Holocaust Poetry: Awkward Poetics in the Work of Sylvia Plath, Geoffrey Hill, Tony Harrison and Ted Hughes
The first critical study of post-Holocaust poetry in BritainDraws on a new critical vocabulary and concept of 'awkward poetics' to discuss the poets' writingPresents an original reading of Sylvia Plath's 'camp poetics'.One of the first books to use material from the Ted...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | The first critical study of post-Holocaust poetry in BritainDraws on a new critical vocabulary and concept of 'awkward poetics' to discuss the poets' writingPresents an original reading of Sylvia Plath's 'camp poetics'.One of the first books to use material from the Ted Hughes archives at Emory University (Atlanta) and the first book to use Tony Harrison's workbooks for Prometheus.Under the umbrella term 'Holocaust poetry', this book argues that distinctions need to be made between the writing of Holocaust survivors and those who were not involved in the events of 1933 to 1945. This study focuses on the post-Holocaust writers Sylvia Plath, Geoffrey Hill, Tony Harrison and Ted Hughes, while also stressing the links between them and the Holocaust poetry of Paul Celan, Miklós Radnóti, Primo Levi and János Pilinszky.Developing his theory of 'awkwardness' Antony Rowland argues that post-Holocaust poetry can play an important part in our understanding of Holocaust writing by stressing its self-conscious, imaginative engagement with the Holocaust, as well as the literature of survivors. The book illustrates that 'awkward' poetics enable post-Holocaust poets to provide ethical responses to history, and avoid aesthetic prurience. This probing and sensitive reassessment of Holocaust-related poetry will appeal to academics and students working in the areas of Holocaust Studies, contemporary poetry, and twentieth-century literature in general |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (208 pages) |
| ISBN: | 9781474472210 |
| DOI: | 10.1515/9781474472210 |
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| author | Rowland, Antony |
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| discipline | Anglistik / Amerikanistik |
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| indexdate | 2024-07-10T09:23:41Z |
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| isbn | 9781474472210 |
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| spelling | Rowland, Antony Verfasser aut Holocaust Poetry Awkward Poetics in the Work of Sylvia Plath, Geoffrey Hill, Tony Harrison and Ted Hughes Antony Rowland Edinburgh Edinburgh University Press [2022] © 2005 1 Online-Ressource (208 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) The first critical study of post-Holocaust poetry in BritainDraws on a new critical vocabulary and concept of 'awkward poetics' to discuss the poets' writingPresents an original reading of Sylvia Plath's 'camp poetics'.One of the first books to use material from the Ted Hughes archives at Emory University (Atlanta) and the first book to use Tony Harrison's workbooks for Prometheus.Under the umbrella term 'Holocaust poetry', this book argues that distinctions need to be made between the writing of Holocaust survivors and those who were not involved in the events of 1933 to 1945. This study focuses on the post-Holocaust writers Sylvia Plath, Geoffrey Hill, Tony Harrison and Ted Hughes, while also stressing the links between them and the Holocaust poetry of Paul Celan, Miklós Radnóti, Primo Levi and János Pilinszky.Developing his theory of 'awkwardness' Antony Rowland argues that post-Holocaust poetry can play an important part in our understanding of Holocaust writing by stressing its self-conscious, imaginative engagement with the Holocaust, as well as the literature of survivors. The book illustrates that 'awkward' poetics enable post-Holocaust poets to provide ethical responses to history, and avoid aesthetic prurience. This probing and sensitive reassessment of Holocaust-related poetry will appeal to academics and students working in the areas of Holocaust Studies, contemporary poetry, and twentieth-century literature in general In English Literary Studies LITERARY CRITICISM / Poetry bisacsh https://doi.org/10.1515/9781474472210 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Rowland, Antony Holocaust Poetry Awkward Poetics in the Work of Sylvia Plath, Geoffrey Hill, Tony Harrison and Ted Hughes Literary Studies LITERARY CRITICISM / Poetry bisacsh |
| title | Holocaust Poetry Awkward Poetics in the Work of Sylvia Plath, Geoffrey Hill, Tony Harrison and Ted Hughes |
| title_auth | Holocaust Poetry Awkward Poetics in the Work of Sylvia Plath, Geoffrey Hill, Tony Harrison and Ted Hughes |
| title_exact_search | Holocaust Poetry Awkward Poetics in the Work of Sylvia Plath, Geoffrey Hill, Tony Harrison and Ted Hughes |
| title_exact_search_txtP | Holocaust Poetry Awkward Poetics in the Work of Sylvia Plath, Geoffrey Hill, Tony Harrison and Ted Hughes |
| title_full | Holocaust Poetry Awkward Poetics in the Work of Sylvia Plath, Geoffrey Hill, Tony Harrison and Ted Hughes Antony Rowland |
| title_fullStr | Holocaust Poetry Awkward Poetics in the Work of Sylvia Plath, Geoffrey Hill, Tony Harrison and Ted Hughes Antony Rowland |
| title_full_unstemmed | Holocaust Poetry Awkward Poetics in the Work of Sylvia Plath, Geoffrey Hill, Tony Harrison and Ted Hughes Antony Rowland |
| title_short | Holocaust Poetry |
| title_sort | holocaust poetry awkward poetics in the work of sylvia plath geoffrey hill tony harrison and ted hughes |
| title_sub | Awkward Poetics in the Work of Sylvia Plath, Geoffrey Hill, Tony Harrison and Ted Hughes |
| topic | Literary Studies LITERARY CRITICISM / Poetry bisacsh |
| topic_facet | Literary Studies LITERARY CRITICISM / Poetry |
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