Popular is not enough - the political voice of Joan Baez: a case study in the biographical method
Saved in:
| Main Author: | |
|---|---|
| Format: | Thesis Book |
| Language: | English |
| Published: |
Stuttgart
ibidem Verlag
[2021]
|
| Edition: | Second revised and extended edition |
| Subjects: | |
| Online Access: | Inhaltstext http://www.ibidemverlag.de Inhaltsverzeichnis Inhaltsverzeichnis |
| Physical Description: | 227 Seiten 21 cm, 340 g |
| ISBN: | 9783838215563 3838215567 |
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| 245 | 1 | 0 | |a Popular is not enough - the political voice of Joan Baez |b a case study in the biographical method |c Markus Jäger |
| 250 | |a Second revised and extended edition | ||
| 264 | 1 | |a Stuttgart |b ibidem Verlag |c [2021] | |
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Record in the Search Index
| _version_ | 1804183470957658112 |
|---|---|
| adam_text | TABLE
OF
CONTENTS
INTRODUCTION
...................................................................................................
11
1.
STEPPING
OVER
BOUNDARIES:
MATERIALS,
METHODOLOGY
AND
THEORY..21
INTRODUCTION
..........................................................................................
21
1.1
AGAINST
WRONGFUL
RESTRICTIONS:
ON
THE
ADVANTAGES
OF
INTERDISCIPLINARITY
.........................................................................
22
1.2
RECONSTITUTING
CULTURE:
ON
THE
SIGNIFICANCE
OF
SOCIAL
MOVEMENTS
.....................................................................................
23
1.3
LIFE
IS
THE
METHOD:
ON
THE
SISTERHOOD
OF
BIOGRAPHY
AND
SOCIETY
.............................................................................................
26
1.4
POPULAR
IS
NOT
ENOUGH:
ON
POPULAR
CULTURE AND
POLITICS
......
29
1.5
A
CRITICAL
VIEW
OF
A
CRITICAL
THEORIST:
HOW
A
BAD
FRANKFURT
PUPIL
CAN
STILL
BE
POLITICALLY
ACTIVE
............................................
33
1.5.1
MUSIC
FOR
MORE
THAN
MUSIC S
SAKE:
ON
THE
CREDIBILITY
OF
POLITICALLY
ENGAGED
ARTISTS
.............................................
36
1.5.2
WORDS
DO
NOT
CHANGE
SOCIETY:
THEORY
VERSUS
PRACTICE
..................................................................................
41
1.5.2.1
ON
FICTITIOUS
FREEDOM
.............................................
41
1.5.2.2
ON
THE
CREDIBILITY
OF
HAZY
CATEGORIES
.................
44
1.5.2.3
ON
THE
PASSIVENESS
OF
THEORIES
..............................
46
2.
THE
KINGDOM
OF
CHILDHOOD :
MAJOR
MOMENTS
OF
THE
1950S
.........
51
INTRODUCTION
..........................................................................................
51
2.1
RELIGION
WITHOUT
VIOLENCE:
JOAN
BAEZ
AND
THE
QUAKERS
.........
52
2.2
BECOMING
SOMEONE
WHO
WAS
ALRIGHT:
ON
SINGING
AGAINST
ISOLATION
..........................................................................................
56
2.3
THE
BIRTH
OF
A
PASSION:
IRAQ,
1951
.................................................
61
2.4
PREPARING
FOR
THE
MARCH
ON
WASHINGTON:
JOAN
BAEZ
AND
DR.
MARTIN
LUTHER
KING,
JR
............................................................
64
2.5
ANOTHER
TEACHER
OF
PACIFISM:
JEWISH
SCHOLAR
IRA
SANDPERL
....
67
7
3.
ON
REFUSAL
WITHOUT
VIOLENCE:
JOAN
BAEZ
AND
HENRY
DAVID
THOREAU
...........................................................................................................
69
4.
HIGH
SCHOOL
ACTIVIST
AND
FOLK
MUSIC
REVIVALIST
...............................
77
INTRODUCTION
..........................................................................................
77
4.1
CONSERVATIVE
NOSTALGIA
ABOUT
THE
1950S
...................................
77
4.2
PEDAGOGY
OF
PARANOIA:
ACTIVIST
FOR
THE
FIRST
TIME
....................
81
4.3
THE
SOUNDTRACK
OF
THE
AMERICAN
COUNTERCULTURE:
JOAN
BAEZ
AND
THE
FOLK
MUSIC
REVIVAL
.........................................................
83
5.
POSTWAR
FRACTURES
IN
SOCIETY:
JOAN
BAEZ
IN
THE
1960S
........................
89
INTRODUCTION
..........................................................................................
89
5.1
DOUBTED
DEMARCATIONS:
AMERICAN
SOCIETY
AND
CHANGE
IN
THE
1960S
..........................................................................................
90
5.2
GOING
FURTHER
THAN
ALLOWED:
JOAN
BAEZ
AND
THE
CIVIL
RIGHTS
MOVEMENT
......................................................................................
96
5.3
WHEN
STUDENTS
MORE
THAN
STUDIED:
JOAN
BAEZ
AND
THE
FREE
SPEECH
MOVEMENT
.......................................................................
104
5.4
PLAYING
DOMINO:
JOAN
BAEZ
AGAINST
THE
VIETNAM
WAR
.........
108
6.
A
ROLLER
COASTER
DECADE:
JOAN
BAEZ
IN
THE
1970S
.............................
119
INTRODUCTION
........................................................................................
119
6.1
IN
THE
SHADOW:
THE
COMEBACK
OF
CONSERVATISM
....................
120
6.2
NO
MATTER
WHAT
THEIR
CRIME
IS:
JOAN
BAEZ
AND
POLITICAL
PRISONERS
......................................................................................
129
6.3
THE
NORMALITY
OF
OTHERNESS:
JOAN
BAEZ
AND
THE
GAY
LIBERATION
MOVEMENT
................................................................
137
6.4
LIFE
SAVING
SONGS:
JOAN
BAEZ
IN
SOUTH
EAST
ASIA
AFTER
THE
VIETNAM
WAR
................................................................................
142
7.
A
NARCISSISTIC
DECADE:
JOAN
BAEZ
IN
THE
1980S
..................................
149
INTRODUCTION
........................................................................................
149
7.1
THE
POLITICAL
MEANING
OF
YOGURT:
RAMBOISM
AND
MUSIC
IN
THE
1980S
.................................................................................
150
8
12
CAUSING
TROUBLES:
JOAN
BAEZ
IN
LATIN
AMERICA
.......................
160
7.3
ORGANIZED
NON-VIOLENCE
ONCE
MORE:
JOAN
BAEZ
IN
POLAND
..167
7.4
SINGING
FOR
THE
VELVET
REVOLUTION:
JOAN
BAEZ
IN
CZECHOSLOVAKIA
............................................................................
171
8.
GONE
FROM
DANGER:
JOAN
BAEZ
IN
THE
1990S
.......................................
177
INTRODUCTION
.........................................................................................
177
8.1
STILL
SPEAKING
OF
DREAMS:
ON
DIFFERENT DEFINITIONS
OF
ENERGETIC
CHANGE
........................................................................
178
8.2
SINGING
AT
THE
FRONTIER
LINES:
JOAN
BAEZ
IN
SARAJEVO
..............187
9.
A
LIFETIME
ACHIEVEMENT:
JOAN
BAEZ
IN
THE
2000S
.............................
195
INTRODUCTION
........................................................................................
195
9.1
WAR
EN
VOGUE
ONCE
MORE:
CONSEQUENCES
OF
9/11
.................
196
9.2
VETERANS
AND
MOTHERS
AGAINST
THE
WAR
ONCE
MORE:
JOAN
BAEZ
AND
CINDY
SHEEHAN
............................................................
210
9.3
CENSORSHIP
ONCE
MORE:
JOAN
BAEZ
NOT
ALLOWED
TO
SING
AT
WALTER
REED
ARMY
MEDICAL
CENTER
..........................................
218
10.
IN
TIMES
OF
NASTY
MEN:
JOAN
BAEZ
IN
THE
2010S
..............................
223
INTRODUCTION
........................................................................................
223
10.1
IN
THE
HALL
OF
FAME:
MUSICAL
AND
POLITICAL
ACCOLADES
.........
223
10.2
IN
TIMES
OF
NASTY
MEN:
OPPOSITION
TO
DONALD
TRUMP
.......
226
CONCLUSION
....................................................................................................
229
BIBLIOGRAPHY
................................................................................................
233
ACKNOWLEDGEMENTS
...................................................................................
255
CURRICULUM
VITAE
.......................................................................................
257
9
|
| adam_txt |
TABLE
OF
CONTENTS
INTRODUCTION
.
11
1.
STEPPING
OVER
BOUNDARIES:
MATERIALS,
METHODOLOGY
AND
THEORY.21
INTRODUCTION
.
21
1.1
AGAINST
WRONGFUL
RESTRICTIONS:
ON
THE
ADVANTAGES
OF
INTERDISCIPLINARITY
.
22
1.2
RECONSTITUTING
CULTURE:
ON
THE
SIGNIFICANCE
OF
SOCIAL
MOVEMENTS
.
23
1.3
LIFE
IS
THE
METHOD:
ON
THE
SISTERHOOD
OF
BIOGRAPHY
AND
SOCIETY
.
26
1.4
POPULAR
IS
NOT
ENOUGH:
ON
POPULAR
CULTURE AND
POLITICS
.
29
1.5
A
CRITICAL
VIEW
OF
A
CRITICAL
THEORIST:
HOW
A
BAD
FRANKFURT
PUPIL
CAN
STILL
BE
POLITICALLY
ACTIVE
.
33
1.5.1
MUSIC
FOR
MORE
THAN
MUSIC'S
SAKE:
ON
THE
CREDIBILITY
OF
POLITICALLY
ENGAGED
ARTISTS
.
36
1.5.2
WORDS
DO
NOT
CHANGE
SOCIETY:
THEORY
VERSUS
PRACTICE
.
41
1.5.2.1
ON
FICTITIOUS
FREEDOM
.
41
1.5.2.2
ON
THE
CREDIBILITY
OF
HAZY
CATEGORIES
.
44
1.5.2.3
ON
THE
PASSIVENESS
OF
THEORIES
.
46
2.
"THE
KINGDOM
OF
CHILDHOOD":
MAJOR
MOMENTS
OF
THE
1950S
.
51
INTRODUCTION
.
51
2.1
RELIGION
WITHOUT
VIOLENCE:
JOAN
BAEZ
AND
THE
QUAKERS
.
52
2.2
BECOMING
SOMEONE
WHO
WAS
ALRIGHT:
ON
SINGING
AGAINST
ISOLATION
.
56
2.3
THE
BIRTH
OF
A
PASSION:
IRAQ,
1951
.
61
2.4
PREPARING
FOR
THE
MARCH
ON
WASHINGTON:
JOAN
BAEZ
AND
DR.
MARTIN
LUTHER
KING,
JR
.
64
2.5
ANOTHER
TEACHER
OF
PACIFISM:
JEWISH
SCHOLAR
IRA
SANDPERL
.
67
7
3.
ON
REFUSAL
WITHOUT
VIOLENCE:
JOAN
BAEZ
AND
HENRY
DAVID
THOREAU
.
69
4.
HIGH
SCHOOL
ACTIVIST
AND
FOLK
MUSIC
REVIVALIST
.
77
INTRODUCTION
.
77
4.1
CONSERVATIVE
NOSTALGIA
ABOUT
THE
1950S
.
77
4.2
PEDAGOGY
OF
PARANOIA:
ACTIVIST
FOR
THE
FIRST
TIME
.
81
4.3
THE
SOUNDTRACK
OF
THE
AMERICAN
COUNTERCULTURE:
JOAN
BAEZ
AND
THE
FOLK
MUSIC
REVIVAL
.
83
5.
POSTWAR
FRACTURES
IN
SOCIETY:
JOAN
BAEZ
IN
THE
1960S
.
89
INTRODUCTION
.
89
5.1
DOUBTED
DEMARCATIONS:
AMERICAN
SOCIETY
AND
CHANGE
IN
THE
1960S
.
90
5.2
GOING
FURTHER
THAN
ALLOWED:
JOAN
BAEZ
AND
THE
CIVIL
RIGHTS
MOVEMENT
.
96
5.3
WHEN
STUDENTS
MORE
THAN
STUDIED:
JOAN
BAEZ
AND
THE
FREE
SPEECH
MOVEMENT
.
104
5.4
PLAYING
DOMINO:
JOAN
BAEZ
AGAINST
THE
VIETNAM
WAR
.
108
6.
A
ROLLER
COASTER
DECADE:
JOAN
BAEZ
IN
THE
1970S
.
119
INTRODUCTION
.
119
6.1
IN
THE
SHADOW:
THE
COMEBACK
OF
CONSERVATISM
.
120
6.2
NO
MATTER
WHAT
THEIR
CRIME
IS:
JOAN
BAEZ
AND
POLITICAL
PRISONERS
.
129
6.3
THE
NORMALITY
OF
OTHERNESS:
JOAN
BAEZ
AND
THE
GAY
LIBERATION
MOVEMENT
.
137
6.4
LIFE
SAVING
SONGS:
JOAN
BAEZ
IN
SOUTH
EAST
ASIA
AFTER
THE
VIETNAM
WAR
.
142
7.
A
NARCISSISTIC
DECADE:
JOAN
BAEZ
IN
THE
1980S
.
149
INTRODUCTION
.
149
7.1
THE
POLITICAL
MEANING
OF
YOGURT:
RAMBOISM
AND
MUSIC
IN
THE
1980S
.
150
8
12
CAUSING
TROUBLES:
JOAN
BAEZ
IN
LATIN
AMERICA
.
160
7.3
ORGANIZED
NON-VIOLENCE
ONCE
MORE:
JOAN
BAEZ
IN
POLAND
.167
7.4
SINGING
FOR
THE
VELVET
REVOLUTION:
JOAN
BAEZ
IN
CZECHOSLOVAKIA
.
171
8.
GONE
FROM
DANGER:
JOAN
BAEZ
IN
THE
1990S
.
177
INTRODUCTION
.
177
8.1
STILL
SPEAKING
OF
DREAMS:
ON
DIFFERENT DEFINITIONS
OF
ENERGETIC
CHANGE
.
178
8.2
SINGING
AT
THE
FRONTIER
LINES:
JOAN
BAEZ
IN
SARAJEVO
.187
9.
A
LIFETIME
ACHIEVEMENT:
JOAN
BAEZ
IN
THE
2000S
.
195
INTRODUCTION
.
195
9.1
WAR
EN
VOGUE
ONCE
MORE:
CONSEQUENCES
OF
9/11
.
196
9.2
VETERANS
AND
MOTHERS
AGAINST
THE
WAR
ONCE
MORE:
JOAN
BAEZ
AND
CINDY
SHEEHAN
.
210
9.3
CENSORSHIP
ONCE
MORE:
JOAN
BAEZ
NOT
ALLOWED
TO
SING
AT
WALTER
REED
ARMY
MEDICAL
CENTER
.
218
10.
IN
TIMES
OF
NASTY
MEN:
JOAN
BAEZ
IN
THE
2010S
.
223
INTRODUCTION
.
223
10.1
IN
THE
HALL
OF
FAME:
MUSICAL
AND
POLITICAL
ACCOLADES
.
223
10.2
IN
TIMES
OF
NASTY
MEN:
OPPOSITION
TO
DONALD
TRUMP
.
226
CONCLUSION
.
229
BIBLIOGRAPHY
.
233
ACKNOWLEDGEMENTS
.
255
CURRICULUM
VITAE
.
257
9 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Jäger, Markus 1976- |
| author_GND | (DE-588)124963439 |
| author_facet | Jäger, Markus 1976- |
| author_role | aut |
| author_sort | Jäger, Markus 1976- |
| author_variant | m j mj |
| building | Verbundindex |
| bvnumber | BV047876467 |
| ctrlnum | (OCoLC)1312695268 (DE-599)DNB1221391534 |
| dewey-full | 780.0323042 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.0323042 |
| dewey-search | 780.0323042 |
| dewey-sort | 3780.0323042 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| edition | Second revised and extended edition |
| format | Thesis Book |
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| genre_facet | Hochschulschrift Biografie |
| id | DE-604.BV047876467 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:21:15Z |
| indexdate | 2024-07-10T09:23:58Z |
| institution | BVB |
| institution_GND | (DE-588)1064121934 |
| isbn | 9783838215563 3838215567 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033258881 |
| oclc_num | 1312695268 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 227 Seiten 21 cm, 340 g |
| psigel | BSB_NED_20220426 |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | ibidem Verlag |
| record_format | marc |
| spelling | Jäger, Markus 1976- Verfasser (DE-588)124963439 aut Popular is not enough - the political voice of Joan Baez a case study in the biographical method Markus Jäger Second revised and extended edition Stuttgart ibidem Verlag [2021] 227 Seiten 21 cm, 340 g txt rdacontent n rdamedia nc rdacarrier Dissertation Universität Innsbruck 2009 Baez, Joan 1941- (DE-588)118653091 gnd rswk-swf Politisches Lied (DE-588)4175049-4 gnd rswk-swf Joan Baez Biography Singer Songwriter Music Musik Politics Pop Culture USA (DE-588)4113937-9 Hochschulschrift gnd-content (DE-588)4006804-3 Biografie gnd-content Baez, Joan 1941- (DE-588)118653091 p Politisches Lied (DE-588)4175049-4 s DE-604 ibidem-Verlag (DE-588)1064121934 pbl X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=6ccf64825b5f41b6acbefda7afae9d16&prov=M&dok_var=1&dok_ext=htm Inhaltstext X:MVB http://www.ibidemverlag.de B:DE-101 application/pdf https://d-nb.info/1221391534/04 Inhaltsverzeichnis DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033258881&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p dnb 20220207 DE-101 https://d-nb.info/provenance/plan#dnb 2\p dnb 20220207 DE-101 https://d-nb.info/provenance/plan#dnb |
| spellingShingle | Jäger, Markus 1976- Popular is not enough - the political voice of Joan Baez a case study in the biographical method Baez, Joan 1941- (DE-588)118653091 gnd Politisches Lied (DE-588)4175049-4 gnd |
| subject_GND | (DE-588)118653091 (DE-588)4175049-4 (DE-588)4113937-9 (DE-588)4006804-3 |
| title | Popular is not enough - the political voice of Joan Baez a case study in the biographical method |
| title_auth | Popular is not enough - the political voice of Joan Baez a case study in the biographical method |
| title_exact_search | Popular is not enough - the political voice of Joan Baez a case study in the biographical method |
| title_exact_search_txtP | Popular is not enough - the political voice of Joan Baez a case study in the biographical method |
| title_full | Popular is not enough - the political voice of Joan Baez a case study in the biographical method Markus Jäger |
| title_fullStr | Popular is not enough - the political voice of Joan Baez a case study in the biographical method Markus Jäger |
| title_full_unstemmed | Popular is not enough - the political voice of Joan Baez a case study in the biographical method Markus Jäger |
| title_short | Popular is not enough - the political voice of Joan Baez |
| title_sort | popular is not enough the political voice of joan baez a case study in the biographical method |
| title_sub | a case study in the biographical method |
| topic | Baez, Joan 1941- (DE-588)118653091 gnd Politisches Lied (DE-588)4175049-4 gnd |
| topic_facet | Baez, Joan 1941- Politisches Lied Hochschulschrift Biografie |
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