitivism and direct carving techniques, and his place in the traditions of African American "outsider" art. This exhibition revisits Edmondson's work within these frameworks, but also seeks to reevaluate his sculpture on its own terms and as part of a comprehensive practice that included the creation of commercial objects rather than strictly fine art. The exhibition's title references the sign that hung on the outside of Edmondson's studio, advertising what was for sale and on view to the public in his yard, including tombstones, birdbaths, and statuary meant to be used and intended for outdoor rather than gallery display. -- Back cover | |
| 520 | 3 | |a William Edmondson (1874-1951) was the first African American sculptor to have a one-person exhibition at the Museum of Modern Art. Edmondson started sculpting in his late fifties, after the Nashville Women's Hospital, where he worked as a janitor, closed. During his life he was well known for his yard art, such as whimsical birdbaths and "critters" of real and imaginary provenance, and the grave markers he carved for African American families. His sculptures are now highly sought after by collectors.-- Amazon | |
| 600 | 1 | 7 | |a Edmondson, William |d 1874-1951 |0 (DE-588)122147197 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Plastik |0 (DE-588)4046277-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Steinplastik |0 (DE-588)4134244-6 |2 gnd |9 rswk-swf |
| 653 | 1 | |a Edmondson, William / 1882?-1951 / Exhibitions | |
| 653 | 0 | |a African American artists / Exhibitions | |
| 653 | 0 | |a African American sculptors / Exhibitions | |
| 653 | 0 | |a Stone carving / Pictorial works | |
| 653 | 0 | |a Sculpture / Pictorial works | |
| 653 | 1 | |a Edmondson, William / 1882?-1951 | |
| 653 | 0 | |a Stone carving | |
| 653 | 0 | |a Sculpture | |
| 653 | 0 | |a African American sculptors | |
| 653 | 0 | |a African American artists | |
| 653 | 6 | |a Pictorial works | |
| 653 | 6 | |a Exhibition catalogs | |
| 653 | 6 | |a Exhibition catalogs | |
| 655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x Cheekwood Estate & Gardens |y 12.08.2021-31.10.2021 |z Nashville, Tenn. |2 gnd-content | |
| 655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x Fisk University Galleries |y 12.08.2021-31.10.2021 |z Nashville, Tenn. |2 gnd-content | |
| 689 | 0 | 0 | |a Edmondson, William |d 1874-1951 |0 (DE-588)122147197 |D p |
| 689 | 0 | 1 | |a Steinplastik |0 (DE-588)4134244-6 |D s |
| 689 | 0 | 2 | |a Plastik |0 (DE-588)4046277-8 |D s |
| 689 | 0 | |5 DE-188 | |
| 700 | 1 | |a Edmondson, William |d 1874-1951 |0 (DE-588)122147197 |4 ctb | |
| 700 | 1 | |a Sullivan, Marin R. |d ca. 20./21.Jh. |0 (DE-588)109911571X |4 wst | |
| 710 | 2 | |a Cheekwood Estate & Gardens |0 (DE-588)1242418504 |4 isb | |
| 710 | 2 | |a Fisk University |b Galleries |0 (DE-588)1242420096 |4 isb | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033264259 | ||
Datensatz im Suchindex
| _version_ | 1804183480335073280 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Edmondson, William 1874-1951 |
| author2_role | ctb |
| author2_variant | w e we |
| author_GND | (DE-588)122147197 (DE-588)109911571X |
| author_facet | Edmondson, William 1874-1951 |
| building | Verbundindex |
| bvnumber | BV047881950 |
| contents | Tombstones, Garden Ornaments, and Stonework / Marin R. Sullivan -- Hewing Stones of Hope in a City of Discarded Rocks: William Edmondson's Nashville / Learotha Williams -- Edmondson's Stone Women / Renée Ater -- Quotidian Monumentality: Practices of the Everyday in the Art of William Edmondson / Kéla Jackson -- Cartography / Anne Monahan -- The Labor of Commercial Collaboration: Photographs of William Edmondson and his Sculpture / Ellen Macfarlane -- Tombstones by William Edmondson in Nashville Cemeteries / Betsy Phillips |
| ctrlnum | (OCoLC)1312852894 (DE-599)BVBBV047881950 |
| dewey-full | 730.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 730 - Sculpture and related arts |
| dewey-raw | 730.92 |
| dewey-search | 730.92 |
| dewey-sort | 3730.92 |
| dewey-tens | 730 - Sculpture and related arts |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05047nam a2200649 c 4500</leader><controlfield tag="001">BV047881950</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230822 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">220314s2021 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780826502360</subfield><subfield code="9">978-0-8265-0236-0</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0826502369</subfield><subfield code="9">0-8265-0236-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1312852894</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047881950</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">730.92</subfield><subfield code="2">23</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The sculpture of William Edmondson</subfield><subfield code="b">tombstones, garden ornaments, and stonework</subfield><subfield code="c">Marin R. Sullivan</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Nashville</subfield><subfield code="b">Vanderbilt University Press</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">x, 157 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">31 x 23 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Rückseite Titelblatt: Cheekwood Estate & Gardens, Nashville, Tennessee, August 12-October 31, 2021; Fisk University Galleries, Fisk University, Nashville, Tennessee, August 12-October 31, 2021</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Tombstones, Garden Ornaments, and Stonework / Marin R. Sullivan -- Hewing Stones of Hope in a City of Discarded Rocks: William Edmondson's Nashville / Learotha Williams -- Edmondson's Stone Women / Renée Ater -- Quotidian Monumentality: Practices of the Everyday in the Art of William Edmondson / Kéla Jackson -- Cartography / Anne Monahan -- The Labor of Commercial Collaboration: Photographs of William Edmondson and his Sculpture / Ellen Macfarlane -- Tombstones by William Edmondson in Nashville Cemeteries / Betsy Phillips</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"A catalog of William Edmondson's work for the Cheekwood Estate and Gardens exhibit in 2021"--</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">The Sculpture of William Edmondson: Tombstones, Garden Ornaments, and Stonework is the first large-scale museum examination of artist William Edmondson's career in over twenty years. Organized by Cheekwood Curator-at-Large Marin R. Sullivan, the exhibition draws upon new scholarship and methodologies to contextualize Edmondson's sculpture, both within the histories of Nashville during the Interwar years and the art histories of modern art in the United States. Edmondson has largely been confined to narratives that focus on his artistic discovery by white patrons in the 1930s, his work's formal resonance with so-called primitivism and direct carving techniques, and his place in the traditions of African American "outsider" art. This exhibition revisits Edmondson's work within these frameworks, but also seeks to reevaluate his sculpture on its own terms and as part of a comprehensive practice that included the creation of commercial objects rather than strictly fine art. The exhibition's title references the sign that hung on the outside of Edmondson's studio, advertising what was for sale and on view to the public in his yard, including tombstones, birdbaths, and statuary meant to be used and intended for outdoor rather than gallery display. -- Back cover</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">William Edmondson (1874-1951) was the first African American sculptor to have a one-person exhibition at the Museum of Modern Art. Edmondson started sculpting in his late fifties, after the Nashville Women's Hospital, where he worked as a janitor, closed. During his life he was well known for his yard art, such as whimsical birdbaths and "critters" of real and imaginary provenance, and the grave markers he carved for African American families. His sculptures are now highly sought after by collectors.-- Amazon</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Edmondson, William</subfield><subfield code="d">1874-1951</subfield><subfield code="0">(DE-588)122147197</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Plastik</subfield><subfield code="0">(DE-588)4046277-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Steinplastik</subfield><subfield code="0">(DE-588)4134244-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Edmondson, William / 1882?-1951 / Exhibitions</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African American artists / Exhibitions</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African American sculptors / Exhibitions</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Stone carving / Pictorial works</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Sculpture / Pictorial works</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Edmondson, William / 1882?-1951</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Stone carving</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Sculpture</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African American sculptors</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African American artists</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Pictorial works</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Exhibition catalogs</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Exhibition catalogs</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4135467-9</subfield><subfield code="a">Ausstellungskatalog</subfield><subfield code="x">Cheekwood Estate & Gardens</subfield><subfield code="y">12.08.2021-31.10.2021</subfield><subfield code="z">Nashville, Tenn.</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4135467-9</subfield><subfield code="a">Ausstellungskatalog</subfield><subfield code="x">Fisk University Galleries</subfield><subfield code="y">12.08.2021-31.10.2021</subfield><subfield code="z">Nashville, Tenn.</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Edmondson, William</subfield><subfield code="d">1874-1951</subfield><subfield code="0">(DE-588)122147197</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Steinplastik</subfield><subfield code="0">(DE-588)4134244-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Plastik</subfield><subfield code="0">(DE-588)4046277-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-188</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Edmondson, William</subfield><subfield code="d">1874-1951</subfield><subfield code="0">(DE-588)122147197</subfield><subfield code="4">ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Sullivan, Marin R.</subfield><subfield code="d">ca. 20./21.Jh.</subfield><subfield code="0">(DE-588)109911571X</subfield><subfield code="4">wst</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">Cheekwood Estate & Gardens</subfield><subfield code="0">(DE-588)1242418504</subfield><subfield code="4">isb</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">Fisk University</subfield><subfield code="b">Galleries</subfield><subfield code="0">(DE-588)1242420096</subfield><subfield code="4">isb</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033264259</subfield></datafield></record></collection> |
| genre | (DE-588)4135467-9 Ausstellungskatalog Cheekwood Estate & Gardens 12.08.2021-31.10.2021 Nashville, Tenn. gnd-content (DE-588)4135467-9 Ausstellungskatalog Fisk University Galleries 12.08.2021-31.10.2021 Nashville, Tenn. gnd-content |
| genre_facet | Ausstellungskatalog Cheekwood Estate & Gardens 12.08.2021-31.10.2021 Nashville, Tenn. Ausstellungskatalog Fisk University Galleries 12.08.2021-31.10.2021 Nashville, Tenn. |
| id | DE-604.BV047881950 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:23:06Z |
| indexdate | 2024-07-10T09:24:07Z |
| institution | BVB |
| institution_GND | (DE-588)1242418504 (DE-588)1242420096 |
| isbn | 9780826502360 0826502369 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033264259 |
| oclc_num | 1312852894 |
| open_access_boolean | |
| owner | DE-255 DE-188 |
| owner_facet | DE-255 DE-188 |
| physical | x, 157 Seiten Illustrationen 31 x 23 cm |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Vanderbilt University Press |
| record_format | marc |
| spelling | The sculpture of William Edmondson tombstones, garden ornaments, and stonework Marin R. Sullivan Nashville Vanderbilt University Press [2021] x, 157 Seiten Illustrationen 31 x 23 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Rückseite Titelblatt: Cheekwood Estate & Gardens, Nashville, Tennessee, August 12-October 31, 2021; Fisk University Galleries, Fisk University, Nashville, Tennessee, August 12-October 31, 2021 Tombstones, Garden Ornaments, and Stonework / Marin R. Sullivan -- Hewing Stones of Hope in a City of Discarded Rocks: William Edmondson's Nashville / Learotha Williams -- Edmondson's Stone Women / Renée Ater -- Quotidian Monumentality: Practices of the Everyday in the Art of William Edmondson / Kéla Jackson -- Cartography / Anne Monahan -- The Labor of Commercial Collaboration: Photographs of William Edmondson and his Sculpture / Ellen Macfarlane -- Tombstones by William Edmondson in Nashville Cemeteries / Betsy Phillips "A catalog of William Edmondson's work for the Cheekwood Estate and Gardens exhibit in 2021"-- The Sculpture of William Edmondson: Tombstones, Garden Ornaments, and Stonework is the first large-scale museum examination of artist William Edmondson's career in over twenty years. Organized by Cheekwood Curator-at-Large Marin R. Sullivan, the exhibition draws upon new scholarship and methodologies to contextualize Edmondson's sculpture, both within the histories of Nashville during the Interwar years and the art histories of modern art in the United States. Edmondson has largely been confined to narratives that focus on his artistic discovery by white patrons in the 1930s, his work's formal resonance with so-called primitivism and direct carving techniques, and his place in the traditions of African American "outsider" art. This exhibition revisits Edmondson's work within these frameworks, but also seeks to reevaluate his sculpture on its own terms and as part of a comprehensive practice that included the creation of commercial objects rather than strictly fine art. The exhibition's title references the sign that hung on the outside of Edmondson's studio, advertising what was for sale and on view to the public in his yard, including tombstones, birdbaths, and statuary meant to be used and intended for outdoor rather than gallery display. -- Back cover William Edmondson (1874-1951) was the first African American sculptor to have a one-person exhibition at the Museum of Modern Art. Edmondson started sculpting in his late fifties, after the Nashville Women's Hospital, where he worked as a janitor, closed. During his life he was well known for his yard art, such as whimsical birdbaths and "critters" of real and imaginary provenance, and the grave markers he carved for African American families. His sculptures are now highly sought after by collectors.-- Amazon Edmondson, William 1874-1951 (DE-588)122147197 gnd rswk-swf Plastik (DE-588)4046277-8 gnd rswk-swf Steinplastik (DE-588)4134244-6 gnd rswk-swf Edmondson, William / 1882?-1951 / Exhibitions African American artists / Exhibitions African American sculptors / Exhibitions Stone carving / Pictorial works Sculpture / Pictorial works Edmondson, William / 1882?-1951 Stone carving Sculpture African American sculptors African American artists Pictorial works Exhibition catalogs (DE-588)4135467-9 Ausstellungskatalog Cheekwood Estate & Gardens 12.08.2021-31.10.2021 Nashville, Tenn. gnd-content (DE-588)4135467-9 Ausstellungskatalog Fisk University Galleries 12.08.2021-31.10.2021 Nashville, Tenn. gnd-content Edmondson, William 1874-1951 (DE-588)122147197 p Steinplastik (DE-588)4134244-6 s Plastik (DE-588)4046277-8 s DE-188 Edmondson, William 1874-1951 (DE-588)122147197 ctb Sullivan, Marin R. ca. 20./21.Jh. (DE-588)109911571X wst Cheekwood Estate & Gardens (DE-588)1242418504 isb Fisk University Galleries (DE-588)1242420096 isb |
| spellingShingle | The sculpture of William Edmondson tombstones, garden ornaments, and stonework Tombstones, Garden Ornaments, and Stonework / Marin R. Sullivan -- Hewing Stones of Hope in a City of Discarded Rocks: William Edmondson's Nashville / Learotha Williams -- Edmondson's Stone Women / Renée Ater -- Quotidian Monumentality: Practices of the Everyday in the Art of William Edmondson / Kéla Jackson -- Cartography / Anne Monahan -- The Labor of Commercial Collaboration: Photographs of William Edmondson and his Sculpture / Ellen Macfarlane -- Tombstones by William Edmondson in Nashville Cemeteries / Betsy Phillips Edmondson, William 1874-1951 (DE-588)122147197 gnd Plastik (DE-588)4046277-8 gnd Steinplastik (DE-588)4134244-6 gnd |
| subject_GND | (DE-588)122147197 (DE-588)4046277-8 (DE-588)4134244-6 (DE-588)4135467-9 |
| title | The sculpture of William Edmondson tombstones, garden ornaments, and stonework |
| title_auth | The sculpture of William Edmondson tombstones, garden ornaments, and stonework |
| title_exact_search | The sculpture of William Edmondson tombstones, garden ornaments, and stonework |
| title_exact_search_txtP | The sculpture of William Edmondson tombstones, garden ornaments, and stonework |
| title_full | The sculpture of William Edmondson tombstones, garden ornaments, and stonework Marin R. Sullivan |
| title_fullStr | The sculpture of William Edmondson tombstones, garden ornaments, and stonework Marin R. Sullivan |
| title_full_unstemmed | The sculpture of William Edmondson tombstones, garden ornaments, and stonework Marin R. Sullivan |
| title_short | The sculpture of William Edmondson |
| title_sort | the sculpture of william edmondson tombstones garden ornaments and stonework |
| title_sub | tombstones, garden ornaments, and stonework |
| topic | Edmondson, William 1874-1951 (DE-588)122147197 gnd Plastik (DE-588)4046277-8 gnd Steinplastik (DE-588)4134244-6 gnd |
| topic_facet | Edmondson, William 1874-1951 Plastik Steinplastik Ausstellungskatalog Cheekwood Estate & Gardens 12.08.2021-31.10.2021 Nashville, Tenn. Ausstellungskatalog Fisk University Galleries 12.08.2021-31.10.2021 Nashville, Tenn. |
| work_keys_str_mv | AT edmondsonwilliam thesculptureofwilliamedmondsontombstonesgardenornamentsandstonework AT sullivanmarinr thesculptureofwilliamedmondsontombstonesgardenornamentsandstonework AT cheekwoodestategardens thesculptureofwilliamedmondsontombstonesgardenornamentsandstonework AT fiskuniversitygalleries thesculptureofwilliamedmondsontombstonesgardenornamentsandstonework |