What's good: notes on rap and language
"What's Good is a work of passionate lyrical analysis, a set of freewheeling liner notes, and a love letter to the most vital American art form of the last half century. Over a series of short chapters, each centered on a different lyric, Daniel Levin Becker considers how rap's use of...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
San Francisco, CA
City Lights Books
[2022]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "What's Good is a work of passionate lyrical analysis, a set of freewheeling liner notes, and a love letter to the most vital American art form of the last half century. Over a series of short chapters, each centered on a different lyric, Daniel Levin Becker considers how rap's use of language operates and evolves at levels ranging from the local (slang, rhyme) to the analytical (quotation, transcription) to the philosophical (morality, criticism, irony), celebrating the pleasures and perils of any attempt to decipher its meaning-making technologies. Ranging from Sugarhill Gang to UGK to Young M.A, Rakim to Rick Ross to Rae Sremmurd, Jay-Z to Drake to Snoop Dogg, What's Good reads with the momentum of a deftly curated mixtape, drawing you into the conversation and teaching you to read it as it goes. A book for committed hip-hop heads, curious neophytes, armchair linguists, and everyone in between"-- |
| Beschreibung: | Includes bibliographical references |
| Beschreibung: | 299 Seiten |
| ISBN: | 9780872868762 |
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| 520 | 3 | |a "What's Good is a work of passionate lyrical analysis, a set of freewheeling liner notes, and a love letter to the most vital American art form of the last half century. Over a series of short chapters, each centered on a different lyric, Daniel Levin Becker considers how rap's use of language operates and evolves at levels ranging from the local (slang, rhyme) to the analytical (quotation, transcription) to the philosophical (morality, criticism, irony), celebrating the pleasures and perils of any attempt to decipher its meaning-making technologies. Ranging from Sugarhill Gang to UGK to Young M.A, Rakim to Rick Ross to Rae Sremmurd, Jay-Z to Drake to Snoop Dogg, What's Good reads with the momentum of a deftly curated mixtape, drawing you into the conversation and teaching you to read it as it goes. A book for committed hip-hop heads, curious neophytes, armchair linguists, and everyone in between"-- | |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS PREFACE 1 INTRODUCTIONS 7 Rhetorical questions 9 I’m into having sex, I ain’t into making iove Rewinding 13 To be the man on the mie, to be the man on your mind On cool 18 What’s normai to us is an iV/usion to them On me 22 I heard the beat and I ain’t know what to write Serious rap 27 What you hear is not a test WHAT’S GOOD 33 Word machines 35 / make butter fìy Slang evolution 38 Speakin’ my language ifyou talkin’ ’bout tilapia Slang and slipperiness 44 You’ll never find а rhyme like this in any dictionary On rhyme 51 Try me, try me On register 57 Bitch I’m morose and lugubrious Haunted roots 61 Hangin’ on for dear life Code and contraband 67 I got twenty-five lighters on the dresser Intelligences 72 They don’t call me Big for nuttin’ Power play 77 I’m on point like а elbow
Word as bond 81 Speech is my hammer bang the world into shape Anti-simile 86 I’m the motherfucking king like Oedipus =, Ψ 90 I ain’t Q-Tip but I’ll make your breathin’ stop # 93 I got bars sentencing Economy and time 97 Four Seasons, three words: do not disturb Signifying chains 100 I take seven MCs, put ’em İn a line Recycling 105 Flow retarded, I’m on some Special Ed shit Elective chronology 109 Once upon a time in the projects Ancestor worship 114 We’re hoidin’ on to what’s golden Writing/biting 118 I got ninety-nine problems and a bitch ain’t one Aggravated quotation 125 Beat biter, dope style taker Hyperlinks 130 Wikipedia that, ifyou didn’t know On cliché 134 Kickin’ the fly cliches Who wore it better f 139 Now I’m butt naked in a Lamborghini Deniable plausibility 144 Might look light but we heavy though On first person 150 I live it, I see it, and l write it because I know it Truth and consequence 156 Calling her a crab isjust a figure of speech Criminal slang 166 I’m the biggest Dope Dealer and I serve all over town Selling work 174 The dope I’m selling you don’t smoke you feel On values 182 I’m out here making sense ’cause I’m out here making dollars
On the В-word 186 Who you callin’ a bitch? On the N-word 196 She could be my broad and I could be hei— On white people 203 Please listen to my album On second person 208 If that’s your chick then why she textin’ me? Is rap poetry ? 213 I take this more serious than just a poem Writing/not writing 219 I wasn’t born last night What you hear is not a text 223 I can’t help the poor if I’m one of them On possession 229 Hi haters, I’m back off hiatus On possession with intent to sell 235 Cash rules everything around me Signifying ornaments 241 I spell it how the fucks I want Outsider art 246 And all the people always know me for my comedy On irony 252 This is fucking awesome Dumb love 257 Microphone check 1-2 what is this Criticism and categories 262 Not bad meaning bad but bad meaning good A larger English 266 Lampin’in the Hamptons like “What the fuck is a hammock?” Witness 272 Party and bullshit SOURCES 277 RIGHTS AND PERMISSIONS ACKNOWLEDGMENTS 297 ABOUT THE AUTHOR 299 291
|
| adam_txt |
CONTENTS PREFACE 1 INTRODUCTIONS 7 Rhetorical questions 9 I’m into having sex, I ain’t into making iove Rewinding 13 To be the man on the mie, to be the man on your mind On cool 18 What’s normai to us is an iV/usion to them On me 22 I heard the beat and I ain’t know what to write Serious rap 27 What you hear is not a test WHAT’S GOOD 33 Word machines 35 / make butter fìy Slang evolution 38 Speakin’ my language ifyou talkin’ ’bout tilapia Slang and slipperiness 44 You’ll never find а rhyme like this in any dictionary On rhyme 51 Try me, try me On register 57 Bitch I’m morose and lugubrious Haunted roots 61 Hangin’ on for dear life Code and contraband 67 I got twenty-five lighters on the dresser Intelligences 72 They don’t call me Big for nuttin’ Power play 77 I’m on point like а elbow
Word as bond 81 Speech is my hammer bang the world into shape Anti-simile 86 I’m the motherfucking king like Oedipus =, Ψ 90 I ain’t Q-Tip but I’ll make your breathin’ stop # 93 I got bars sentencing Economy and time 97 Four Seasons, three words: do not disturb Signifying chains 100 I take seven MCs, put ’em İn a line Recycling 105 Flow retarded, I’m on some Special Ed shit Elective chronology 109 Once upon a time in the projects Ancestor worship 114 We’re hoidin’ on to what’s golden Writing/biting 118 I got ninety-nine problems and a bitch ain’t one Aggravated quotation 125 Beat biter, dope style taker Hyperlinks 130 Wikipedia that, ifyou didn’t know On cliché 134 Kickin’ the fly cliches Who wore it better f 139 Now I’m butt naked in a Lamborghini Deniable plausibility 144 Might look light but we heavy though On first person 150 I live it, I see it, and l write it because I know it Truth and consequence 156 Calling her a crab isjust a figure of speech Criminal slang 166 I’m the biggest Dope Dealer and I serve all over town Selling work 174 The dope I’m selling you don’t smoke you feel On values 182 I’m out here making sense ’cause I’m out here making dollars
On the В-word 186 Who you callin’ a bitch? On the N-word 196 She could be my broad and I could be hei— On white people 203 Please listen to my album On second person 208 If that’s your chick then why she textin’ me? Is rap poetry ? 213 I take this more serious than just a poem Writing/not writing 219 I wasn’t born last night What you hear is not a text 223 I can’t help the poor if I’m one of them On possession 229 Hi haters, I’m back off hiatus On possession with intent to sell 235 Cash rules everything around me Signifying ornaments 241 I spell it how the fucks I want Outsider art 246 And all the people always know me for my comedy On irony 252 This is fucking awesome Dumb love 257 Microphone check 1-2 what is this Criticism and categories 262 Not bad meaning bad but bad meaning good A larger English 266 Lampin’in the Hamptons like “What the fuck is a hammock?” Witness 272 Party and bullshit SOURCES 277 RIGHTS AND PERMISSIONS ACKNOWLEDGMENTS 297 ABOUT THE AUTHOR 299 291 |
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| id | DE-604.BV047879088 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:22:04Z |
| indexdate | 2024-07-10T09:24:02Z |
| institution | BVB |
| isbn | 9780872868762 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033261464 |
| oclc_num | 1312691305 |
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| owner_facet | DE-12 DE-188 DE-11 |
| physical | 299 Seiten |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | City Lights Books |
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| spelling | Levin Becker, Daniel 1984- Verfasser (DE-588)1024090310 aut What's good notes on rap and language Daniel Levin Becker What is good? San Francisco, CA City Lights Books [2022] 299 Seiten txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references "What's Good is a work of passionate lyrical analysis, a set of freewheeling liner notes, and a love letter to the most vital American art form of the last half century. Over a series of short chapters, each centered on a different lyric, Daniel Levin Becker considers how rap's use of language operates and evolves at levels ranging from the local (slang, rhyme) to the analytical (quotation, transcription) to the philosophical (morality, criticism, irony), celebrating the pleasures and perils of any attempt to decipher its meaning-making technologies. Ranging from Sugarhill Gang to UGK to Young M.A, Rakim to Rick Ross to Rae Sremmurd, Jay-Z to Drake to Snoop Dogg, What's Good reads with the momentum of a deftly curated mixtape, drawing you into the conversation and teaching you to read it as it goes. A book for committed hip-hop heads, curious neophytes, armchair linguists, and everyone in between"-- Rap (DE-588)4303518-8 gnd rswk-swf Wort-Ton-Verhältnis (DE-588)7504909-0 gnd rswk-swf Rap (Music) / History and criticism Rap (Music) / Analysis, appreciation Music and language Rap (Music) Criticism, interpretation, etc Music criticism and reviews Rap (DE-588)4303518-8 s Wort-Ton-Verhältnis (DE-588)7504909-0 s DE-604 Erscheint auch als Online-Ausgabe 978-0-87286-858-8 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033261464&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Levin Becker, Daniel 1984- What's good notes on rap and language Rap (DE-588)4303518-8 gnd Wort-Ton-Verhältnis (DE-588)7504909-0 gnd |
| subject_GND | (DE-588)4303518-8 (DE-588)7504909-0 |
| title | What's good notes on rap and language |
| title_alt | What is good? |
| title_auth | What's good notes on rap and language |
| title_exact_search | What's good notes on rap and language |
| title_exact_search_txtP | What's good notes on rap and language |
| title_full | What's good notes on rap and language Daniel Levin Becker |
| title_fullStr | What's good notes on rap and language Daniel Levin Becker |
| title_full_unstemmed | What's good notes on rap and language Daniel Levin Becker |
| title_short | What's good |
| title_sort | what s good notes on rap and language |
| title_sub | notes on rap and language |
| topic | Rap (DE-588)4303518-8 gnd Wort-Ton-Verhältnis (DE-588)7504909-0 gnd |
| topic_facet | Rap Wort-Ton-Verhältnis |
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