Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art:
This book offers a new perspective on the art of the Dutch Golden Age by exploring the interaction between the gift's symbolic economy of reciprocity and obligation and the artistic culture of early modern Holland. Gifts of art were pervasive in seventeenth-century Europe and many Dutch artists...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2022]
|
| Schriftenreihe: | Amsterdam Studies in the Dutch Golden Age
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | This book offers a new perspective on the art of the Dutch Golden Age by exploring the interaction between the gift's symbolic economy of reciprocity and obligation and the artistic culture of early modern Holland. Gifts of art were pervasive in seventeenth-century Europe and many Dutch artists, like their counterparts elsewhere, embraced gift giving to cultivate relations with patrons, art lovers, and other members of their social networks. Rembrandt also created distinctive works to function within a context of gift exchange, and both Rembrandt and Vermeer engaged the ethics of the gift to identify their creative labor as motivated by what contemporaries called a "love of art," not materialistic gain. In the merchant republic's vibrant market for art, networks of gift relations and the anti-economic rhetoric of the gift mingled with the growing dimension of commerce, revealing a unique chapter in the interconnected history of gift giving and art making |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (508 pages) |
| ISBN: | 9789048550647 |
| DOI: | 10.1515/9789048550647 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV047872612 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220308s2022 |||| o||u| ||||||eng d | ||
| 020 | |a 9789048550647 |9 978-90-485-5064-7 | ||
| 024 | 7 | |a 10.1515/9789048550647 |2 doi | |
| 035 | |a (ZDB-23-DGG)9789048550647 | ||
| 035 | |a (OCoLC)1304481222 | ||
| 035 | |a (DE-599)BVBBV047872612 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1043 |a DE-1046 |a DE-858 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 | ||
| 082 | 0 | |a 700.9492 |2 23 | |
| 100 | 1 | |a Zell, Michael |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art |c Michael Zell |
| 264 | 1 | |a Amsterdam |b Amsterdam University Press |c [2022] | |
| 264 | 4 | |c © 2021 | |
| 300 | |a 1 Online-Ressource (508 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Amsterdam Studies in the Dutch Golden Age | |
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) | ||
| 520 | |a This book offers a new perspective on the art of the Dutch Golden Age by exploring the interaction between the gift's symbolic economy of reciprocity and obligation and the artistic culture of early modern Holland. Gifts of art were pervasive in seventeenth-century Europe and many Dutch artists, like their counterparts elsewhere, embraced gift giving to cultivate relations with patrons, art lovers, and other members of their social networks. Rembrandt also created distinctive works to function within a context of gift exchange, and both Rembrandt and Vermeer engaged the ethics of the gift to identify their creative labor as motivated by what contemporaries called a "love of art," not materialistic gain. In the merchant republic's vibrant market for art, networks of gift relations and the anti-economic rhetoric of the gift mingled with the growing dimension of commerce, revealing a unique chapter in the interconnected history of gift giving and art making | ||
| 546 | |a In English | ||
| 650 | 4 | |a Art and Material Culture | |
| 650 | 4 | |a Cultural Studies | |
| 650 | 4 | |a Early Modern Studies | |
| 650 | 4 | |a History, Art History, and Archaeology | |
| 650 | 7 | |a ART / History / Renaissance |2 bisacsh | |
| 650 | 4 | |a Art, Dutch |y 17th century |x History | |
| 650 | 4 | |a Art, Dutch |y 17th century | |
| 650 | 4 | |a Gifts |x Social aspects |y 17th century |z Netherlands | |
| 650 | 4 | |a Gifts |x Social aspects |z Netherlands |y 17th century | |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9789048550647 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033255105 | ||
| 966 | e | |u https://doi.org/10.1515/9789048550647 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9789048550647 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9789048550647 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9789048550647 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9789048550647 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9789048550647 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9789048550647 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9789048550647 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804183463489699840 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Zell, Michael |
| author_facet | Zell, Michael |
| author_role | aut |
| author_sort | Zell, Michael |
| author_variant | m z mz |
| building | Verbundindex |
| bvnumber | BV047872612 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9789048550647 (OCoLC)1304481222 (DE-599)BVBBV047872612 |
| dewey-full | 700.9492 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 700 - The arts |
| dewey-raw | 700.9492 |
| dewey-search | 700.9492 |
| dewey-sort | 3700.9492 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| doi_str_mv | 10.1515/9789048550647 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03563nmm a2200577zc 4500</leader><controlfield tag="001">BV047872612</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220308s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789048550647</subfield><subfield code="9">978-90-485-5064-7</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9789048550647</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9789048550647</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1304481222</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047872612</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">700.9492</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Zell, Michael</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art</subfield><subfield code="c">Michael Zell</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Amsterdam</subfield><subfield code="b">Amsterdam University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (508 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Amsterdam Studies in the Dutch Golden Age</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This book offers a new perspective on the art of the Dutch Golden Age by exploring the interaction between the gift's symbolic economy of reciprocity and obligation and the artistic culture of early modern Holland. Gifts of art were pervasive in seventeenth-century Europe and many Dutch artists, like their counterparts elsewhere, embraced gift giving to cultivate relations with patrons, art lovers, and other members of their social networks. Rembrandt also created distinctive works to function within a context of gift exchange, and both Rembrandt and Vermeer engaged the ethics of the gift to identify their creative labor as motivated by what contemporaries called a "love of art," not materialistic gain. In the merchant republic's vibrant market for art, networks of gift relations and the anti-economic rhetoric of the gift mingled with the growing dimension of commerce, revealing a unique chapter in the interconnected history of gift giving and art making</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art and Material Culture</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Cultural Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Early Modern Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">History, Art History, and Archaeology</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART / History / Renaissance</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art, Dutch</subfield><subfield code="y">17th century</subfield><subfield code="x">History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art, Dutch</subfield><subfield code="y">17th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Gifts</subfield><subfield code="x">Social aspects</subfield><subfield code="y">17th century</subfield><subfield code="z">Netherlands</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Gifts</subfield><subfield code="x">Social aspects</subfield><subfield code="z">Netherlands</subfield><subfield code="y">17th century</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9789048550647</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033255105</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048550647</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048550647</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048550647</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048550647</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048550647</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048550647</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048550647</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048550647</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV047872612 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:20:09Z |
| indexdate | 2024-07-10T09:23:51Z |
| institution | BVB |
| isbn | 9789048550647 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033255105 |
| oclc_num | 1304481222 |
| open_access_boolean | |
| owner | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| owner_facet | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| physical | 1 Online-Ressource (508 pages) |
| psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Amsterdam University Press |
| record_format | marc |
| series2 | Amsterdam Studies in the Dutch Golden Age |
| spelling | Zell, Michael Verfasser aut Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art Michael Zell Amsterdam Amsterdam University Press [2022] © 2021 1 Online-Ressource (508 pages) txt rdacontent c rdamedia cr rdacarrier Amsterdam Studies in the Dutch Golden Age Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) This book offers a new perspective on the art of the Dutch Golden Age by exploring the interaction between the gift's symbolic economy of reciprocity and obligation and the artistic culture of early modern Holland. Gifts of art were pervasive in seventeenth-century Europe and many Dutch artists, like their counterparts elsewhere, embraced gift giving to cultivate relations with patrons, art lovers, and other members of their social networks. Rembrandt also created distinctive works to function within a context of gift exchange, and both Rembrandt and Vermeer engaged the ethics of the gift to identify their creative labor as motivated by what contemporaries called a "love of art," not materialistic gain. In the merchant republic's vibrant market for art, networks of gift relations and the anti-economic rhetoric of the gift mingled with the growing dimension of commerce, revealing a unique chapter in the interconnected history of gift giving and art making In English Art and Material Culture Cultural Studies Early Modern Studies History, Art History, and Archaeology ART / History / Renaissance bisacsh Art, Dutch 17th century History Art, Dutch 17th century Gifts Social aspects 17th century Netherlands Gifts Social aspects Netherlands 17th century https://doi.org/10.1515/9789048550647 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Zell, Michael Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art Art and Material Culture Cultural Studies Early Modern Studies History, Art History, and Archaeology ART / History / Renaissance bisacsh Art, Dutch 17th century History Art, Dutch 17th century Gifts Social aspects 17th century Netherlands Gifts Social aspects Netherlands 17th century |
| title | Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art |
| title_auth | Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art |
| title_exact_search | Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art |
| title_exact_search_txtP | Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art |
| title_full | Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art Michael Zell |
| title_fullStr | Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art Michael Zell |
| title_full_unstemmed | Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art Michael Zell |
| title_short | Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art |
| title_sort | rembrandt vermeer and the gift in seventeenth century dutch art |
| topic | Art and Material Culture Cultural Studies Early Modern Studies History, Art History, and Archaeology ART / History / Renaissance bisacsh Art, Dutch 17th century History Art, Dutch 17th century Gifts Social aspects 17th century Netherlands Gifts Social aspects Netherlands 17th century |
| topic_facet | Art and Material Culture Cultural Studies Early Modern Studies History, Art History, and Archaeology ART / History / Renaissance Art, Dutch 17th century History Art, Dutch 17th century Gifts Social aspects 17th century Netherlands Gifts Social aspects Netherlands 17th century |
| url | https://doi.org/10.1515/9789048550647 |
| work_keys_str_mv | AT zellmichael rembrandtvermeerandthegiftinseventeenthcenturydutchart |