Philosophy, Music and Emotion:
Philosophy, Music and Emotion explores two issues which have been intensively debated in contemporary philosophy: the nature of music's power to express emotion, and the nature of emotion itself. It shows how closely the two topics are related and provides a radically new account of what it mea...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Philosophy, Music and Emotion explores two issues which have been intensively debated in contemporary philosophy: the nature of music's power to express emotion, and the nature of emotion itself. It shows how closely the two topics are related and provides a radically new account of what it means to say that music 'expresses emotion'.Geoffrey Madell maintains that most current accounts of musical expressiveness are fundamentally misguided. He attributes this fact to the influence of a famous argument of the nineteenth-century critic Hanslick, and also to the dominant 'cognitivist' approach to the nature of emotion, which sees the essence of emotion to be the entertaining of evaluative judgements and beliefs of a certain sort, an account very much in accord with Hanslick's position. Such an approach results either in the unpersuasive view that musical expressiveness is somehow akin to human expressive gesture, or in the view that music arouses feelings which have no specific object and, unavoidably, no necessary connection with the music.The book argues that the 'cognitivist' account of the nature of emotion is quite false and that it needs to be replaced with a conception of emotions as states of feeling towards - states of intentional feeling - whose objects are often evaluatively characterised states of affairs; however, in the context of the emotions that are aroused by music these objects are always musical events or states. Central to this bold analysis of emotion is a new account of two closely connected mental states, those of desire and of pleasure, and of what role these states have in human motivation and value |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (162 pages) |
| ISBN: | 9781474470629 |
| DOI: | 10.1515/9781474470629 |
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| 520 | |a Philosophy, Music and Emotion explores two issues which have been intensively debated in contemporary philosophy: the nature of music's power to express emotion, and the nature of emotion itself. It shows how closely the two topics are related and provides a radically new account of what it means to say that music 'expresses emotion'.Geoffrey Madell maintains that most current accounts of musical expressiveness are fundamentally misguided. He attributes this fact to the influence of a famous argument of the nineteenth-century critic Hanslick, and also to the dominant 'cognitivist' approach to the nature of emotion, which sees the essence of emotion to be the entertaining of evaluative judgements and beliefs of a certain sort, an account very much in accord with Hanslick's position. Such an approach results either in the unpersuasive view that musical expressiveness is somehow akin to human expressive gesture, or in the view that music arouses feelings which have no specific object and, unavoidably, no necessary connection with the music.The book argues that the 'cognitivist' account of the nature of emotion is quite false and that it needs to be replaced with a conception of emotions as states of feeling towards - states of intentional feeling - whose objects are often evaluatively characterised states of affairs; however, in the context of the emotions that are aroused by music these objects are always musical events or states. Central to this bold analysis of emotion is a new account of two closely connected mental states, those of desire and of pleasure, and of what role these states have in human motivation and value | ||
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Datensatz im Suchindex
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| author | Madell, Geoffrey |
| author_facet | Madell, Geoffrey |
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| author_sort | Madell, Geoffrey |
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| dewey-full | 781.11 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.11 |
| dewey-search | 781.11 |
| dewey-sort | 3781.11 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| doi_str_mv | 10.1515/9781474470629 |
| format | Electronic eBook |
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| index_date | 2024-07-03T19:19:59Z |
| indexdate | 2024-07-10T09:23:40Z |
| institution | BVB |
| isbn | 9781474470629 |
| language | English |
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| spelling | Madell, Geoffrey Verfasser aut Philosophy, Music and Emotion Geoffrey Madell Edinburgh Edinburgh University Press [2022] © 2002 1 Online-Ressource (162 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Philosophy, Music and Emotion explores two issues which have been intensively debated in contemporary philosophy: the nature of music's power to express emotion, and the nature of emotion itself. It shows how closely the two topics are related and provides a radically new account of what it means to say that music 'expresses emotion'.Geoffrey Madell maintains that most current accounts of musical expressiveness are fundamentally misguided. He attributes this fact to the influence of a famous argument of the nineteenth-century critic Hanslick, and also to the dominant 'cognitivist' approach to the nature of emotion, which sees the essence of emotion to be the entertaining of evaluative judgements and beliefs of a certain sort, an account very much in accord with Hanslick's position. Such an approach results either in the unpersuasive view that musical expressiveness is somehow akin to human expressive gesture, or in the view that music arouses feelings which have no specific object and, unavoidably, no necessary connection with the music.The book argues that the 'cognitivist' account of the nature of emotion is quite false and that it needs to be replaced with a conception of emotions as states of feeling towards - states of intentional feeling - whose objects are often evaluatively characterised states of affairs; however, in the context of the emotions that are aroused by music these objects are always musical events or states. Central to this bold analysis of emotion is a new account of two closely connected mental states, those of desire and of pleasure, and of what role these states have in human motivation and value In English Philosophy PHILOSOPHY / General bisacsh Emotions (Philosophy) Emotions in music Music Philosophy and aesthetics https://doi.org/10.1515/9781474470629 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Madell, Geoffrey Philosophy, Music and Emotion Philosophy PHILOSOPHY / General bisacsh Emotions (Philosophy) Emotions in music Music Philosophy and aesthetics |
| title | Philosophy, Music and Emotion |
| title_auth | Philosophy, Music and Emotion |
| title_exact_search | Philosophy, Music and Emotion |
| title_exact_search_txtP | Philosophy, Music and Emotion |
| title_full | Philosophy, Music and Emotion Geoffrey Madell |
| title_fullStr | Philosophy, Music and Emotion Geoffrey Madell |
| title_full_unstemmed | Philosophy, Music and Emotion Geoffrey Madell |
| title_short | Philosophy, Music and Emotion |
| title_sort | philosophy music and emotion |
| topic | Philosophy PHILOSOPHY / General bisacsh Emotions (Philosophy) Emotions in music Music Philosophy and aesthetics |
| topic_facet | Philosophy PHILOSOPHY / General Emotions (Philosophy) Emotions in music Music Philosophy and aesthetics |
| url | https://doi.org/10.1515/9781474470629 |
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