The stylistics of 'you': second-person pronoun and its pragmatic effects
This book takes 'you', the reader, on board an interdisciplinary journey across genre, time and medium with the second-person pronoun. It offers a model of the various pragmatic functions and effects of 'you' according to different variables and linguistic parameters, cutting acr...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2022
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This book takes 'you', the reader, on board an interdisciplinary journey across genre, time and medium with the second-person pronoun. It offers a model of the various pragmatic functions and effects of 'you' according to different variables and linguistic parameters, cutting across a wide range of genres (ads, political slogans, tweets, news presentation, literary genres etc.), and bringing together print and digital texts under the same theoretical banner. Drawing on recent research into intersubjectivity in neuropsychology and socio-cognition, it delves into the relational and ethical processing at work in the reading of a second-person pronoun narrative. When 'you' takes on its more traditional deictic function of address, the author-reader channel can be opened in different ways, which is explored in examples taken from Fielding, Brontë, Orwell, Kincaid, Grimsley, Royle, Adichie, Bartlett, Auster, and even Spacey's 'creepy' 2018 YouTube video, ultimately foregrounding continuities and contrasts in the positioning of the audience |
| Beschreibung: | xii, 255 Seiten Illustrationen, Diagramme |
| ISBN: | 9781108833028 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV047875201 | ||
| 003 | DE-604 | ||
| 005 | 20220831 | ||
| 007 | t | ||
| 008 | 220309s2022 a||| |||| 00||| eng d | ||
| 020 | |a 9781108833028 |c hardback |9 978-1-108-83302-8 | ||
| 035 | |a (OCoLC)1312690163 | ||
| 035 | |a (DE-599)BVBBV047875201 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-11 |a DE-703 |a DE-355 | ||
| 082 | 0 | |a 425/.55 | |
| 084 | |a HF 275 |0 (DE-625)48829: |2 rvk | ||
| 084 | |a HF 304 |0 (DE-625)48848: |2 rvk | ||
| 084 | |a HF 342 |0 (DE-625)48881: |2 rvk | ||
| 100 | 1 | |a Sorlin, Sandrine |d 1977- |e Verfasser |0 (DE-588)1068118024 |4 aut | |
| 245 | 1 | 0 | |a The stylistics of 'you' |b second-person pronoun and its pragmatic effects |c Sandrine Sorlin, Université Paul-Valéry Montpellier 3 |
| 264 | 1 | |a Cambridge |b Cambridge University Press |c 2022 | |
| 300 | |a xii, 255 Seiten |b Illustrationen, Diagramme | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | |a This book takes 'you', the reader, on board an interdisciplinary journey across genre, time and medium with the second-person pronoun. It offers a model of the various pragmatic functions and effects of 'you' according to different variables and linguistic parameters, cutting across a wide range of genres (ads, political slogans, tweets, news presentation, literary genres etc.), and bringing together print and digital texts under the same theoretical banner. Drawing on recent research into intersubjectivity in neuropsychology and socio-cognition, it delves into the relational and ethical processing at work in the reading of a second-person pronoun narrative. When 'you' takes on its more traditional deictic function of address, the author-reader channel can be opened in different ways, which is explored in examples taken from Fielding, Brontë, Orwell, Kincaid, Grimsley, Royle, Adichie, Bartlett, Auster, and even Spacey's 'creepy' 2018 YouTube video, ultimately foregrounding continuities and contrasts in the positioning of the audience | ||
| 650 | 4 | |a English language / Style | |
| 650 | 4 | |a Literary style | |
| 650 | 4 | |a American prose literature / History and critcism | |
| 650 | 4 | |a English prose literature / History and critcism | |
| 650 | 4 | |a You (The English word) in literature | |
| 650 | 0 | 7 | |a Pragmatik |0 (DE-588)4076315-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Anrede |0 (DE-588)4002158-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Englisch |0 (DE-588)4014777-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Personalpronomen |0 (DE-588)4045271-2 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Personalpronomen |0 (DE-588)4045271-2 |D s |
| 689 | 0 | 1 | |a Pragmatik |0 (DE-588)4076315-8 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Englisch |0 (DE-588)4014777-0 |D s |
| 689 | 1 | 1 | |a Personalpronomen |0 (DE-588)4045271-2 |D s |
| 689 | 1 | 2 | |a Pragmatik |0 (DE-588)4076315-8 |D s |
| 689 | 1 | 3 | |a Anrede |0 (DE-588)4002158-0 |D s |
| 689 | 1 | |5 DE-604 | |
| 775 | 0 | 8 | |i Äquivalent |d Erscheinungstermin unbekannt |n paperback |z 978-1-108-96404-3 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, EPUB |z 978-1-108-96675-7 |
| 856 | 4 | 2 | |m Digitalisierung UB Regensburg - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033257628&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033257628 | ||
Datensatz im Suchindex
| _version_ | 1804183467906301952 |
|---|---|
| adam_text | Contents Lists of Figures and Table Preface Acknowledgements 1 Theorising the ‘You Effects’ 1.1 1.2 1.3 1.4 Part I 2 Youl: A More Remote Subjectivity You2: Speaking on Behalf of Us Poor You3: Dilution of (Interjsubjectivity You4: The Other-Oriented Specific-Generic ‘You’ Conclusion: Effects and Affects of Specific-Generic ‘You’ Paul Auster’s Ordinary Life and Yours: Blendable Singularities? 3.1 A Doubly Subjective ‘You’ 3.2 A Fitting Choice? 3.3 Inviting the Actual Audience Part II Events 1 12 22 30 37 40 43 48 50 53 57 57 61 71 The Role of ‘You’ in the Writing of Traumatic 4 Performing ‘Self-Othering’ in Winter Birds by Jim Grimsley (1994) 4.1 4.2 4.3 1 Singularising and Sharing: The Dialectics of ‘You’ George Orwell’s Down and Out in Paris and London (1933): Putting Yourself in the Shoes of a Tramp 2.1 2.2 2.3 2.4 2.5 3 A General Trend acrossGenres? A Linguistic Starting-Point A Pragma-Rhetorical Approach The Stylistics of You:Rationale and Content page vii ix xi Personae and World-Switching Performing Vulnerability Coping Mechanisms: Testifying and Witnessing 83 83 90 96 V
Contents vi 5 Pronominai ‘Veering’ in Quilt by Nicholas Royle (2010) 5.1 5.2 5.3 5.4 105 Going Down the Pronominal Paradigm Subverting the‘Animacy Hierarchy’ A Rayfying ‘You’ Writing Is Calling 105 111 116 120 Part III The Author-Reader Channel across Time, Gender, Sex and Race 6 Two Ways of Conversing with the Reader 127 6.1 Authorial Hierarchy: Henry Fielding’s Joseph Andrews (1742) 6.2 Confiding to the Reader: Jane Eyre by Charlotte Bronte (1847) 7 Empathy for Sexual Minorities in Skin Lane by Neil Bartlett (2007) 129 142 154 7.1 Storytelling and the Reader: Directing the Ethical Response 7.2 Up and Down the Ladder: ‘You’ as Facilitator 7.3 The Ethics of the Told and the Ethics of the Telling 8 The Ethics and Politics of the Second Person in ‘Postcolonial’ Writing 8.1 Interpellation of the Reader in Jamaica Kincaid’s Essay A Small Place (1988) 8.2 ‘You’ in Chimamanda Ngozi Adichie’s Short Story ‘The Thing Around Your Neck’ (2009) 154 162 168 174 174 182 Part ГѴ New Ways of Implicating through the Digital Medium? 9 From Paratext to Hypertext: Interactivity Revisited 9.1 Two Technological Revolutions: Print and Digital Fiction 9.2 Readerly Freedom Questioned 9.3 The Distanced and the Engaged Audience 10 Coercing without Edifying: Kevin Spacey’s ‘Creepy’ 2018 YouTube Video Explained 10.1 Divide and Conquer: Manipulating Reception 10.2 Transgressing Media Frontiers 197 197 204 214 221 221 225 Conclusion 230 References Index 234 251
|
| adam_txt |
Contents Lists of Figures and Table Preface Acknowledgements 1 Theorising the ‘You Effects’ 1.1 1.2 1.3 1.4 Part I 2 Youl: A More Remote Subjectivity You2: Speaking on Behalf of Us Poor You3: Dilution of (Interjsubjectivity You4: The Other-Oriented Specific-Generic ‘You’ Conclusion: Effects and Affects of Specific-Generic ‘You’ Paul Auster’s Ordinary Life and Yours: Blendable Singularities? 3.1 A Doubly Subjective ‘You’ 3.2 A Fitting Choice? 3.3 Inviting the Actual Audience Part II Events 1 12 22 30 37 40 43 48 50 53 57 57 61 71 The Role of ‘You’ in the Writing of Traumatic 4 Performing ‘Self-Othering’ in Winter Birds by Jim Grimsley (1994) 4.1 4.2 4.3 1 Singularising and Sharing: The Dialectics of ‘You’ George Orwell’s Down and Out in Paris and London (1933): Putting Yourself in the Shoes of a Tramp 2.1 2.2 2.3 2.4 2.5 3 A General Trend acrossGenres? A Linguistic Starting-Point A Pragma-Rhetorical Approach The Stylistics of You:Rationale and Content page vii ix xi Personae and World-Switching Performing Vulnerability Coping Mechanisms: Testifying and Witnessing 83 83 90 96 V
Contents vi 5 Pronominai ‘Veering’ in Quilt by Nicholas Royle (2010) 5.1 5.2 5.3 5.4 105 Going Down the Pronominal Paradigm Subverting the‘Animacy Hierarchy’ A Rayfying ‘You’ Writing Is Calling 105 111 116 120 Part III The Author-Reader Channel across Time, Gender, Sex and Race 6 Two Ways of Conversing with the Reader 127 6.1 Authorial Hierarchy: Henry Fielding’s Joseph Andrews (1742) 6.2 Confiding to the Reader: Jane Eyre by Charlotte Bronte (1847) 7 Empathy for Sexual Minorities in Skin Lane by Neil Bartlett (2007) 129 142 154 7.1 Storytelling and the Reader: Directing the Ethical Response 7.2 Up and Down the Ladder: ‘You’ as Facilitator 7.3 The Ethics of the Told and the Ethics of the Telling 8 The Ethics and Politics of the Second Person in ‘Postcolonial’ Writing 8.1 Interpellation of the Reader in Jamaica Kincaid’s Essay A Small Place (1988) 8.2 ‘You’ in Chimamanda Ngozi Adichie’s Short Story ‘The Thing Around Your Neck’ (2009) 154 162 168 174 174 182 Part ГѴ New Ways of Implicating through the Digital Medium? 9 From Paratext to Hypertext: Interactivity Revisited 9.1 Two Technological Revolutions: Print and Digital Fiction 9.2 Readerly Freedom Questioned 9.3 The Distanced and the Engaged Audience 10 Coercing without Edifying: Kevin Spacey’s ‘Creepy’ 2018 YouTube Video Explained 10.1 Divide and Conquer: Manipulating Reception 10.2 Transgressing Media Frontiers 197 197 204 214 221 221 225 Conclusion 230 References Index 234 251 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Sorlin, Sandrine 1977- |
| author_GND | (DE-588)1068118024 |
| author_facet | Sorlin, Sandrine 1977- |
| author_role | aut |
| author_sort | Sorlin, Sandrine 1977- |
| author_variant | s s ss |
| building | Verbundindex |
| bvnumber | BV047875201 |
| classification_rvk | HF 275 HF 304 HF 342 |
| ctrlnum | (OCoLC)1312690163 (DE-599)BVBBV047875201 |
| dewey-full | 425/.55 |
| dewey-hundreds | 400 - Language |
| dewey-ones | 425 - Grammar of standard English |
| dewey-raw | 425/.55 |
| dewey-search | 425/.55 |
| dewey-sort | 3425 255 |
| dewey-tens | 420 - English & Old English (Anglo-Saxon) |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03389nam a2200553 c 4500</leader><controlfield tag="001">BV047875201</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220831 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">220309s2022 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781108833028</subfield><subfield code="c">hardback</subfield><subfield code="9">978-1-108-83302-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1312690163</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047875201</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-11</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-355</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">425/.55</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HF 275</subfield><subfield code="0">(DE-625)48829:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HF 304</subfield><subfield code="0">(DE-625)48848:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HF 342</subfield><subfield code="0">(DE-625)48881:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Sorlin, Sandrine</subfield><subfield code="d">1977-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1068118024</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The stylistics of 'you'</subfield><subfield code="b">second-person pronoun and its pragmatic effects</subfield><subfield code="c">Sandrine Sorlin, Université Paul-Valéry Montpellier 3</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xii, 255 Seiten</subfield><subfield code="b">Illustrationen, Diagramme</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This book takes 'you', the reader, on board an interdisciplinary journey across genre, time and medium with the second-person pronoun. It offers a model of the various pragmatic functions and effects of 'you' according to different variables and linguistic parameters, cutting across a wide range of genres (ads, political slogans, tweets, news presentation, literary genres etc.), and bringing together print and digital texts under the same theoretical banner. Drawing on recent research into intersubjectivity in neuropsychology and socio-cognition, it delves into the relational and ethical processing at work in the reading of a second-person pronoun narrative. When 'you' takes on its more traditional deictic function of address, the author-reader channel can be opened in different ways, which is explored in examples taken from Fielding, Brontë, Orwell, Kincaid, Grimsley, Royle, Adichie, Bartlett, Auster, and even Spacey's 'creepy' 2018 YouTube video, ultimately foregrounding continuities and contrasts in the positioning of the audience</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English language / Style</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Literary style</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">American prose literature / History and critcism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English prose literature / History and critcism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">You (The English word) in literature</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Pragmatik</subfield><subfield code="0">(DE-588)4076315-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Anrede</subfield><subfield code="0">(DE-588)4002158-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Personalpronomen</subfield><subfield code="0">(DE-588)4045271-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Personalpronomen</subfield><subfield code="0">(DE-588)4045271-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Pragmatik</subfield><subfield code="0">(DE-588)4076315-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Personalpronomen</subfield><subfield code="0">(DE-588)4045271-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Pragmatik</subfield><subfield code="0">(DE-588)4076315-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Anrede</subfield><subfield code="0">(DE-588)4002158-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="775" ind1="0" ind2="8"><subfield code="i">Äquivalent</subfield><subfield code="d">Erscheinungstermin unbekannt</subfield><subfield code="n">paperback</subfield><subfield code="z">978-1-108-96404-3</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, EPUB</subfield><subfield code="z">978-1-108-96675-7</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Regensburg - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033257628&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033257628</subfield></datafield></record></collection> |
| id | DE-604.BV047875201 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:21:08Z |
| indexdate | 2024-07-10T09:23:55Z |
| institution | BVB |
| isbn | 9781108833028 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033257628 |
| oclc_num | 1312690163 |
| open_access_boolean | |
| owner | DE-11 DE-703 DE-355 DE-BY-UBR |
| owner_facet | DE-11 DE-703 DE-355 DE-BY-UBR |
| physical | xii, 255 Seiten Illustrationen, Diagramme |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Cambridge University Press |
| record_format | marc |
| spelling | Sorlin, Sandrine 1977- Verfasser (DE-588)1068118024 aut The stylistics of 'you' second-person pronoun and its pragmatic effects Sandrine Sorlin, Université Paul-Valéry Montpellier 3 Cambridge Cambridge University Press 2022 xii, 255 Seiten Illustrationen, Diagramme txt rdacontent n rdamedia nc rdacarrier This book takes 'you', the reader, on board an interdisciplinary journey across genre, time and medium with the second-person pronoun. It offers a model of the various pragmatic functions and effects of 'you' according to different variables and linguistic parameters, cutting across a wide range of genres (ads, political slogans, tweets, news presentation, literary genres etc.), and bringing together print and digital texts under the same theoretical banner. Drawing on recent research into intersubjectivity in neuropsychology and socio-cognition, it delves into the relational and ethical processing at work in the reading of a second-person pronoun narrative. When 'you' takes on its more traditional deictic function of address, the author-reader channel can be opened in different ways, which is explored in examples taken from Fielding, Brontë, Orwell, Kincaid, Grimsley, Royle, Adichie, Bartlett, Auster, and even Spacey's 'creepy' 2018 YouTube video, ultimately foregrounding continuities and contrasts in the positioning of the audience English language / Style Literary style American prose literature / History and critcism English prose literature / History and critcism You (The English word) in literature Pragmatik (DE-588)4076315-8 gnd rswk-swf Anrede (DE-588)4002158-0 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Personalpronomen (DE-588)4045271-2 gnd rswk-swf Personalpronomen (DE-588)4045271-2 s Pragmatik (DE-588)4076315-8 s DE-604 Englisch (DE-588)4014777-0 s Anrede (DE-588)4002158-0 s Äquivalent Erscheinungstermin unbekannt paperback 978-1-108-96404-3 Erscheint auch als Online-Ausgabe, EPUB 978-1-108-96675-7 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033257628&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Sorlin, Sandrine 1977- The stylistics of 'you' second-person pronoun and its pragmatic effects English language / Style Literary style American prose literature / History and critcism English prose literature / History and critcism You (The English word) in literature Pragmatik (DE-588)4076315-8 gnd Anrede (DE-588)4002158-0 gnd Englisch (DE-588)4014777-0 gnd Personalpronomen (DE-588)4045271-2 gnd |
| subject_GND | (DE-588)4076315-8 (DE-588)4002158-0 (DE-588)4014777-0 (DE-588)4045271-2 |
| title | The stylistics of 'you' second-person pronoun and its pragmatic effects |
| title_auth | The stylistics of 'you' second-person pronoun and its pragmatic effects |
| title_exact_search | The stylistics of 'you' second-person pronoun and its pragmatic effects |
| title_exact_search_txtP | The stylistics of 'you' second-person pronoun and its pragmatic effects |
| title_full | The stylistics of 'you' second-person pronoun and its pragmatic effects Sandrine Sorlin, Université Paul-Valéry Montpellier 3 |
| title_fullStr | The stylistics of 'you' second-person pronoun and its pragmatic effects Sandrine Sorlin, Université Paul-Valéry Montpellier 3 |
| title_full_unstemmed | The stylistics of 'you' second-person pronoun and its pragmatic effects Sandrine Sorlin, Université Paul-Valéry Montpellier 3 |
| title_short | The stylistics of 'you' |
| title_sort | the stylistics of you second person pronoun and its pragmatic effects |
| title_sub | second-person pronoun and its pragmatic effects |
| topic | English language / Style Literary style American prose literature / History and critcism English prose literature / History and critcism You (The English word) in literature Pragmatik (DE-588)4076315-8 gnd Anrede (DE-588)4002158-0 gnd Englisch (DE-588)4014777-0 gnd Personalpronomen (DE-588)4045271-2 gnd |
| topic_facet | English language / Style Literary style American prose literature / History and critcism English prose literature / History and critcism You (The English word) in literature Pragmatik Anrede Englisch Personalpronomen |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033257628&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT sorlinsandrine thestylisticsofyousecondpersonpronounanditspragmaticeffects |