The Philosophy of Music: Theme and Variations
New and distinctive approaches to five central topics in musical aesthetics are provided in this outstanding book. The topics are: understanding, representation, expression, performance and profundity. The theme of the book is the failure of the orthodox view - that pieces of music are more or less...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
|
Schlagworte: | |
Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
Zusammenfassung: | New and distinctive approaches to five central topics in musical aesthetics are provided in this outstanding book. The topics are: understanding, representation, expression, performance and profundity. The theme of the book is the failure of the orthodox view - that pieces of music are more or less self-contained structures of sound - to account for some important features of our musical experience, and to explain why music should matter to us.In exposing and correcting that failure, the book introduces readers to the main problems and positions in the philosophy of music, proposes fresh solutions to those problems, and offers innovative approaches to the philosophy of song, to musical ontology, and to questions about the value of music. Each chapter is built around a single musical work, which provides a focus for the reader.FeaturesBroad, accessible introductory overview to philosophy of musicOriginal and stimulating insights |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
Beschreibung: | 1 Online-Ressource (192 pages) |
ISBN: | 9781474472036 |
DOI: | 10.1515/9781474472036 |
Internformat
MARC
LEADER | 00000nam a2200000zc 4500 | ||
---|---|---|---|
001 | BV047870150 | ||
003 | DE-604 | ||
007 | cr|uuu---uuuuu | ||
008 | 220308s2022 xx o|||| 00||| eng d | ||
020 | |a 9781474472036 |9 978-1-4744-7203-6 | ||
024 | 7 | |a 10.1515/9781474472036 |2 doi | |
035 | |a (ZDB-23-DGG)9781474472036 | ||
035 | |a (OCoLC)1304481601 | ||
035 | |a (DE-599)BVBBV047870150 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-1043 |a DE-1046 |a DE-858 |a DE-859 |a DE-860 |a DE-473 |a DE-739 | ||
082 | 0 | |a 780.1 |2 22 | |
100 | 1 | |a Ridley, Aaron |e Verfasser |4 aut | |
245 | 1 | 0 | |a The Philosophy of Music |b Theme and Variations |c Aaron Ridley |
264 | 1 | |a Edinburgh |b Edinburgh University Press |c [2022] | |
264 | 4 | |c © 2004 | |
300 | |a 1 Online-Ressource (192 pages) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | ||
520 | |a New and distinctive approaches to five central topics in musical aesthetics are provided in this outstanding book. The topics are: understanding, representation, expression, performance and profundity. The theme of the book is the failure of the orthodox view - that pieces of music are more or less self-contained structures of sound - to account for some important features of our musical experience, and to explain why music should matter to us.In exposing and correcting that failure, the book introduces readers to the main problems and positions in the philosophy of music, proposes fresh solutions to those problems, and offers innovative approaches to the philosophy of song, to musical ontology, and to questions about the value of music. Each chapter is built around a single musical work, which provides a focus for the reader.FeaturesBroad, accessible introductory overview to philosophy of musicOriginal and stimulating insights | ||
546 | |a In English | ||
650 | 4 | |a Philosophy | |
650 | 7 | |a PHILOSOPHY / Aesthetics |2 bisacsh | |
650 | 4 | |a Music |x Philosophy and aesthetics | |
856 | 4 | 0 | |u https://doi.org/10.1515/9781474472036 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DGG | ||
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-033252643 | |
966 | e | |u https://doi.org/10.1515/9781474472036 |l DE-1046 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474472036 |l DE-1043 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474472036 |l DE-858 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474472036 |l DE-859 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474472036 |l DE-860 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474472036 |l DE-739 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474472036 |l DE-473 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1824508012120768512 |
---|---|
adam_text | |
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Ridley, Aaron |
author_facet | Ridley, Aaron |
author_role | aut |
author_sort | Ridley, Aaron |
author_variant | a r ar |
building | Verbundindex |
bvnumber | BV047870150 |
collection | ZDB-23-DGG |
ctrlnum | (ZDB-23-DGG)9781474472036 (OCoLC)1304481601 (DE-599)BVBBV047870150 |
dewey-full | 780.1 |
dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780.1 |
dewey-search | 780.1 |
dewey-sort | 3780.1 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
discipline_str_mv | Musikwissenschaft |
doi_str_mv | 10.1515/9781474472036 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV047870150</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220308s2022 xx o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474472036</subfield><subfield code="9">978-1-4744-7203-6</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781474472036</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781474472036</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1304481601</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047870150</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">780.1</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Ridley, Aaron</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The Philosophy of Music</subfield><subfield code="b">Theme and Variations</subfield><subfield code="c">Aaron Ridley</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh</subfield><subfield code="b">Edinburgh University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2004</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (192 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">New and distinctive approaches to five central topics in musical aesthetics are provided in this outstanding book. The topics are: understanding, representation, expression, performance and profundity. The theme of the book is the failure of the orthodox view - that pieces of music are more or less self-contained structures of sound - to account for some important features of our musical experience, and to explain why music should matter to us.In exposing and correcting that failure, the book introduces readers to the main problems and positions in the philosophy of music, proposes fresh solutions to those problems, and offers innovative approaches to the philosophy of song, to musical ontology, and to questions about the value of music. Each chapter is built around a single musical work, which provides a focus for the reader.FeaturesBroad, accessible introductory overview to philosophy of musicOriginal and stimulating insights</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Philosophy</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PHILOSOPHY / Aesthetics</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield><subfield code="x">Philosophy and aesthetics</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781474472036</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033252643</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474472036</subfield><subfield code="l">DE-1046</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474472036</subfield><subfield code="l">DE-1043</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474472036</subfield><subfield code="l">DE-858</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474472036</subfield><subfield code="l">DE-859</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474472036</subfield><subfield code="l">DE-860</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474472036</subfield><subfield code="l">DE-739</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474472036</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV047870150 |
illustrated | Not Illustrated |
index_date | 2024-07-03T19:19:59Z |
indexdate | 2025-02-19T17:33:51Z |
institution | BVB |
isbn | 9781474472036 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033252643 |
oclc_num | 1304481601 |
open_access_boolean | |
owner | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
owner_facet | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
physical | 1 Online-Ressource (192 pages) |
psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Edinburgh University Press |
record_format | marc |
spelling | Ridley, Aaron Verfasser aut The Philosophy of Music Theme and Variations Aaron Ridley Edinburgh Edinburgh University Press [2022] © 2004 1 Online-Ressource (192 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) New and distinctive approaches to five central topics in musical aesthetics are provided in this outstanding book. The topics are: understanding, representation, expression, performance and profundity. The theme of the book is the failure of the orthodox view - that pieces of music are more or less self-contained structures of sound - to account for some important features of our musical experience, and to explain why music should matter to us.In exposing and correcting that failure, the book introduces readers to the main problems and positions in the philosophy of music, proposes fresh solutions to those problems, and offers innovative approaches to the philosophy of song, to musical ontology, and to questions about the value of music. Each chapter is built around a single musical work, which provides a focus for the reader.FeaturesBroad, accessible introductory overview to philosophy of musicOriginal and stimulating insights In English Philosophy PHILOSOPHY / Aesthetics bisacsh Music Philosophy and aesthetics https://doi.org/10.1515/9781474472036 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Ridley, Aaron The Philosophy of Music Theme and Variations Philosophy PHILOSOPHY / Aesthetics bisacsh Music Philosophy and aesthetics |
title | The Philosophy of Music Theme and Variations |
title_auth | The Philosophy of Music Theme and Variations |
title_exact_search | The Philosophy of Music Theme and Variations |
title_exact_search_txtP | The Philosophy of Music Theme and Variations |
title_full | The Philosophy of Music Theme and Variations Aaron Ridley |
title_fullStr | The Philosophy of Music Theme and Variations Aaron Ridley |
title_full_unstemmed | The Philosophy of Music Theme and Variations Aaron Ridley |
title_short | The Philosophy of Music |
title_sort | the philosophy of music theme and variations |
title_sub | Theme and Variations |
topic | Philosophy PHILOSOPHY / Aesthetics bisacsh Music Philosophy and aesthetics |
topic_facet | Philosophy PHILOSOPHY / Aesthetics Music Philosophy and aesthetics |
url | https://doi.org/10.1515/9781474472036 |
work_keys_str_mv | AT ridleyaaron thephilosophyofmusicthemeandvariations |