The First World War and Popular Cinema: 1914 to the Present
Cinema was almost twenty years old when WWI broke out but the war introduced radical changes in the making and use of film. The First World War and Popular Cinema is a new attempt to provide a comparative analysis of how the war has been remembered in film. It looks at how national cinemas were mobi...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Cinema was almost twenty years old when WWI broke out but the war introduced radical changes in the making and use of film. The First World War and Popular Cinema is a new attempt to provide a comparative analysis of how the war has been remembered in film. It looks at how national cinemas were mobilised as part of the war effort and at how, subsequently, film makers shaped the memory and legacy of the war in later years. The book takes a comparative approach with case studies on Britain, United States and Russia and includes essays which examine the film production of other combatant nations: Germany, France, Italy, Australia, Canada, Poland. The films examined include All Quiet on the Western Front, Gallipoli, J'Accuse, The Grand Illusion, The Big Parade, Westfront 1918 and Regenerationwell as lesser known titles from the period 1920-1990. For students, teachers and academics, as well as readers interested in film or the First World War, this collection of essays provides a fascinating study of the ways in which popular cinema has reconstructed the experience of the First World War.Key FeaturesOriginal and comparative volumeAn examination of how all the major combatant nations have reconstructed the war in filmAll essays are written by distinguished experts in their fieldIllustrated with rare contemporary photographs, film stills and film posters |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (240 pages) |
| ISBN: | 9781474471527 |
| DOI: | 10.1515/9781474471527 |
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| spelling | Paris, Michael Verfasser aut The First World War and Popular Cinema 1914 to the Present Michael Paris Edinburgh Edinburgh University Press [2022] © 1999 1 Online-Ressource (240 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Cinema was almost twenty years old when WWI broke out but the war introduced radical changes in the making and use of film. The First World War and Popular Cinema is a new attempt to provide a comparative analysis of how the war has been remembered in film. It looks at how national cinemas were mobilised as part of the war effort and at how, subsequently, film makers shaped the memory and legacy of the war in later years. The book takes a comparative approach with case studies on Britain, United States and Russia and includes essays which examine the film production of other combatant nations: Germany, France, Italy, Australia, Canada, Poland. The films examined include All Quiet on the Western Front, Gallipoli, J'Accuse, The Grand Illusion, The Big Parade, Westfront 1918 and Regenerationwell as lesser known titles from the period 1920-1990. For students, teachers and academics, as well as readers interested in film or the First World War, this collection of essays provides a fascinating study of the ways in which popular cinema has reconstructed the experience of the First World War.Key FeaturesOriginal and comparative volumeAn examination of how all the major combatant nations have reconstructed the war in filmAll essays are written by distinguished experts in their fieldIllustrated with rare contemporary photographs, film stills and film posters In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh World War, 1914-1918 Motion pictures and the war World War, 1914-1918 Propaganda Bertrand, Ina Sonstige oth DeBauche, Leslie Midkiff Sonstige oth Marksteiner, Franz Sonstige oth Mazierska, Ewa Sonstige oth Paris, Michael Sonstige oth Reeves, Nicholas Sonstige oth Rother, Rainer Sonstige oth Sorlin, Pierre Sonstige oth Travers, Tim Sonstige oth Vitelleschi, Giovanni Nobili Sonstige oth Youngblood, Denise J. Sonstige oth https://doi.org/10.1515/9781474471527 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Paris, Michael The First World War and Popular Cinema 1914 to the Present Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh World War, 1914-1918 Motion pictures and the war World War, 1914-1918 Propaganda |
| title | The First World War and Popular Cinema 1914 to the Present |
| title_auth | The First World War and Popular Cinema 1914 to the Present |
| title_exact_search | The First World War and Popular Cinema 1914 to the Present |
| title_exact_search_txtP | The First World War and Popular Cinema 1914 to the Present |
| title_full | The First World War and Popular Cinema 1914 to the Present Michael Paris |
| title_fullStr | The First World War and Popular Cinema 1914 to the Present Michael Paris |
| title_full_unstemmed | The First World War and Popular Cinema 1914 to the Present Michael Paris |
| title_short | The First World War and Popular Cinema |
| title_sort | the first world war and popular cinema 1914 to the present |
| title_sub | 1914 to the Present |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh World War, 1914-1918 Motion pictures and the war World War, 1914-1918 Propaganda |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism World War, 1914-1918 Motion pictures and the war World War, 1914-1918 Propaganda |
| url | https://doi.org/10.1515/9781474471527 |
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