Moving frames: photographs in German cinema
"As the building blocks of moving pictures, photographs have played an integral role in cinema since the dawn of the medium-a relationship that has grown more complexly connected even as the underlying technologies continue to evolve. Moving Frames explores the use of photographs in German film...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; Oxford
Berghahn
2022
|
| Schriftenreihe: | Film Europa
26 |
| Schlagworte: | |
| Zusammenfassung: | "As the building blocks of moving pictures, photographs have played an integral role in cinema since the dawn of the medium-a relationship that has grown more complexly connected even as the underlying technologies continue to evolve. Moving Frames explores the use of photographs in German films from Expressionism to the Berlin School, addressing the formal and narrative roles that photographs play as well as the cultural and historical contexts out of which these films emerged. Looking beyond and within the canon, the editors gather stimulating new insights into the politics of surveillance, resistance, representation, and collective memory functioning through photographic rupture and affect in German cinema"-- |
| Beschreibung: | viii, 247 Seiten Illustrationen 24 cm |
| ISBN: | 9781800733763 |
Internformat
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| 245 | 1 | 0 | |a Moving frames |b photographs in German cinema |c edited by Carrie Collenberg-González and Martin P. Sheehan |
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| 490 | 1 | |a Film Europa |v 26 | |
| 505 | 8 | |a Introduction. Photographs as rupture and affect in German film / Carrie Collenberg-González and Martin P. Sheehan -- Layers of exposure : the photographic approach in Gerhart Lamprecht's Zille film, Slums of Berlin (1925) / Jason Doerre -- Objecting objects : photographs and subjectivity in The blue angel (1930) / Martin P. Sheehan -- Before- and afterlives : on the stillness of photographs at the outset of Adenauer cinema / John Davidson -- Filming after Walker Evans : Wim Wenders' "American pictures" in Kings of the road (1976) / Stefanie Harris -- The transgression of overpainting : Jürgen Böttcher's radical experiments with intermediality in Transformations (1981) / Matthew Bauman -- The promise of agency : photographs and value in Tattoo (2002) / Cynthia Porter -- Curating the image : visual intertextuality in The Baader Meinhof Complex (2008) / Reinhard Zachau -- Re-presenting German heritage films : photographic memory in Aimee & Jaguar (1999), Good bye Lenin! (2003), and Almanya-Welcome to Germany (2011) / Carrie Collenberg-Gonzalez -- Imaging the "good life" : destabilizing subjecthood and conceptions of the normative family in Ghosts (2005) / Simone Pfleger -- Violence, death, and photographs : capturing the (un)dead in Rammbock (2010) / Melissa Etzler -- Possible archives : encountering a surveillance photo in Karl Marx City (2016) / Anke Pinkert -- Afterword. Toward a camera ludica : agency and photography in Videogame ecologies / Curtis L. Maughan | |
| 520 | 3 | |a "As the building blocks of moving pictures, photographs have played an integral role in cinema since the dawn of the medium-a relationship that has grown more complexly connected even as the underlying technologies continue to evolve. Moving Frames explores the use of photographs in German films from Expressionism to the Berlin School, addressing the formal and narrative roles that photographs play as well as the cultural and historical contexts out of which these films emerged. Looking beyond and within the canon, the editors gather stimulating new insights into the politics of surveillance, resistance, representation, and collective memory functioning through photographic rupture and affect in German cinema"-- | |
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| 653 | 0 | |a Photography in motion pictures | |
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Datensatz im Suchindex
| _version_ | 1804183478584999936 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Collenberg-Gonzalez, Carrie Sheehan, Martin P. |
| author2_role | edt edt |
| author2_variant | c c g ccg m p s mp mps |
| author_GND | (DE-588)1253397538 |
| author_facet | Collenberg-Gonzalez, Carrie Sheehan, Martin P. |
| building | Verbundindex |
| bvnumber | BV047880969 |
| contents | Introduction. Photographs as rupture and affect in German film / Carrie Collenberg-González and Martin P. Sheehan -- Layers of exposure : the photographic approach in Gerhart Lamprecht's Zille film, Slums of Berlin (1925) / Jason Doerre -- Objecting objects : photographs and subjectivity in The blue angel (1930) / Martin P. Sheehan -- Before- and afterlives : on the stillness of photographs at the outset of Adenauer cinema / John Davidson -- Filming after Walker Evans : Wim Wenders' "American pictures" in Kings of the road (1976) / Stefanie Harris -- The transgression of overpainting : Jürgen Böttcher's radical experiments with intermediality in Transformations (1981) / Matthew Bauman -- The promise of agency : photographs and value in Tattoo (2002) / Cynthia Porter -- Curating the image : visual intertextuality in The Baader Meinhof Complex (2008) / Reinhard Zachau -- Re-presenting German heritage films : photographic memory in Aimee & Jaguar (1999), Good bye Lenin! (2003), and Almanya-Welcome to Germany (2011) / Carrie Collenberg-Gonzalez -- Imaging the "good life" : destabilizing subjecthood and conceptions of the normative family in Ghosts (2005) / Simone Pfleger -- Violence, death, and photographs : capturing the (un)dead in Rammbock (2010) / Melissa Etzler -- Possible archives : encountering a surveillance photo in Karl Marx City (2016) / Anke Pinkert -- Afterword. Toward a camera ludica : agency and photography in Videogame ecologies / Curtis L. Maughan |
| ctrlnum | (OCoLC)1287023410 (DE-599)BVBBV047880969 |
| era | Geschichte 1925-2016 gnd |
| era_facet | Geschichte 1925-2016 |
| format | Book |
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| id | DE-604.BV047880969 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:22:44Z |
| indexdate | 2024-07-10T09:24:05Z |
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| isbn | 9781800733763 |
| language | English |
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| spelling | Moving frames photographs in German cinema edited by Carrie Collenberg-González and Martin P. Sheehan New York ; Oxford Berghahn 2022 viii, 247 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Film Europa 26 Introduction. Photographs as rupture and affect in German film / Carrie Collenberg-González and Martin P. Sheehan -- Layers of exposure : the photographic approach in Gerhart Lamprecht's Zille film, Slums of Berlin (1925) / Jason Doerre -- Objecting objects : photographs and subjectivity in The blue angel (1930) / Martin P. Sheehan -- Before- and afterlives : on the stillness of photographs at the outset of Adenauer cinema / John Davidson -- Filming after Walker Evans : Wim Wenders' "American pictures" in Kings of the road (1976) / Stefanie Harris -- The transgression of overpainting : Jürgen Böttcher's radical experiments with intermediality in Transformations (1981) / Matthew Bauman -- The promise of agency : photographs and value in Tattoo (2002) / Cynthia Porter -- Curating the image : visual intertextuality in The Baader Meinhof Complex (2008) / Reinhard Zachau -- Re-presenting German heritage films : photographic memory in Aimee & Jaguar (1999), Good bye Lenin! (2003), and Almanya-Welcome to Germany (2011) / Carrie Collenberg-Gonzalez -- Imaging the "good life" : destabilizing subjecthood and conceptions of the normative family in Ghosts (2005) / Simone Pfleger -- Violence, death, and photographs : capturing the (un)dead in Rammbock (2010) / Melissa Etzler -- Possible archives : encountering a surveillance photo in Karl Marx City (2016) / Anke Pinkert -- Afterword. Toward a camera ludica : agency and photography in Videogame ecologies / Curtis L. Maughan "As the building blocks of moving pictures, photographs have played an integral role in cinema since the dawn of the medium-a relationship that has grown more complexly connected even as the underlying technologies continue to evolve. Moving Frames explores the use of photographs in German films from Expressionism to the Berlin School, addressing the formal and narrative roles that photographs play as well as the cultural and historical contexts out of which these films emerged. Looking beyond and within the canon, the editors gather stimulating new insights into the politics of surveillance, resistance, representation, and collective memory functioning through photographic rupture and affect in German cinema"-- Geschichte 1925-2016 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf Motion pictures / Germany / History Photography in motion pictures Motion pictures Germany History (DE-588)4143413-4 Aufsatzsammlung gnd-content Deutschland (DE-588)4011882-4 g Film (DE-588)4017102-4 s Fotografie (DE-588)4045895-7 s Geschichte 1925-2016 z DE-604 Collenberg-Gonzalez, Carrie (DE-588)1253397538 edt Sheehan, Martin P. edt Erscheint auch als Online-Ausgabe 978-1-80073-377-0 (DE-604)BV049016391 Film Europa 26 (DE-604)BV022527114 26 |
| spellingShingle | Moving frames photographs in German cinema Film Europa Introduction. Photographs as rupture and affect in German film / Carrie Collenberg-González and Martin P. Sheehan -- Layers of exposure : the photographic approach in Gerhart Lamprecht's Zille film, Slums of Berlin (1925) / Jason Doerre -- Objecting objects : photographs and subjectivity in The blue angel (1930) / Martin P. Sheehan -- Before- and afterlives : on the stillness of photographs at the outset of Adenauer cinema / John Davidson -- Filming after Walker Evans : Wim Wenders' "American pictures" in Kings of the road (1976) / Stefanie Harris -- The transgression of overpainting : Jürgen Böttcher's radical experiments with intermediality in Transformations (1981) / Matthew Bauman -- The promise of agency : photographs and value in Tattoo (2002) / Cynthia Porter -- Curating the image : visual intertextuality in The Baader Meinhof Complex (2008) / Reinhard Zachau -- Re-presenting German heritage films : photographic memory in Aimee & Jaguar (1999), Good bye Lenin! (2003), and Almanya-Welcome to Germany (2011) / Carrie Collenberg-Gonzalez -- Imaging the "good life" : destabilizing subjecthood and conceptions of the normative family in Ghosts (2005) / Simone Pfleger -- Violence, death, and photographs : capturing the (un)dead in Rammbock (2010) / Melissa Etzler -- Possible archives : encountering a surveillance photo in Karl Marx City (2016) / Anke Pinkert -- Afterword. Toward a camera ludica : agency and photography in Videogame ecologies / Curtis L. Maughan Fotografie (DE-588)4045895-7 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4045895-7 (DE-588)4017102-4 (DE-588)4011882-4 (DE-588)4143413-4 |
| title | Moving frames photographs in German cinema |
| title_auth | Moving frames photographs in German cinema |
| title_exact_search | Moving frames photographs in German cinema |
| title_exact_search_txtP | Moving frames photographs in German cinema |
| title_full | Moving frames photographs in German cinema edited by Carrie Collenberg-González and Martin P. Sheehan |
| title_fullStr | Moving frames photographs in German cinema edited by Carrie Collenberg-González and Martin P. Sheehan |
| title_full_unstemmed | Moving frames photographs in German cinema edited by Carrie Collenberg-González and Martin P. Sheehan |
| title_short | Moving frames |
| title_sort | moving frames photographs in german cinema |
| title_sub | photographs in German cinema |
| topic | Fotografie (DE-588)4045895-7 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Fotografie Film Deutschland Aufsatzsammlung |
| volume_link | (DE-604)BV022527114 |
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