Media narratives in popular music:
"The historical significance of music-makers, music scenes, and music genres has long been mediated through academic and popular press publications such as magazines, films, and television documentaries. Media Narratives in Popular Music examines these various publications and questions how and...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
[2022]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The historical significance of music-makers, music scenes, and music genres has long been mediated through academic and popular press publications such as magazines, films, and television documentaries. Media Narratives in Popular Music examines these various publications and questions how and why they are constructed. It considers the typically linear narratives that are based on simplifications, exaggerations, and omissions and the histories they construct - an approach that leads to totalizing official histories that reduce otherwise messy narratives to one-dimensional interpretations of a heroic and celebratory nature. This book questions the basis on which these mediated histories are constructed, highlights other, hidden, histories that have otherwise been neglected, and explores a range of topics including consumerism, the production pressure behind documentaries, punk fanzines, Rolling Stones covers, and more."-- |
| Beschreibung: | xii, 242 Seiten Diagramme (schwarz-weiß) |
| ISBN: | 9781501357275 9781501387715 |
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| 505 | 8 | |a Introduction Chris Anderton and Martin James (Solent University, UK) -- SECTION 1 Narratives of Identity -- 1. Hidden in Plain Sight : Stories of Gender, Generation and Political Economy on the Northern Soul Scene Sarah Raine (Edinburgh Napier University, UK) and Tim Wall (Birmingham City University, UK) -- 2. Paid My Dues : Key Debates in the 1970s Feminist Music Press Ann-Marie Hanlon (Dundalk Institute of Technology, Ireland) -- 3. They re Not In It Like The Man Dem : How Gendered Narratives Contradict Patriarchal Discourse in Electronic Dance Music Julia Toppin (University of Hertfordshire, UK) -- 4. From Islam to Yeezies : How Consumerism Replaced Knowledge in the Media Narratives of Post-9/11 Hip-Hop Martin James (Solent University, UK) -- SECTION 2. Narratives of Genre -- 5. Exiles in Madison Square Garden : Critical Reception and Journalistic Narratives of Progressive Rock in Melody Maker Magazine, 1971 1976 Chris Anderton (Solent University, UK) -- | |
| 505 | 8 | |a 6. Alternative Before Alternative : The Pre-Punk History of a 90s Genre Theo Cateforis (Syracuse University, USA) -- 7. Never Mind the B... , Here's Three Minutes of Prog Andy Bennett (Griffith University, Australia) -- 8. "There's a Crack in the Union Jack" -- Questioning National Identity in the Britpop Years : The Britpop Counter-Narrative Johnny Hopkins (Solent University, UK) -- SECTION 3. Narratives Constructed -- 9. Compromised Histories : The Impact of Production Pressures on the Construction of Historical Narratives in Popular Music Documentaries Sarah Baker (Griffith University, Australia), Lauren Istvandity (University of the Sunshine Coast, Australia), Zelmarie Cantillon (Western Sydney University, Australia) and Shane Homan (Monash University, Australia) -- 10. When a History of Gender Representation Meets the Nostalgic Storytelling of Hot Press Magazine Yvonne Kiely (Kiely Management, USA) -- | |
| 505 | 8 | |a 11. Punk Fanzines, Subcultural Consecration, and Hidden Female Histories in Early British Punk Karen Fournier (University of Michigan, USA) -- 12. Tales from the Turntables : "Narrating" and "Narrativizing" the "First Club DJ" Maren Hancock (York University, UK) -- Index | |
| 520 | 3 | |a "The historical significance of music-makers, music scenes, and music genres has long been mediated through academic and popular press publications such as magazines, films, and television documentaries. Media Narratives in Popular Music examines these various publications and questions how and why they are constructed. It considers the typically linear narratives that are based on simplifications, exaggerations, and omissions and the histories they construct - an approach that leads to totalizing official histories that reduce otherwise messy narratives to one-dimensional interpretations of a heroic and celebratory nature. This book questions the basis on which these mediated histories are constructed, highlights other, hidden, histories that have otherwise been neglected, and explores a range of topics including consumerism, the production pressure behind documentaries, punk fanzines, Rolling Stones covers, and more."-- | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents List of Figures Notes on Contributors Introduction: Media Narratives and Music Histories Chris Anderton and Martin James Section 1 1 2 3 4 5 6 7 8 1 Narratives of Identity Hidden in Plain Sight: Stories of Gender, Generation, and Political Economy on the Northern Soul Scene Tim Wall and Sarah Raine Paid My Dues: Key Debates in the 1970s Feminist Music Press Ann-Marie Hanlon “They’re Not in It Like the Man Dem”: How Gendered Narratives Contradict Patriarchal Discourse in Electronic Dance Music Julia Toppin “Who Controls the Present Controls the Past. Who Controls the Past Controls the Future”: Washing Islam from the Media Narratives of Hip-Hop Martin James Section 2 vii viii 17 35 53 71 Narratives of Genre “Exiles in Madison Square Garden”: Critical Reception and Journalistic Narratives of Progressive Rock in Melody Maker Magazine, 1971-1976 Chris Anderton Alternative before Alternative: The Pre-Punk History of a ’90s Rock Genre Theo Cateforis Never Mind the В ..., Here’s Three Minutes of Prog: Rethinking Punk’s Impact on Progressive Rock in Britain During the Late 1970s Andy Bennett “There’s a Crack in the Union Jack.” Questioning National Identity in the 1990s: The Britpop Counter-Narrative Johnny Hopkins 91 109 125 141
Contents VI Section 3 Narratives Constructed 9 Compromised Histories: The Impact of Production Pressures on the Construction of Historical Narratives in Popular Music Documentaries Lauren Istvandity, Sarah Baker, Zelmarie Cantillon, and Shane Homan 10 When a History of Gender Representation Meets the Nostalgic Storytelling of Hot Press Magazine Yvonne Kiely 11 Punk Fanzines, Subcultural Consecration, and Hidden Female Histories in Early British Punk Karen Fournier 12 Tales from the Turntables: “Narrating” and “Narrativizing” the “First Club DJ” Maren Hancock 219 Acknowledgments Index 237 238 163 181 201
|
| adam_txt |
Contents List of Figures Notes on Contributors Introduction: Media Narratives and Music Histories Chris Anderton and Martin James Section 1 1 2 3 4 5 6 7 8 1 Narratives of Identity Hidden in Plain Sight: Stories of Gender, Generation, and Political Economy on the Northern Soul Scene Tim Wall and Sarah Raine Paid My Dues: Key Debates in the 1970s Feminist Music Press Ann-Marie Hanlon “They’re Not in It Like the Man Dem”: How Gendered Narratives Contradict Patriarchal Discourse in Electronic Dance Music Julia Toppin “Who Controls the Present Controls the Past. Who Controls the Past Controls the Future”: Washing Islam from the Media Narratives of Hip-Hop Martin James Section 2 vii viii 17 35 53 71 Narratives of Genre “Exiles in Madison Square Garden”: Critical Reception and Journalistic Narratives of Progressive Rock in Melody Maker Magazine, 1971-1976 Chris Anderton Alternative before Alternative: The Pre-Punk History of a ’90s Rock Genre Theo Cateforis Never Mind the В ., Here’s Three Minutes of Prog: Rethinking Punk’s Impact on Progressive Rock in Britain During the Late 1970s Andy Bennett “There’s a Crack in the Union Jack.” Questioning National Identity in the 1990s: The Britpop Counter-Narrative Johnny Hopkins 91 109 125 141
Contents VI Section 3 Narratives Constructed 9 Compromised Histories: The Impact of Production Pressures on the Construction of Historical Narratives in Popular Music Documentaries Lauren Istvandity, Sarah Baker, Zelmarie Cantillon, and Shane Homan 10 When a History of Gender Representation Meets the Nostalgic Storytelling of Hot Press Magazine Yvonne Kiely 11 Punk Fanzines, Subcultural Consecration, and Hidden Female Histories in Early British Punk Karen Fournier 12 Tales from the Turntables: “Narrating” and “Narrativizing” the “First Club DJ” Maren Hancock 219 Acknowledgments Index 237 238 163 181 201 |
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| contents | Introduction Chris Anderton and Martin James (Solent University, UK) -- SECTION 1 Narratives of Identity -- 1. Hidden in Plain Sight : Stories of Gender, Generation and Political Economy on the Northern Soul Scene Sarah Raine (Edinburgh Napier University, UK) and Tim Wall (Birmingham City University, UK) -- 2. Paid My Dues : Key Debates in the 1970s Feminist Music Press Ann-Marie Hanlon (Dundalk Institute of Technology, Ireland) -- 3. They re Not In It Like The Man Dem : How Gendered Narratives Contradict Patriarchal Discourse in Electronic Dance Music Julia Toppin (University of Hertfordshire, UK) -- 4. From Islam to Yeezies : How Consumerism Replaced Knowledge in the Media Narratives of Post-9/11 Hip-Hop Martin James (Solent University, UK) -- SECTION 2. Narratives of Genre -- 5. Exiles in Madison Square Garden : Critical Reception and Journalistic Narratives of Progressive Rock in Melody Maker Magazine, 1971 1976 Chris Anderton (Solent University, UK) -- 6. Alternative Before Alternative : The Pre-Punk History of a 90s Genre Theo Cateforis (Syracuse University, USA) -- 7. Never Mind the B... , Here's Three Minutes of Prog Andy Bennett (Griffith University, Australia) -- 8. "There's a Crack in the Union Jack" -- Questioning National Identity in the Britpop Years : The Britpop Counter-Narrative Johnny Hopkins (Solent University, UK) -- SECTION 3. Narratives Constructed -- 9. Compromised Histories : The Impact of Production Pressures on the Construction of Historical Narratives in Popular Music Documentaries Sarah Baker (Griffith University, Australia), Lauren Istvandity (University of the Sunshine Coast, Australia), Zelmarie Cantillon (Western Sydney University, Australia) and Shane Homan (Monash University, Australia) -- 10. When a History of Gender Representation Meets the Nostalgic Storytelling of Hot Press Magazine Yvonne Kiely (Kiely Management, USA) -- 11. Punk Fanzines, Subcultural Consecration, and Hidden Female Histories in Early British Punk Karen Fournier (University of Michigan, USA) -- 12. Tales from the Turntables : "Narrating" and "Narrativizing" the "First Club DJ" Maren Hancock (York University, UK) -- Index |
| ctrlnum | (OCoLC)1312711083 (DE-599)BVBBV047877447 |
| discipline | Allgemeines Musikwissenschaft |
| discipline_str_mv | Allgemeines Musikwissenschaft |
| era | Geschichte 1970-2020 gnd |
| era_facet | Geschichte 1970-2020 |
| format | Book |
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| publisher | Bloomsbury Academic |
| record_format | marc |
| spelling | Media narratives in popular music edited by Chris Anderton and Martin James New York, NY ; London ; Oxford ; New Delhi ; Sydney Bloomsbury Academic [2022] ©2022 xii, 242 Seiten Diagramme (schwarz-weiß) txt rdacontent n rdamedia nc rdacarrier Introduction Chris Anderton and Martin James (Solent University, UK) -- SECTION 1 Narratives of Identity -- 1. Hidden in Plain Sight : Stories of Gender, Generation and Political Economy on the Northern Soul Scene Sarah Raine (Edinburgh Napier University, UK) and Tim Wall (Birmingham City University, UK) -- 2. Paid My Dues : Key Debates in the 1970s Feminist Music Press Ann-Marie Hanlon (Dundalk Institute of Technology, Ireland) -- 3. They re Not In It Like The Man Dem : How Gendered Narratives Contradict Patriarchal Discourse in Electronic Dance Music Julia Toppin (University of Hertfordshire, UK) -- 4. From Islam to Yeezies : How Consumerism Replaced Knowledge in the Media Narratives of Post-9/11 Hip-Hop Martin James (Solent University, UK) -- SECTION 2. Narratives of Genre -- 5. Exiles in Madison Square Garden : Critical Reception and Journalistic Narratives of Progressive Rock in Melody Maker Magazine, 1971 1976 Chris Anderton (Solent University, UK) -- 6. Alternative Before Alternative : The Pre-Punk History of a 90s Genre Theo Cateforis (Syracuse University, USA) -- 7. Never Mind the B... , Here's Three Minutes of Prog Andy Bennett (Griffith University, Australia) -- 8. "There's a Crack in the Union Jack" -- Questioning National Identity in the Britpop Years : The Britpop Counter-Narrative Johnny Hopkins (Solent University, UK) -- SECTION 3. Narratives Constructed -- 9. Compromised Histories : The Impact of Production Pressures on the Construction of Historical Narratives in Popular Music Documentaries Sarah Baker (Griffith University, Australia), Lauren Istvandity (University of the Sunshine Coast, Australia), Zelmarie Cantillon (Western Sydney University, Australia) and Shane Homan (Monash University, Australia) -- 10. When a History of Gender Representation Meets the Nostalgic Storytelling of Hot Press Magazine Yvonne Kiely (Kiely Management, USA) -- 11. Punk Fanzines, Subcultural Consecration, and Hidden Female Histories in Early British Punk Karen Fournier (University of Michigan, USA) -- 12. Tales from the Turntables : "Narrating" and "Narrativizing" the "First Club DJ" Maren Hancock (York University, UK) -- Index "The historical significance of music-makers, music scenes, and music genres has long been mediated through academic and popular press publications such as magazines, films, and television documentaries. Media Narratives in Popular Music examines these various publications and questions how and why they are constructed. It considers the typically linear narratives that are based on simplifications, exaggerations, and omissions and the histories they construct - an approach that leads to totalizing official histories that reduce otherwise messy narratives to one-dimensional interpretations of a heroic and celebratory nature. This book questions the basis on which these mediated histories are constructed, highlights other, hidden, histories that have otherwise been neglected, and explores a range of topics including consumerism, the production pressure behind documentaries, punk fanzines, Rolling Stones covers, and more."-- Geschichte 1970-2020 gnd rswk-swf Musikjournalismus (DE-588)1033525375 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf Musical criticism Popular music / History and criticism Popular music / Social aspects Mass media and music Mass media / Moral and ethical aspects Popular music Popular music in motion pictures Criticism, interpretation, etc (DE-588)4143413-4 Aufsatzsammlung gnd-content Popmusik (DE-588)4046781-8 s Musikjournalismus (DE-588)1033525375 s Geschichte 1970-2020 z DE-604 Anderton, Chris (DE-588)1072717735 edt James, Martin (DE-588)124695019 edt Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033259848&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Media narratives in popular music Introduction Chris Anderton and Martin James (Solent University, UK) -- SECTION 1 Narratives of Identity -- 1. Hidden in Plain Sight : Stories of Gender, Generation and Political Economy on the Northern Soul Scene Sarah Raine (Edinburgh Napier University, UK) and Tim Wall (Birmingham City University, UK) -- 2. Paid My Dues : Key Debates in the 1970s Feminist Music Press Ann-Marie Hanlon (Dundalk Institute of Technology, Ireland) -- 3. They re Not In It Like The Man Dem : How Gendered Narratives Contradict Patriarchal Discourse in Electronic Dance Music Julia Toppin (University of Hertfordshire, UK) -- 4. From Islam to Yeezies : How Consumerism Replaced Knowledge in the Media Narratives of Post-9/11 Hip-Hop Martin James (Solent University, UK) -- SECTION 2. Narratives of Genre -- 5. Exiles in Madison Square Garden : Critical Reception and Journalistic Narratives of Progressive Rock in Melody Maker Magazine, 1971 1976 Chris Anderton (Solent University, UK) -- 6. Alternative Before Alternative : The Pre-Punk History of a 90s Genre Theo Cateforis (Syracuse University, USA) -- 7. Never Mind the B... , Here's Three Minutes of Prog Andy Bennett (Griffith University, Australia) -- 8. "There's a Crack in the Union Jack" -- Questioning National Identity in the Britpop Years : The Britpop Counter-Narrative Johnny Hopkins (Solent University, UK) -- SECTION 3. Narratives Constructed -- 9. Compromised Histories : The Impact of Production Pressures on the Construction of Historical Narratives in Popular Music Documentaries Sarah Baker (Griffith University, Australia), Lauren Istvandity (University of the Sunshine Coast, Australia), Zelmarie Cantillon (Western Sydney University, Australia) and Shane Homan (Monash University, Australia) -- 10. When a History of Gender Representation Meets the Nostalgic Storytelling of Hot Press Magazine Yvonne Kiely (Kiely Management, USA) -- 11. Punk Fanzines, Subcultural Consecration, and Hidden Female Histories in Early British Punk Karen Fournier (University of Michigan, USA) -- 12. Tales from the Turntables : "Narrating" and "Narrativizing" the "First Club DJ" Maren Hancock (York University, UK) -- Index Musikjournalismus (DE-588)1033525375 gnd Popmusik (DE-588)4046781-8 gnd |
| subject_GND | (DE-588)1033525375 (DE-588)4046781-8 (DE-588)4143413-4 |
| title | Media narratives in popular music |
| title_auth | Media narratives in popular music |
| title_exact_search | Media narratives in popular music |
| title_exact_search_txtP | Media narratives in popular music |
| title_full | Media narratives in popular music edited by Chris Anderton and Martin James |
| title_fullStr | Media narratives in popular music edited by Chris Anderton and Martin James |
| title_full_unstemmed | Media narratives in popular music edited by Chris Anderton and Martin James |
| title_short | Media narratives in popular music |
| title_sort | media narratives in popular music |
| topic | Musikjournalismus (DE-588)1033525375 gnd Popmusik (DE-588)4046781-8 gnd |
| topic_facet | Musikjournalismus Popmusik Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033259848&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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