Film Music: Critical Approaches
For something we often barely notice music in films is usually highly effective. It creates tension, elicits emotion and is undoubtedly one of the most important aspects of the cinematic experience. Upon closer inspection, it can be seen that film music is highly complex and artful, not only having...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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Schlagworte: | |
Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
Zusammenfassung: | For something we often barely notice music in films is usually highly effective. It creates tension, elicits emotion and is undoubtedly one of the most important aspects of the cinematic experience. Upon closer inspection, it can be seen that film music is highly complex and artful, not only having immediate emotional impact but also comprising some of the most outstanding music produced in the twentieth century.Bringing together some of the most influential international scholars on the subject, this anthology provides a detailed, diverse and accessible perspective on music in the cinema. As well as chapters on the techniques and views of film music and on film music scholarship, the book embraces topics as diverse as Bernard Herrmann's music for Welles's Citizen Kane, the use of discs to accompany silent films and gender and the cinematic soundscape.Key FeaturesAn original collection of essays on film music in the twentieth centuryThe Introduction provides a historical perspective on the art of film musicBrings together a wide range of approaches to film music |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
Beschreibung: | 1 Online-Ressource (224 pages) |
ISBN: | 9781474467810 |
DOI: | 10.1515/9781474467810 |
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Datensatz im Suchindex
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adam_txt | |
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author | Donnelly, Kevin J. |
author_facet | Donnelly, Kevin J. |
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author_sort | Donnelly, Kevin J. |
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dewey-ones | 781 - General principles and musical forms |
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dewey-tens | 780 - Music |
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doi_str_mv | 10.1515/9781474467810 |
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index_date | 2024-07-03T19:19:59Z |
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isbn | 9781474467810 |
language | English |
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spelling | Donnelly, Kevin J. Verfasser aut Film Music Critical Approaches Kevin J. Donnelly Edinburgh Edinburgh University Press [2022] © 2001 1 Online-Ressource (224 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) For something we often barely notice music in films is usually highly effective. It creates tension, elicits emotion and is undoubtedly one of the most important aspects of the cinematic experience. Upon closer inspection, it can be seen that film music is highly complex and artful, not only having immediate emotional impact but also comprising some of the most outstanding music produced in the twentieth century.Bringing together some of the most influential international scholars on the subject, this anthology provides a detailed, diverse and accessible perspective on music in the cinema. As well as chapters on the techniques and views of film music and on film music scholarship, the book embraces topics as diverse as Bernard Herrmann's music for Welles's Citizen Kane, the use of discs to accompany silent films and gender and the cinematic soundscape.Key FeaturesAn original collection of essays on film music in the twentieth centuryThe Introduction provides a historical perspective on the art of film musicBrings together a wide range of approaches to film music In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion picture music History and criticism Allen, Michael Sonstige oth Buhler, James Sonstige oth Cochran, Alfred W. Sonstige oth Donnelly, K. J. Sonstige oth Flinn, Caryl Sonstige oth Franklin, Peter Sonstige oth Garner, Ken Sonstige oth Neumeyer, David Sonstige oth Rosar, William H. Sonstige oth Stilwell, Robynn J. Sonstige oth https://doi.org/10.1515/9781474467810 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Donnelly, Kevin J. Film Music Critical Approaches Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion picture music History and criticism |
title | Film Music Critical Approaches |
title_auth | Film Music Critical Approaches |
title_exact_search | Film Music Critical Approaches |
title_exact_search_txtP | Film Music Critical Approaches |
title_full | Film Music Critical Approaches Kevin J. Donnelly |
title_fullStr | Film Music Critical Approaches Kevin J. Donnelly |
title_full_unstemmed | Film Music Critical Approaches Kevin J. Donnelly |
title_short | Film Music |
title_sort | film music critical approaches |
title_sub | Critical Approaches |
topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion picture music History and criticism |
topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism Motion picture music History and criticism |
url | https://doi.org/10.1515/9781474467810 |
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