Chinese aesthetics in a global context:
This book examines aesthetic issues based on humanities principles and creates a theory of Chinese aesthetics from a global perspective by applying Chinas traditional and cultural history to a Western theoretical framework. In particular, this book emphasizes the shared features of Confucianism, Dao...
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Singapore
Springer
[2022]
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | This book examines aesthetic issues based on humanities principles and creates a theory of Chinese aesthetics from a global perspective by applying Chinas traditional and cultural history to a Western theoretical framework. In particular, this book emphasizes the shared features of Confucianism, Daoism, and Buddhism, namely the unity of heaven and men, unity of nature and society, and the materialization of human feelings and humanization of material things. It also highlights the dominant role of humans in the aesthetic relationship between human and object, while placing imagery in a focal position |
Beschreibung: | xiv, 321 Seiten Illustrationen 24 cm |
ISBN: | 9789811677465 9789811677496 |
Internformat
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Datensatz im Suchindex
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adam_text |
Contents 1 Introduction . 1 1 2 2 5 Introduction to Aesthetics . 1.1 The Origins of Aesthetic Theory . 1.2 Evaluation of Modem Chinese Aesthetics Research . 1.3 Establishing Chinese Aesthetics with a Global Perspective. 2 Characteristics of Aesthetic Theory. 3 Contents of Aesthetic Theory . 4 Research Methods of Aesthetic Theory. References . 2 Aesthetic Activities . 1 Origins of Aesthetic Activity . 1.1 Historical Origins of Aesthetic Activity . 1.2 Physical and Mental Fundaments of Aesthetic Activity . 1.3 Origin of Aesthetic Activity Through the Form of Chinese Character Mei . 2 Nature of Aesthetic Activity . 2.1 The Misunderstanding of Beauty in Objective Theory . 2.2 Misunderstanding of Theory of Beauty in
Subjectivity. 2.3 Beauty is the Result of Aesthetic Activities . 3 Psychological State of Aesthetic Activities. 3.1 Void-and-Quietness. 3.2 Comprehending. 3.3 Sublimation . 4 Characteristics of Aesthetic Activities. 4.1 Subjectivity . 4.2 Unreality. 4.3 Identity of Thing and Self . Reference . 8 11 16 20 25 27 27 28 30 35 37 38 41 43 46 46 50 54 56 56 59 61 63 xi
Contents 3 Aesthetic Object . 1 Nature. 1.1 Nature’s Contribution to the Mind . 1.2 Natural Landscape Corresponding to Body and Mind. 1.3 Various Correspondences to Scenes . 2 Life . 2.1 In Harmony with One’s Feelings and Attitude . 2.2 Sociality . 2.3 Highest Ideal . 3 Arts. 3.1 Aesthetic Function of Art. 3.2 The Creation of Image-Taking Ideology . 3.3 Aesthetic Expression of Art. 3.4 Aesthetic Value of Art . 65 65 66 68 70 73 74 77 80 83 83 85 87 88 4 Aesthetic Relationship . 1 The Essence of Aesthetic Relations . 1.1 Overview of Aesthetic Relations
. 1.2 The Premise of Aesthetic Relationship . 2 Characteristics of Object in AestheticRelations . 2.1 Morphological Characteristics of the Object. 2.2 Objects Inspiring Subjects . 3 Role of Subjects in Aesthetic Relationships . 3.1 Dominance of Subjects . 3.2 Subject’s Quality in Aesthetic Relationship . 3.3 Values of Emotion. 4 Basic Characteristics of Aesthetic Relations. References . 91 92 92 94 97 98 100 102 103 105 108 Ill 114 5 Aesthetic Characteristics. 1 Ways of Thinking . 1.1 Bixing (Metonymy and Metaphor) . 1.2 Wu or Insight . 1.3 Life Consciousness. 2 Harmony of Man and Nature . 2.1 Origin of Integration of Nature and Men. 2.2
Similarities and Differences of Confucianism and Daoism’s “Integration of Man and Heaven” . 2.3 Harmony of Heaven and Man in Aesthetic Activities . 2.4 Harmony of Heaven and Men in Arts . 3 Human-Centered Approach. 3.1 Changes of Human-Centered Ideas . 3.2 Human-Centered in Confucianism. 3.3 Human-Centered Ideas in Daoism . 3.4 Human-Centered Ideas in Chan Buddhism . 117 117 118 122 125 127 127 131 133 135 138 139 141 143 145
Contents 6 7 xiii 4 Principles of Hannony. 4.1 Basic Meanings of Harmony. 4.2 Similarities and Differences of Harmony Between Confucianism and Daoism. 4.3 Harmony in Arts . 4.4 Roundness . References . 146 146 Aesthetic Consciousness . 1 Formation of Aesthetic Consciousness . 1.1 From Physiology to Psychology . 1.2 Environment and the Formation of Aesthetic Consciousness . 1.3 Formation of Practical and AestheticConsciousness. 2 Characteristics of Aesthetic Consciousness . 2.1 Universality . 2.2 Differences. 2.3 The Relationship Between Commonality and Difference. 3 Changes in Aesthetic Consciousness. 3.1 Inheritance of Aesthetic Consciousness. 3.2 Motivation for the Development of Aesthetic
Consciousness . 3.3 Ways of Development of Aesthetic Consciousness . References . 161 161 162 164 170 173 174 175 177 179 179 Aesthetic Image Theory. 1 Basic Connotation of Aesthetic Image . 1.1 К or Affection . 1.2 Xiang or Image . 1.3 Image Beyond Image . 2 Creation Process of Aesthetic Image . 2.1 Unity of Object and Subject . 2.2 Unity of Sentiment and Scene. 2.3 Spiritual Harmony Embodies theWay. 3 Basic Features of Aesthetic Image. 3.1 Integration of К and Xiang . 3.2 Wide Yi and Round Xiang . 4 Basic Types of Aesthetic Images . 4.1 Natural Image . 4.2
Life Image . 4.3 Artistic Image . References . 191 191 192 194 197 200 201 204 207 210 210 212 214 215 218 221 225 149 152 156 158 183 187 189
xiv Contents 8 Aesthetic Style . 1 Magnificence and Grace . 1.1 Magnificent . 1.2 Grace. 2 Nature and Nurture. 2.1 Nature. 2.2 Nurture . 3 Tragedy and Comedy . 3.1 Tragedy. 3.2 Comedy . 3.3 The Historical Origins of Comedy . 3.4 Comic Object Characteristics . 3.5 The Psychological Basis of Comedy . 3.6 Comic Aesthetic Effect . 4 Ugly . References . 227 227 228 232 235 236 244 251 251 268
268 270 273 274 276 281 9 Aesthetic Education . 1 Origin of Chinese Aesthetic Education . 1.1 Origin of Chinese Aesthetic Education . 1.2 Aesthetic Education of Confucianism, Daoism and Buddhism . 1.3 Modem View on Aesthetic Education . 2 Basic Characteristics of Aesthetic Education. 2.1 Appeal to Sensibility . 2.2 Imperceptible Influence . 2.3 Initiative . 3 Basic Functions of Aesthetic Education . 3.1 Lift Spirit and Nourish Soul . 3.2 Transforming Nature and Establishing Effort. References . 283 283 284 Conclusion . 313 10 Bibliography 288 294 297 297 300 301 302 303 307 311 317 |
adam_txt |
Contents 1 Introduction . 1 1 2 2 5 Introduction to Aesthetics . 1.1 The Origins of Aesthetic Theory . 1.2 Evaluation of Modem Chinese Aesthetics Research . 1.3 Establishing Chinese Aesthetics with a Global Perspective. 2 Characteristics of Aesthetic Theory. 3 Contents of Aesthetic Theory . 4 Research Methods of Aesthetic Theory. References . 2 Aesthetic Activities . 1 Origins of Aesthetic Activity . 1.1 Historical Origins of Aesthetic Activity . 1.2 Physical and Mental Fundaments of Aesthetic Activity . 1.3 Origin of Aesthetic Activity Through the Form of Chinese Character Mei . 2 Nature of Aesthetic Activity . 2.1 The Misunderstanding of Beauty in Objective Theory . 2.2 Misunderstanding of Theory of Beauty in
Subjectivity. 2.3 Beauty is the Result of Aesthetic Activities . 3 Psychological State of Aesthetic Activities. 3.1 Void-and-Quietness. 3.2 Comprehending. 3.3 Sublimation . 4 Characteristics of Aesthetic Activities. 4.1 Subjectivity . 4.2 Unreality. 4.3 Identity of Thing and Self . Reference . 8 11 16 20 25 27 27 28 30 35 37 38 41 43 46 46 50 54 56 56 59 61 63 xi
Contents 3 Aesthetic Object . 1 Nature. 1.1 Nature’s Contribution to the Mind . 1.2 Natural Landscape Corresponding to Body and Mind. 1.3 Various Correspondences to Scenes . 2 Life . 2.1 In Harmony with One’s Feelings and Attitude . 2.2 Sociality . 2.3 Highest Ideal . 3 Arts. 3.1 Aesthetic Function of Art. 3.2 The Creation of Image-Taking Ideology . 3.3 Aesthetic Expression of Art. 3.4 Aesthetic Value of Art . 65 65 66 68 70 73 74 77 80 83 83 85 87 88 4 Aesthetic Relationship . 1 The Essence of Aesthetic Relations . 1.1 Overview of Aesthetic Relations
. 1.2 The Premise of Aesthetic Relationship . 2 Characteristics of Object in AestheticRelations . 2.1 Morphological Characteristics of the Object. 2.2 Objects Inspiring Subjects . 3 Role of Subjects in Aesthetic Relationships . 3.1 Dominance of Subjects . 3.2 Subject’s Quality in Aesthetic Relationship . 3.3 Values of Emotion. 4 Basic Characteristics of Aesthetic Relations. References . 91 92 92 94 97 98 100 102 103 105 108 Ill 114 5 Aesthetic Characteristics. 1 Ways of Thinking . 1.1 Bixing (Metonymy and Metaphor) . 1.2 Wu or Insight . 1.3 Life Consciousness. 2 Harmony of Man and Nature . 2.1 Origin of Integration of Nature and Men. 2.2
Similarities and Differences of Confucianism and Daoism’s “Integration of Man and Heaven” . 2.3 Harmony of Heaven and Man in Aesthetic Activities . 2.4 Harmony of Heaven and Men in Arts . 3 Human-Centered Approach. 3.1 Changes of Human-Centered Ideas . 3.2 Human-Centered in Confucianism. 3.3 Human-Centered Ideas in Daoism . 3.4 Human-Centered Ideas in Chan Buddhism . 117 117 118 122 125 127 127 131 133 135 138 139 141 143 145
Contents 6 7 xiii 4 Principles of Hannony. 4.1 Basic Meanings of Harmony. 4.2 Similarities and Differences of Harmony Between Confucianism and Daoism. 4.3 Harmony in Arts . 4.4 Roundness . References . 146 146 Aesthetic Consciousness . 1 Formation of Aesthetic Consciousness . 1.1 From Physiology to Psychology . 1.2 Environment and the Formation of Aesthetic Consciousness . 1.3 Formation of Practical and AestheticConsciousness. 2 Characteristics of Aesthetic Consciousness . 2.1 Universality . 2.2 Differences. 2.3 The Relationship Between Commonality and Difference. 3 Changes in Aesthetic Consciousness. 3.1 Inheritance of Aesthetic Consciousness. 3.2 Motivation for the Development of Aesthetic
Consciousness . 3.3 Ways of Development of Aesthetic Consciousness . References . 161 161 162 164 170 173 174 175 177 179 179 Aesthetic Image Theory. 1 Basic Connotation of Aesthetic Image . 1.1 К or Affection . 1.2 Xiang or Image . 1.3 Image Beyond Image . 2 Creation Process of Aesthetic Image . 2.1 Unity of Object and Subject . 2.2 Unity of Sentiment and Scene. 2.3 Spiritual Harmony Embodies theWay. 3 Basic Features of Aesthetic Image. 3.1 Integration of К and Xiang . 3.2 Wide Yi and Round Xiang . 4 Basic Types of Aesthetic Images . 4.1 Natural Image . 4.2
Life Image . 4.3 Artistic Image . References . 191 191 192 194 197 200 201 204 207 210 210 212 214 215 218 221 225 149 152 156 158 183 187 189
xiv Contents 8 Aesthetic Style . 1 Magnificence and Grace . 1.1 Magnificent . 1.2 Grace. 2 Nature and Nurture. 2.1 Nature. 2.2 Nurture . 3 Tragedy and Comedy . 3.1 Tragedy. 3.2 Comedy . 3.3 The Historical Origins of Comedy . 3.4 Comic Object Characteristics . 3.5 The Psychological Basis of Comedy . 3.6 Comic Aesthetic Effect . 4 Ugly . References . 227 227 228 232 235 236 244 251 251 268
268 270 273 274 276 281 9 Aesthetic Education . 1 Origin of Chinese Aesthetic Education . 1.1 Origin of Chinese Aesthetic Education . 1.2 Aesthetic Education of Confucianism, Daoism and Buddhism . 1.3 Modem View on Aesthetic Education . 2 Basic Characteristics of Aesthetic Education. 2.1 Appeal to Sensibility . 2.2 Imperceptible Influence . 2.3 Initiative . 3 Basic Functions of Aesthetic Education . 3.1 Lift Spirit and Nourish Soul . 3.2 Transforming Nature and Establishing Effort. References . 283 283 284 Conclusion . 313 10 Bibliography 288 294 297 297 300 301 302 303 307 311 317 |
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spelling | Zhu, Zhirong 1961- Verfasser (DE-588)1221810979 aut Chinese aesthetics in a global context Zhirong Zhu Singapore Springer [2022] © 2022 xiv, 321 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier This book examines aesthetic issues based on humanities principles and creates a theory of Chinese aesthetics from a global perspective by applying Chinas traditional and cultural history to a Western theoretical framework. In particular, this book emphasizes the shared features of Confucianism, Daoism, and Buddhism, namely the unity of heaven and men, unity of nature and society, and the materialization of human feelings and humanization of material things. It also highlights the dominant role of humans in the aesthetic relationship between human and object, while placing imagery in a focal position Ästhetik (DE-588)4000626-8 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf Aesthetics, Chinese Aesthetics, Chinese / History China (DE-588)4009937-4 g Ästhetik (DE-588)4000626-8 s DE-604 Kong, Xurong ca. 20./21. Jh. (DE-588)1275124070 trl Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033263520&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Zhu, Zhirong 1961- Chinese aesthetics in a global context Ästhetik (DE-588)4000626-8 gnd |
subject_GND | (DE-588)4000626-8 (DE-588)4009937-4 |
title | Chinese aesthetics in a global context |
title_auth | Chinese aesthetics in a global context |
title_exact_search | Chinese aesthetics in a global context |
title_exact_search_txtP | Chinese aesthetics in a global context |
title_full | Chinese aesthetics in a global context Zhirong Zhu |
title_fullStr | Chinese aesthetics in a global context Zhirong Zhu |
title_full_unstemmed | Chinese aesthetics in a global context Zhirong Zhu |
title_short | Chinese aesthetics in a global context |
title_sort | chinese aesthetics in a global context |
topic | Ästhetik (DE-588)4000626-8 gnd |
topic_facet | Ästhetik China |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033263520&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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