Where sight meets sound: the poetics of late-medieval music writing
"The main function of western musical notation is incidental: it prescribes and records sound. But during the fourteenth and fifteenth centuries, notation began to take on an aesthetic life all its own. Composers sometimes asked singers to read the music in unusual ways-backwards, upside-down,...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2021]
|
| Schriftenreihe: | AMS studies in music series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The main function of western musical notation is incidental: it prescribes and records sound. But during the fourteenth and fifteenth centuries, notation began to take on an aesthetic life all its own. Composers sometimes asked singers to read the music in unusual ways-backwards, upside-down, or at a reduced speed-to produce sounds whose relationship to the written notes is anything but obvious. This book explores innovations in late-medieval music writing as well as how modern scholarship on notation has informed-sometimes erroneously-ideas about the premodern era. By viewing notation as a complex technology that did more than record sound, the book revolutionizes the way we think about music's literate traditions"-- |
| Beschreibung: | xxix, 308 Seiten Illustrationen, Notenbeispiele (teilweise farbig) |
| ISBN: | 9780197551912 |
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| 520 | 3 | |a "The main function of western musical notation is incidental: it prescribes and records sound. But during the fourteenth and fifteenth centuries, notation began to take on an aesthetic life all its own. Composers sometimes asked singers to read the music in unusual ways-backwards, upside-down, or at a reduced speed-to produce sounds whose relationship to the written notes is anything but obvious. This book explores innovations in late-medieval music writing as well as how modern scholarship on notation has informed-sometimes erroneously-ideas about the premodern era. By viewing notation as a complex technology that did more than record sound, the book revolutionizes the way we think about music's literate traditions"-- | |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS List of Figures List of Musical Examples List of Tables Acknowledgments Sigla of Manuscripts and Early Printed Music Abbreviations ix xiii xv xvii xxi xxix Introduction: Metaphors of Music Writing i Shrinking Songs: Condensing Motet Tenors 2 Before There Was Rhythm 3 The Danger of False Exceptionalism 4 Signs and Metasigns 5 The Same, but Different б Small Songs Made Big 7 The Aesthetics ofTransformation Conclusion i 22 59 82 115 136 171 207 237 Appendix i Solomon Builds the Temple Appendix 2 Notational Fixity andVisual Citation in Polyphonic Masses Bibliography Index of Compositions General Index 257 259 269 295 301 vii
|
| adam_txt |
CONTENTS List of Figures List of Musical Examples List of Tables Acknowledgments Sigla of Manuscripts and Early Printed Music Abbreviations ix xiii xv xvii xxi xxix Introduction: Metaphors of Music Writing i Shrinking Songs: Condensing Motet Tenors 2 Before There Was Rhythm 3 The Danger of False Exceptionalism 4 Signs and Metasigns 5 The Same, but Different б Small Songs Made Big 7 The Aesthetics ofTransformation Conclusion i 22 59 82 115 136 171 207 237 Appendix i Solomon Builds the Temple Appendix 2 Notational Fixity andVisual Citation in Polyphonic Masses Bibliography Index of Compositions General Index 257 259 269 295 301 vii |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Zazulia, Emily ca. 20./21. Jh |
| author_GND | (DE-588)1192688287 |
| author_facet | Zazulia, Emily ca. 20./21. Jh |
| author_role | aut |
| author_sort | Zazulia, Emily ca. 20./21. Jh |
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| ctrlnum | (OCoLC)1311973362 (DE-599)BVBBV047877699 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 1300-1500 gnd |
| era_facet | Geschichte 1300-1500 |
| format | Book |
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| spelling | Zazulia, Emily ca. 20./21. Jh. Verfasser (DE-588)1192688287 aut Where sight meets sound the poetics of late-medieval music writing Emily Zazulia New York, NY Oxford University Press [2021] © 2021 xxix, 308 Seiten Illustrationen, Notenbeispiele (teilweise farbig) txt rdacontent n rdamedia nc rdacarrier AMS studies in music series "The main function of western musical notation is incidental: it prescribes and records sound. But during the fourteenth and fifteenth centuries, notation began to take on an aesthetic life all its own. Composers sometimes asked singers to read the music in unusual ways-backwards, upside-down, or at a reduced speed-to produce sounds whose relationship to the written notes is anything but obvious. This book explores innovations in late-medieval music writing as well as how modern scholarship on notation has informed-sometimes erroneously-ideas about the premodern era. By viewing notation as a complex technology that did more than record sound, the book revolutionizes the way we think about music's literate traditions"-- Geschichte 1300-1500 gnd rswk-swf Notenschrift (DE-588)4135339-0 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Musical notation / History / To 1400 Musical notation / History / 15th century Musical notation To 1499 History (DE-588)4113937-9 Hochschulschrift gnd-content Notenschrift (DE-588)4135339-0 s Ästhetik (DE-588)4000626-8 s Geschichte 1300-1500 z DE-604 Erscheint auch als Online-Ausgabe, EPUB 978-0-19-755191-2 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033260095&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Zazulia, Emily ca. 20./21. Jh Where sight meets sound the poetics of late-medieval music writing Notenschrift (DE-588)4135339-0 gnd Ästhetik (DE-588)4000626-8 gnd |
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| title | Where sight meets sound the poetics of late-medieval music writing |
| title_auth | Where sight meets sound the poetics of late-medieval music writing |
| title_exact_search | Where sight meets sound the poetics of late-medieval music writing |
| title_exact_search_txtP | Where sight meets sound the poetics of late-medieval music writing |
| title_full | Where sight meets sound the poetics of late-medieval music writing Emily Zazulia |
| title_fullStr | Where sight meets sound the poetics of late-medieval music writing Emily Zazulia |
| title_full_unstemmed | Where sight meets sound the poetics of late-medieval music writing Emily Zazulia |
| title_short | Where sight meets sound |
| title_sort | where sight meets sound the poetics of late medieval music writing |
| title_sub | the poetics of late-medieval music writing |
| topic | Notenschrift (DE-588)4135339-0 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Notenschrift Ästhetik Hochschulschrift |
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