The Art and Politics of Film:
GBS_insertPreviewButtonPopup('ISBN:9780748611997);The Art and Politics of Film is the final part of a critical trilogy that explores cinema in the latter half of the twentieth century. It fuses analysis of objective form in Cinema and Modernity with a subsequent critique of subjective form in C...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
|
| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-739 Volltext |
| Zusammenfassung: | GBS_insertPreviewButtonPopup('ISBN:9780748611997);The Art and Politics of Film is the final part of a critical trilogy that explores cinema in the latter half of the twentieth century. It fuses analysis of objective form in Cinema and Modernity with a subsequent critique of subjective form in Contemporary Cinema, and reassesses the close ties of the aesthetic and the political right up to the present time.Film not only engages the question of power. Its narratives also dissect the conflicts between public and personal identity in a changing world. Different filmmakers take on different dimensions of this universal theme. The book examines the cinematic city in Kieslowski and Cronenberg; the cinema of wonder in Tarkovsky and Angelopoulos; the hyper-modern world of science fiction and horror; the time-image in Resnais, Rivette, Lynch and Stone; and the art of identity in Jarman and Jordan. At the turn of the century, film is seen as a component of a hyper-modern culture, which has displaced the modernist aesthetic of the 1960s, and now plays a key role in our mapping of the information age.Key FeaturesOffers a theory of film as an art form framed by social and political changeProvides a critical assessment of the crisis of modernism, and the role of the information age in the rise of hyper-modern filmOffers new insights into the rise and fall of the Cold War upon Hollywood genres and upon Eastern European cinemaIlluminates transformations of time, identity and sexuality in film narrativeExamines the interlocking roles of speed, space and paranoia in the renewal of the cinematic city |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (208 pages) Illustrated |
| ISBN: | 9781474471480 |
| DOI: | 10.1515/9781474471480 |
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Datensatz im Suchindex
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| index_date | 2024-07-03T19:19:59Z |
| indexdate | 2024-07-31T01:05:03Z |
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| isbn | 9781474471480 |
| language | English |
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| publishDate | 2022 |
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| publisher | Edinburgh University Press |
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| spelling | Orr, John 1943-2010 Verfasser (DE-588)1259767914 aut The Art and Politics of Film John Orr Edinburgh Edinburgh University Press [2022] © 2000 1 Online-Ressource (208 pages) Illustrated txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) GBS_insertPreviewButtonPopup('ISBN:9780748611997);The Art and Politics of Film is the final part of a critical trilogy that explores cinema in the latter half of the twentieth century. It fuses analysis of objective form in Cinema and Modernity with a subsequent critique of subjective form in Contemporary Cinema, and reassesses the close ties of the aesthetic and the political right up to the present time.Film not only engages the question of power. Its narratives also dissect the conflicts between public and personal identity in a changing world. Different filmmakers take on different dimensions of this universal theme. The book examines the cinematic city in Kieslowski and Cronenberg; the cinema of wonder in Tarkovsky and Angelopoulos; the hyper-modern world of science fiction and horror; the time-image in Resnais, Rivette, Lynch and Stone; and the art of identity in Jarman and Jordan. At the turn of the century, film is seen as a component of a hyper-modern culture, which has displaced the modernist aesthetic of the 1960s, and now plays a key role in our mapping of the information age.Key FeaturesOffers a theory of film as an art form framed by social and political changeProvides a critical assessment of the crisis of modernism, and the role of the information age in the rise of hyper-modern filmOffers new insights into the rise and fall of the Cold War upon Hollywood genres and upon Eastern European cinemaIlluminates transformations of time, identity and sexuality in film narrativeExamines the interlocking roles of speed, space and paranoia in the renewal of the cinematic city In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh https://doi.org/10.1515/9781474471480 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Orr, John 1943-2010 The Art and Politics of Film Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh |
| title | The Art and Politics of Film |
| title_auth | The Art and Politics of Film |
| title_exact_search | The Art and Politics of Film |
| title_exact_search_txtP | The Art and Politics of Film |
| title_full | The Art and Politics of Film John Orr |
| title_fullStr | The Art and Politics of Film John Orr |
| title_full_unstemmed | The Art and Politics of Film John Orr |
| title_short | The Art and Politics of Film |
| title_sort | the art and politics of film |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism |
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