Notes on the frames of art: exhibition, academy, museum
In these essays and conversations, Daniel Birnbaum explores what conceptual artist Daniel Buren referred to as the "frames of art." As a director of institutions, he has organized events inside and outside some of the most significant art institutions in Europe, including the Venice Bienna...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Köln
Verlag der Buchhandlung Walther und Franz König
2022
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | In these essays and conversations, Daniel Birnbaum explores what conceptual artist Daniel Buren referred to as the "frames of art." As a director of institutions, he has organized events inside and outside some of the most significant art institutions in Europe, including the Venice Biennale, the Städelschule in Frankfurt, Moderna Museet and the Centre Pompidou. Like few other curators he has pushed the boundaries of the studio, the exhibition, and the museum in an attempt to find new ways to ‘frame’ art . The volume contains examples of curatorial approaches to education, exhibition-making and the presentation of collections. It was impeccable timing when Birnbaum in 2019 left the museum world. During 2020 and 2021, when most institutions were closed due to the pandemic, he curated a large number AR and VR exhibitions in major cities around the world. This book is a hybrid object that triggers AR artworks produced by Acute Art. It ends with notes about new visual technologies and virtual space. Says Hans Ulrich Obrist in the introduction to the book: "Birnbaum’s ever expanding inter-disciplinary interests, and the strong relationships he has developed over the years with artists as well as so many others working within and outside the field, make his insight into the ‘frames’ of varying institutions, the gallery, and the artist’s studio both valid and engaging. After serving as the director of the Moderna Museet in Stockholm for nine years, Birnbaum turned to an entirely new form of framing art—one that is not necessarily physically manifested in any given place but instead is available online for everyone, everywhere. It is therefore all the more interesting to have here before you a physical object that presents Birnbaum’s reflections and conversations about his experiences with experimental institutional approaches to art schools, museums, and his own curatorial projects. |
| Beschreibung: | Zusätzliches Online-Angebot unter QR-Codes abrufbar: "This book is also an exhibition. Four QR codes trigger works by Julie Curtiss, Koo Jeong A, Tomás Saraceno and Precious Okyomon" |
| Beschreibung: | 444 Seiten Illustrationen 20.5 cm x 14.5 cm |
| ISBN: | 9783753301297 3753301299 |
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| 520 | 3 | |a In these essays and conversations, Daniel Birnbaum explores what conceptual artist Daniel Buren referred to as the "frames of art." As a director of institutions, he has organized events inside and outside some of the most significant art institutions in Europe, including the Venice Biennale, the Städelschule in Frankfurt, Moderna Museet and the Centre Pompidou. Like few other curators he has pushed the boundaries of the studio, the exhibition, and the museum in an attempt to find new ways to ‘frame’ art . The volume contains examples of curatorial approaches to education, exhibition-making and the presentation of collections. It was impeccable timing when Birnbaum in 2019 left the museum world. During 2020 and 2021, when most institutions were closed due to the pandemic, he curated a large number AR and VR exhibitions in major cities around the world. This book is a hybrid object that triggers AR artworks produced by Acute Art. It ends with notes about new visual technologies and virtual space. Says Hans Ulrich Obrist in the introduction to the book: "Birnbaum’s ever expanding inter-disciplinary interests, and the strong relationships he has developed over the years with artists as well as so many others working within and outside the field, make his insight into the ‘frames’ of varying institutions, the gallery, and the artist’s studio both valid and engaging. After serving as the director of the Moderna Museet in Stockholm for nine years, Birnbaum turned to an entirely new form of framing art—one that is not necessarily physically manifested in any given place but instead is available online for everyone, everywhere. It is therefore all the more interesting to have here before you a physical object that presents Birnbaum’s reflections and conversations about his experiences with experimental institutional approaches to art schools, museums, and his own curatorial projects. | |
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Datensatz im Suchindex
| _version_ | 1804183475070173184 |
|---|---|
| adam_text | PREFACE
.....................................................................................
9
INTRODUCTION:
HANS
ULRICH
OBRIST
.........................................
12
WHY
ARE
YOU
A
CURATOR?
(OKWUI
S
LETTER)
......................
18
METEORITE:
A
CONVERSATION
WITH
CAROLYN
CHRISTOV-BAKARGIEV
...........................................
40
IN
OTHER
S
WORDS:
A
CONVERSATION
WITH
SARAT
MAHARAJ
...................................................................
44
TEMPORAL
SPASMS
OR,
SEE
YOU
TOMORROW
IN
KIRIBATI!
.......
58
LATE
BLOOMING
(ABY
WARBURG)
...............................................
64
EXHIBITION
PRODUCTION
(WITH
CARSTEN
HOLLER)
.........................................
72
CRYSTALS
-
FOR
DOMINIQUE
GONZALEZ-FOERSTER
.......................
86
MICHEL
MAJERUS
ON
THE
BRANDENBURGER
TOR
........................
90
DELAYS
AND
REVOLUTIONS
........................................................
96
UNCERTAIN
STATES
OF
AMERICA
(WITH
GUNNAR
KVARAN
AND
HANS
ULRICH
OBRIST)
.........
104
SOUNDING
THE
SUBJECT:
ECHOES,
DELAYS,
TAPED
CONVERSATIONS
.................................................................
108
AIRS
DE
PARIS:
A
CONVERSATION
WITH
PHILIPPE
PARRENO
...........................................................
120
50
MOONS
OF
SATURN
.............................................................
126
THE
RULE
OF
THE
GAME
(WITH
HU
FANG,
AKIKO
MIYAKE,
HANS
ULRICH
OBRIST
AND
BEATRIX
RUF)
............................
134
WE
ARE
MANY
(MAKING
WORLDS)
...........................................
146
MAKING
WORLDS:
A
CONVERSATION
WITH
MASSIMILIANO
GIONI
................................................
156
OLAFUR
S
PAVILION
...................................................................
164
INNEN
STADT
AUSSEN
(OLAFUR
ELIASSON)
................................
168
GILLES
AND
THEM:
M/M
(PARIS)
...........................................
180
LYGIA
PAPE:
FIAT
LUX
...........................................................
184
DARKNESS
AT
NOON
(PAUL
CHAN)
.............................................
190
HILMA
AF
KLINT:
DISRUPTION
AND
DELAY
................................
202
LIFE
ITSELF
(WITH
CARSTEN
HOLLER
AND
JO
WIDOFF)
...............
208
ACADEMY
A
PROPOSAL
FROM
FRANKFURT:
TEACHING
ART
......................
214
IT
WAS
FIFTY-FIFTY:
A
CONVERSATION
WITH
THOMAS
BAYRLE
..................................................
218
GASTHOF
..................................................................................
230
UNDER
PRESSURE
(WITH
ISABELLE
GRAW)
..................................
236
FOOD
FOR
THOUGHT:
A
CONVERSATION
WITH
RIRKRIT
TIRAVANIJA
.............................................
242
THE
ART
OF
EDUCATION:
A
RETROACTIVE
MANIFESTO
.............
256
HAUSMEISTER
ART:
HARTMUT
UND
HELGA
RAUSCH
S
COLLECTION
.......................................
266
BETWEEN
THE
STUDIO
AND
THE
GALLERY:
A
CONVERSATION
WITH
NIKOLA
DIETRICH
......................
270
KREBBERISM
..........................................................................
284
OH,
JASON
..............................................................................
290
MUSEUM
TATE
DIG
(MARK
DION)
............................................................
296
BACKSTAGE
PRESENCE:
A
CONVERSATION
WITH
SUZANNE
PAGE
..................................................
306
PONTUS
HULTEN
S
STUDY
GALLERY
...........................................
316
MUSEUMS
ON
THE
MOVE
(WITH
HANS
ULRICH
OBRIST)
...........
320
STURTEVANT
S
MUSEUM
..........................................................
330
FREQ
OUT
(CARL
MICHAEL
VON
HAUSSWOLFF)
..........................
336
HILMA
AF
KLINT
IN
THE
SPIRAL
...............................................
340
DIRECTOR
OF
INTELLIGENCE
(PONTUS
HULTEN)
............................
346
WHEN
ATTITUDE
BECOMES
FORM
(HARALD
SZEEMANN)
.......
354
LIFE
ON
SIRIUS
........................................................................
362
BEFORE
THE
LAW
....................................................................
390
THE
ANTHROPOLOGY
SERIES
....................................................
396
EXIT
WILDEST
DREAMS:
A
CONVERSATION
WITH
DOUGLAS
COUPLAND
.......................................................
406
PREMONITIONS
........................................................................
422
THE
VIRTUAL:
A
CONVERSATION
WITH
JENNIFER
HIGGIE
.........
430
THE
EDGE
OF
BEYOND:
A
CONVERSATION
WITH
R.
H.
QUAYTMAN
................................................
434
KOO
S
CUBE
............................................................................
442
|
| adam_txt |
PREFACE
.
9
INTRODUCTION:
HANS
ULRICH
OBRIST
.
12
WHY
ARE
YOU
A
CURATOR?
(OKWUI
'
S
LETTER)
.
18
METEORITE:
A
CONVERSATION
WITH
CAROLYN
CHRISTOV-BAKARGIEV
.
40
IN
OTHER
'
S
WORDS:
A
CONVERSATION
WITH
SARAT
MAHARAJ
.
44
TEMPORAL
SPASMS
OR,
SEE
YOU
TOMORROW
IN
KIRIBATI!
.
58
LATE
BLOOMING
(ABY
WARBURG)
.
64
EXHIBITION
PRODUCTION
(WITH
CARSTEN
HOLLER)
.
72
CRYSTALS
-
FOR
DOMINIQUE
GONZALEZ-FOERSTER
.
86
MICHEL
MAJERUS
ON
THE
BRANDENBURGER
TOR
.
90
DELAYS
AND
REVOLUTIONS
.
96
UNCERTAIN
STATES
OF
AMERICA
(WITH
GUNNAR
KVARAN
AND
HANS
ULRICH
OBRIST)
.
104
SOUNDING
THE
SUBJECT:
ECHOES,
DELAYS,
TAPED
CONVERSATIONS
.
108
AIRS
DE
PARIS:
A
CONVERSATION
WITH
PHILIPPE
PARRENO
.
120
50
MOONS
OF
SATURN
.
126
THE
RULE
OF
THE
GAME
(WITH
HU
FANG,
AKIKO
MIYAKE,
HANS
ULRICH
OBRIST
AND
BEATRIX
RUF)
.
134
WE
ARE
MANY
(MAKING
WORLDS)
.
146
MAKING
WORLDS:
A
CONVERSATION
WITH
MASSIMILIANO
GIONI
.
156
OLAFUR
'
S
PAVILION
.
164
INNEN
STADT
AUSSEN
(OLAFUR
ELIASSON)
.
168
GILLES
AND
THEM:
M/M
(PARIS)
.
180
LYGIA
PAPE:
FIAT
LUX
.
184
DARKNESS
AT
NOON
(PAUL
CHAN)
.
190
HILMA
AF
KLINT:
DISRUPTION
AND
DELAY
.
202
LIFE
ITSELF
(WITH
CARSTEN
HOLLER
AND
JO
WIDOFF)
.
208
ACADEMY
A
PROPOSAL
FROM
FRANKFURT:
TEACHING
ART
.
214
IT
WAS
FIFTY-FIFTY:
A
CONVERSATION
WITH
THOMAS
BAYRLE
.
218
GASTHOF
.
230
UNDER
PRESSURE
(WITH
ISABELLE
GRAW)
.
236
FOOD
FOR
THOUGHT:
A
CONVERSATION
WITH
RIRKRIT
TIRAVANIJA
.
242
THE
ART
OF
EDUCATION:
A
RETROACTIVE
MANIFESTO
.
256
HAUSMEISTER
ART:
HARTMUT
UND
HELGA
RAUSCH
'
S
COLLECTION
.
266
BETWEEN
THE
STUDIO
AND
THE
GALLERY:
A
CONVERSATION
WITH
NIKOLA
DIETRICH
.
270
KREBBERISM
.
284
OH,
JASON
.
290
MUSEUM
TATE
DIG
(MARK
DION)
.
296
BACKSTAGE
PRESENCE:
A
CONVERSATION
WITH
SUZANNE
PAGE
.
306
PONTUS
HULTEN
'
S
STUDY
GALLERY
.
316
MUSEUMS
ON
THE
MOVE
(WITH
HANS
ULRICH
OBRIST)
.
320
STURTEVANT
'
S
MUSEUM
.
330
FREQ
OUT
(CARL
MICHAEL
VON
HAUSSWOLFF)
.
336
HILMA
AF
KLINT
IN
THE
SPIRAL
.
340
DIRECTOR
OF
INTELLIGENCE
(PONTUS
HULTEN)
.
346
WHEN
ATTITUDE
BECOMES
FORM
(HARALD
SZEEMANN)
.
354
LIFE
ON
SIRIUS
.
362
BEFORE
THE
LAW
.
390
THE
ANTHROPOLOGY
SERIES
.
396
EXIT
WILDEST
DREAMS:
A
CONVERSATION
WITH
DOUGLAS
COUPLAND
.
406
PREMONITIONS
.
422
THE
VIRTUAL:
A
CONVERSATION
WITH
JENNIFER
HIGGIE
.
430
THE
EDGE
OF
BEYOND:
A
CONVERSATION
WITH
R.
H.
QUAYTMAN
.
434
KOO
'
S
CUBE
.
442 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Birnbaum, Daniel 1963- |
| author_GND | (DE-588)12150011X |
| author_facet | Birnbaum, Daniel 1963- |
| author_role | aut |
| author_sort | Birnbaum, Daniel 1963- |
| author_variant | d b db |
| building | Verbundindex |
| bvnumber | BV047878946 |
| classification_rvk | LH 39930 |
| ctrlnum | (OCoLC)1312700344 (DE-599)DNB1252087772 |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| edition | First edition |
| format | Book |
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Four QR codes trigger works by Julie Curtiss, Koo Jeong A, Tomás Saraceno and Precious Okyomon"</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">In these essays and conversations, Daniel Birnbaum explores what conceptual artist Daniel Buren referred to as the "frames of art." As a director of institutions, he has organized events inside and outside some of the most significant art institutions in Europe, including the Venice Biennale, the Städelschule in Frankfurt, Moderna Museet and the Centre Pompidou. Like few other curators he has pushed the boundaries of the studio, the exhibition, and the museum in an attempt to find new ways to ‘frame’ art . The volume contains examples of curatorial approaches to education, exhibition-making and the presentation of collections. It was impeccable timing when Birnbaum in 2019 left the museum world. 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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV047878946 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:22:02Z |
| indexdate | 2024-07-10T09:24:02Z |
| institution | BVB |
| institution_GND | (DE-588)1068092572 |
| isbn | 9783753301297 3753301299 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033261324 |
| oclc_num | 1312700344 |
| open_access_boolean | |
| owner | DE-255 DE-12 DE-B170 DE-Y7 DE-20 |
| owner_facet | DE-255 DE-12 DE-B170 DE-Y7 DE-20 |
| physical | 444 Seiten Illustrationen 20.5 cm x 14.5 cm |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Verlag der Buchhandlung Walther und Franz König |
| record_format | marc |
| spelling | Birnbaum, Daniel 1963- Verfasser (DE-588)12150011X aut Notes on the frames of art exhibition, academy, museum Daniel Birnbaum Exhibition, academy, museum First edition Köln Verlag der Buchhandlung Walther und Franz König 2022 444 Seiten Illustrationen 20.5 cm x 14.5 cm txt rdacontent n rdamedia nc rdacarrier Zusätzliches Online-Angebot unter QR-Codes abrufbar: "This book is also an exhibition. Four QR codes trigger works by Julie Curtiss, Koo Jeong A, Tomás Saraceno and Precious Okyomon" In these essays and conversations, Daniel Birnbaum explores what conceptual artist Daniel Buren referred to as the "frames of art." As a director of institutions, he has organized events inside and outside some of the most significant art institutions in Europe, including the Venice Biennale, the Städelschule in Frankfurt, Moderna Museet and the Centre Pompidou. Like few other curators he has pushed the boundaries of the studio, the exhibition, and the museum in an attempt to find new ways to ‘frame’ art . The volume contains examples of curatorial approaches to education, exhibition-making and the presentation of collections. It was impeccable timing when Birnbaum in 2019 left the museum world. During 2020 and 2021, when most institutions were closed due to the pandemic, he curated a large number AR and VR exhibitions in major cities around the world. This book is a hybrid object that triggers AR artworks produced by Acute Art. It ends with notes about new visual technologies and virtual space. Says Hans Ulrich Obrist in the introduction to the book: "Birnbaum’s ever expanding inter-disciplinary interests, and the strong relationships he has developed over the years with artists as well as so many others working within and outside the field, make his insight into the ‘frames’ of varying institutions, the gallery, and the artist’s studio both valid and engaging. After serving as the director of the Moderna Museet in Stockholm for nine years, Birnbaum turned to an entirely new form of framing art—one that is not necessarily physically manifested in any given place but instead is available online for everyone, everywhere. It is therefore all the more interesting to have here before you a physical object that presents Birnbaum’s reflections and conversations about his experiences with experimental institutional approaches to art schools, museums, and his own curatorial projects. Birnbaum, Daniel 1963- (DE-588)12150011X gnd rswk-swf Kunstkritik (DE-588)4033659-1 gnd rswk-swf Kunstakademie (DE-588)4166019-5 gnd rswk-swf Kurator Museumskunde (DE-588)4688848-2 gnd rswk-swf Kulturvermittler (DE-588)1245377477 gnd rswk-swf Museum (DE-588)4040795-0 gnd rswk-swf Kunstsoziologie (DE-588)4033673-6 gnd rswk-swf Kunstbetrieb (DE-588)4208853-7 gnd rswk-swf Kunstmuseum (DE-588)4166041-9 gnd rswk-swf Kunstausstellung (DE-588)4033628-1 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Ausstellung (DE-588)4129601-1 gnd rswk-swf Rahmen der Kunst Daniel Birnbaum Kuration Kuratieren Bildende Kunst zeitgenössische Kunst Hans Ulrich Obrist (DE-588)4143413-4 Aufsatzsammlung gnd-content Birnbaum, Daniel 1963- (DE-588)12150011X p Kunst (DE-588)4114333-4 s Kunstsoziologie (DE-588)4033673-6 s Kulturvermittler (DE-588)1245377477 s Ausstellung (DE-588)4129601-1 s Museum (DE-588)4040795-0 s Kunstakademie (DE-588)4166019-5 s Kurator Museumskunde (DE-588)4688848-2 s DE-604 Kunstausstellung (DE-588)4033628-1 s Kunstmuseum (DE-588)4166041-9 s Kunstbetrieb (DE-588)4208853-7 s Kunstkritik (DE-588)4033659-1 s Verlag der Buchhandlung Walther König Köln (DE-588)1068092572 pbl DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033261324&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p vlb 20220218 DE-101 https://d-nb.info/provenance/plan#vlb |
| spellingShingle | Birnbaum, Daniel 1963- Notes on the frames of art exhibition, academy, museum Birnbaum, Daniel 1963- (DE-588)12150011X gnd Kunstkritik (DE-588)4033659-1 gnd Kunstakademie (DE-588)4166019-5 gnd Kurator Museumskunde (DE-588)4688848-2 gnd Kulturvermittler (DE-588)1245377477 gnd Museum (DE-588)4040795-0 gnd Kunstsoziologie (DE-588)4033673-6 gnd Kunstbetrieb (DE-588)4208853-7 gnd Kunstmuseum (DE-588)4166041-9 gnd Kunstausstellung (DE-588)4033628-1 gnd Kunst (DE-588)4114333-4 gnd Ausstellung (DE-588)4129601-1 gnd |
| subject_GND | (DE-588)12150011X (DE-588)4033659-1 (DE-588)4166019-5 (DE-588)4688848-2 (DE-588)1245377477 (DE-588)4040795-0 (DE-588)4033673-6 (DE-588)4208853-7 (DE-588)4166041-9 (DE-588)4033628-1 (DE-588)4114333-4 (DE-588)4129601-1 (DE-588)4143413-4 |
| title | Notes on the frames of art exhibition, academy, museum |
| title_alt | Exhibition, academy, museum |
| title_auth | Notes on the frames of art exhibition, academy, museum |
| title_exact_search | Notes on the frames of art exhibition, academy, museum |
| title_exact_search_txtP | Notes on the frames of art exhibition, academy, museum |
| title_full | Notes on the frames of art exhibition, academy, museum Daniel Birnbaum |
| title_fullStr | Notes on the frames of art exhibition, academy, museum Daniel Birnbaum |
| title_full_unstemmed | Notes on the frames of art exhibition, academy, museum Daniel Birnbaum |
| title_short | Notes on the frames of art |
| title_sort | notes on the frames of art exhibition academy museum |
| title_sub | exhibition, academy, museum |
| topic | Birnbaum, Daniel 1963- (DE-588)12150011X gnd Kunstkritik (DE-588)4033659-1 gnd Kunstakademie (DE-588)4166019-5 gnd Kurator Museumskunde (DE-588)4688848-2 gnd Kulturvermittler (DE-588)1245377477 gnd Museum (DE-588)4040795-0 gnd Kunstsoziologie (DE-588)4033673-6 gnd Kunstbetrieb (DE-588)4208853-7 gnd Kunstmuseum (DE-588)4166041-9 gnd Kunstausstellung (DE-588)4033628-1 gnd Kunst (DE-588)4114333-4 gnd Ausstellung (DE-588)4129601-1 gnd |
| topic_facet | Birnbaum, Daniel 1963- Kunstkritik Kunstakademie Kurator Museumskunde Kulturvermittler Museum Kunstsoziologie Kunstbetrieb Kunstmuseum Kunstausstellung Kunst Ausstellung Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033261324&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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