Played Out: The Race Man in Twenty-First-Century Satire
Dating back to the blackface minstrel performances of Bert Williams and the trickster figure of Uncle Julius in Charles Chesnutt's Conjure Tales, black humorists have negotiated American racial ideologies as they reclaimed the ability to represent themselves in the changing landscape of the ear...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Brunswick, NJ
Rutgers University Press
[2022]
|
| Schlagworte: | |
| Online-Zugang: | BSB01 FHA01 Volltext |
| Zusammenfassung: | Dating back to the blackface minstrel performances of Bert Williams and the trickster figure of Uncle Julius in Charles Chesnutt's Conjure Tales, black humorists have negotiated American racial ideologies as they reclaimed the ability to represent themselves in the changing landscape of the early 20th century. Marginalized communities routinely use humor, specifically satire, to subvert the political, social, and cultural realities of race and racism in America. Through contemporary examples in popular culture and politics, including the work of Kendrick Lamar, Key and Peele and the presidency of Barack Obama and many others, in Played Out: The Race Man in 21st Century Satire author Brandon J. Manning examines how Black satirists create vulnerability to highlight the inner emotional lives of Black men. In focusing on vulnerability these satirists attend to America's most basic assumptions about Black men. Contemporary Black satire is a highly visible and celebrated site of black masculine self-expression. Black satirists leverage this visibility to trouble discourses on race and gender in the Post-Civil Rights era. More specifically, contemporary Black satire uses laughter to decenter Black men from the socio-political tradition of the Race Man |
| Beschreibung: | 1 Online-Ressource (170 pages) Illustrationen |
| ISBN: | 9781978824287 |
| DOI: | 10.36019/9781978824287 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV047870377 | ||
| 003 | DE-604 | ||
| 005 | 20230705 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220308s2022 |||| o||u| ||||||eng d | ||
| 020 | |a 9781978824287 |9 978-1-978824-28-7 | ||
| 024 | 7 | |a 10.36019/9781978824287 |2 doi | |
| 035 | |a (ZDB-23-DGG)9781978824287 | ||
| 035 | |a (OCoLC)1304487902 | ||
| 035 | |a (DE-599)BVBBV047870377 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-Aug4 | ||
| 100 | 1 | |a Manning, Brandon J. |d 1984- |e Verfasser |0 (DE-588)1260651827 |4 aut | |
| 245 | 1 | 0 | |a Played Out |b The Race Man in Twenty-First-Century Satire |c Brandon J. Manning |
| 264 | 1 | |a New Brunswick, NJ |b Rutgers University Press |c [2022] | |
| 264 | 4 | |c © 2022 | |
| 300 | |a 1 Online-Ressource (170 pages) |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 520 | |a Dating back to the blackface minstrel performances of Bert Williams and the trickster figure of Uncle Julius in Charles Chesnutt's Conjure Tales, black humorists have negotiated American racial ideologies as they reclaimed the ability to represent themselves in the changing landscape of the early 20th century. Marginalized communities routinely use humor, specifically satire, to subvert the political, social, and cultural realities of race and racism in America. Through contemporary examples in popular culture and politics, including the work of Kendrick Lamar, Key and Peele and the presidency of Barack Obama and many others, in Played Out: The Race Man in 21st Century Satire author Brandon J. Manning examines how Black satirists create vulnerability to highlight the inner emotional lives of Black men. In focusing on vulnerability these satirists attend to America's most basic assumptions about Black men. Contemporary Black satire is a highly visible and celebrated site of black masculine self-expression. Black satirists leverage this visibility to trouble discourses on race and gender in the Post-Civil Rights era. More specifically, contemporary Black satire uses laughter to decenter Black men from the socio-political tradition of the Race Man | ||
| 650 | 7 | |a PERFORMING ARTS / General |2 bisacsh | |
| 650 | 4 | |a African Americans in the performing arts | |
| 650 | 4 | |a African Americans |x Intellectual life | |
| 650 | 4 | |a African Americans |x Race identity | |
| 650 | 4 | |a American fiction |x African American authors |x History and criticism | |
| 650 | 4 | |a Satire, American |x History and criticism | |
| 856 | 4 | 0 | |u https://doi.org/10.36019/9781978824287 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033252870 | ||
| 966 | e | |u https://doi.org/10.36019/9781978824287 |l BSB01 |p ZDB-23-DGG |q BSB_PDA_DGG_Kauf |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.36019/9781978824287 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804183453514596352 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Manning, Brandon J. 1984- |
| author_GND | (DE-588)1260651827 |
| author_facet | Manning, Brandon J. 1984- |
| author_role | aut |
| author_sort | Manning, Brandon J. 1984- |
| author_variant | b j m bj bjm |
| building | Verbundindex |
| bvnumber | BV047870377 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9781978824287 (OCoLC)1304487902 (DE-599)BVBBV047870377 |
| doi_str_mv | 10.36019/9781978824287 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02915nmm a2200421zc 4500</leader><controlfield tag="001">BV047870377</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230705 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220308s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781978824287</subfield><subfield code="9">978-1-978824-28-7</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.36019/9781978824287</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781978824287</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1304487902</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047870377</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-Aug4</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Manning, Brandon J.</subfield><subfield code="d">1984-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1260651827</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Played Out</subfield><subfield code="b">The Race Man in Twenty-First-Century Satire</subfield><subfield code="c">Brandon J. Manning</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New Brunswick, NJ</subfield><subfield code="b">Rutgers University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (170 pages)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Dating back to the blackface minstrel performances of Bert Williams and the trickster figure of Uncle Julius in Charles Chesnutt's Conjure Tales, black humorists have negotiated American racial ideologies as they reclaimed the ability to represent themselves in the changing landscape of the early 20th century. Marginalized communities routinely use humor, specifically satire, to subvert the political, social, and cultural realities of race and racism in America. Through contemporary examples in popular culture and politics, including the work of Kendrick Lamar, Key and Peele and the presidency of Barack Obama and many others, in Played Out: The Race Man in 21st Century Satire author Brandon J. Manning examines how Black satirists create vulnerability to highlight the inner emotional lives of Black men. In focusing on vulnerability these satirists attend to America's most basic assumptions about Black men. Contemporary Black satire is a highly visible and celebrated site of black masculine self-expression. Black satirists leverage this visibility to trouble discourses on race and gender in the Post-Civil Rights era. More specifically, contemporary Black satire uses laughter to decenter Black men from the socio-political tradition of the Race Man</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / General</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">African Americans in the performing arts</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">African Americans</subfield><subfield code="x">Intellectual life</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">African Americans</subfield><subfield code="x">Race identity</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">American fiction</subfield><subfield code="x">African American authors</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Satire, American</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.36019/9781978824287</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033252870</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.36019/9781978824287</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">BSB_PDA_DGG_Kauf</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.36019/9781978824287</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV047870377 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:20:00Z |
| indexdate | 2024-07-10T09:23:41Z |
| institution | BVB |
| isbn | 9781978824287 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033252870 |
| oclc_num | 1304487902 |
| open_access_boolean | |
| owner | DE-12 DE-Aug4 |
| owner_facet | DE-12 DE-Aug4 |
| physical | 1 Online-Ressource (170 pages) Illustrationen |
| psigel | ZDB-23-DGG ZDB-23-DGG BSB_PDA_DGG_Kauf ZDB-23-DGG FHA_PDA_DGG |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Rutgers University Press |
| record_format | marc |
| spelling | Manning, Brandon J. 1984- Verfasser (DE-588)1260651827 aut Played Out The Race Man in Twenty-First-Century Satire Brandon J. Manning New Brunswick, NJ Rutgers University Press [2022] © 2022 1 Online-Ressource (170 pages) Illustrationen txt rdacontent c rdamedia cr rdacarrier Dating back to the blackface minstrel performances of Bert Williams and the trickster figure of Uncle Julius in Charles Chesnutt's Conjure Tales, black humorists have negotiated American racial ideologies as they reclaimed the ability to represent themselves in the changing landscape of the early 20th century. Marginalized communities routinely use humor, specifically satire, to subvert the political, social, and cultural realities of race and racism in America. Through contemporary examples in popular culture and politics, including the work of Kendrick Lamar, Key and Peele and the presidency of Barack Obama and many others, in Played Out: The Race Man in 21st Century Satire author Brandon J. Manning examines how Black satirists create vulnerability to highlight the inner emotional lives of Black men. In focusing on vulnerability these satirists attend to America's most basic assumptions about Black men. Contemporary Black satire is a highly visible and celebrated site of black masculine self-expression. Black satirists leverage this visibility to trouble discourses on race and gender in the Post-Civil Rights era. More specifically, contemporary Black satire uses laughter to decenter Black men from the socio-political tradition of the Race Man PERFORMING ARTS / General bisacsh African Americans in the performing arts African Americans Intellectual life African Americans Race identity American fiction African American authors History and criticism Satire, American History and criticism https://doi.org/10.36019/9781978824287 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Manning, Brandon J. 1984- Played Out The Race Man in Twenty-First-Century Satire PERFORMING ARTS / General bisacsh African Americans in the performing arts African Americans Intellectual life African Americans Race identity American fiction African American authors History and criticism Satire, American History and criticism |
| title | Played Out The Race Man in Twenty-First-Century Satire |
| title_auth | Played Out The Race Man in Twenty-First-Century Satire |
| title_exact_search | Played Out The Race Man in Twenty-First-Century Satire |
| title_exact_search_txtP | Played Out The Race Man in Twenty-First-Century Satire |
| title_full | Played Out The Race Man in Twenty-First-Century Satire Brandon J. Manning |
| title_fullStr | Played Out The Race Man in Twenty-First-Century Satire Brandon J. Manning |
| title_full_unstemmed | Played Out The Race Man in Twenty-First-Century Satire Brandon J. Manning |
| title_short | Played Out |
| title_sort | played out the race man in twenty first century satire |
| title_sub | The Race Man in Twenty-First-Century Satire |
| topic | PERFORMING ARTS / General bisacsh African Americans in the performing arts African Americans Intellectual life African Americans Race identity American fiction African American authors History and criticism Satire, American History and criticism |
| topic_facet | PERFORMING ARTS / General African Americans in the performing arts African Americans Intellectual life African Americans Race identity American fiction African American authors History and criticism Satire, American History and criticism |
| url | https://doi.org/10.36019/9781978824287 |
| work_keys_str_mv | AT manningbrandonj playedouttheracemanintwentyfirstcenturysatire |