New Queer Cinema: A Critical Reader
Coined in the early 1990s to describe a burgeoning film movement, 'New Queer Cinema' has turned the attention of film theorists, students and audiences to the proliferation of intelligent, stylish and daring work by lesbian and gay filmmakers within independent cinema, and to the prolifera...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Edinburgh
Edinburgh University Press
[2022]
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| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Coined in the early 1990s to describe a burgeoning film movement, 'New Queer Cinema' has turned the attention of film theorists, students and audiences to the proliferation of intelligent, stylish and daring work by lesbian and gay filmmakers within independent cinema, and to the proliferation of 'queer' images and themes within the mainstream. But what constituted New Queer Cinema then and now? And was it political gains, cultural momentum or market forces that determined its evolution?New Queer Cinema is divided into sections on the definition, the filmmakers, the geography, and the spectator of New Queer Cinema. Chapters address the pivotal directors (e.g. Todd Haynes and Gregg Araki) and the salient films (e.g. Paris is Burning and Boys Don't Cry) but also non-mainstream and non-Anglo-American work (e.g. experimental film and third cinema). With a critical eye to its uneasy relationship to the mainstream, the volume explores the aesthetic, socio-cultural, political and, necessarily, commercial investments of New Queer Cinema. This book, the first full-length study of the subject, offers the definitive guide to New Queer Cinema combining indispensable discussions of its central issues with exciting new work by keywriters.FeaturesProvides a definitive introduction to New Queer Cinema (NQC)Clear structure with each section addressing a key topic in the study of NQCThemes covered include genre, gender and race, politics, media, and the relationship between NQC and the mainstream |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (224 pages) |
| ISBN: | 9781474463768 |
| DOI: | 10.1515/9781474463768 |
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| 520 | |a Coined in the early 1990s to describe a burgeoning film movement, 'New Queer Cinema' has turned the attention of film theorists, students and audiences to the proliferation of intelligent, stylish and daring work by lesbian and gay filmmakers within independent cinema, and to the proliferation of 'queer' images and themes within the mainstream. But what constituted New Queer Cinema then and now? And was it political gains, cultural momentum or market forces that determined its evolution?New Queer Cinema is divided into sections on the definition, the filmmakers, the geography, and the spectator of New Queer Cinema. Chapters address the pivotal directors (e.g. Todd Haynes and Gregg Araki) and the salient films (e.g. Paris is Burning and Boys Don't Cry) but also non-mainstream and non-Anglo-American work (e.g. experimental film and third cinema). With a critical eye to its uneasy relationship to the mainstream, the volume explores the aesthetic, socio-cultural, political and, necessarily, commercial investments of New Queer Cinema. This book, the first full-length study of the subject, offers the definitive guide to New Queer Cinema combining indispensable discussions of its central issues with exciting new work by keywriters.FeaturesProvides a definitive introduction to New Queer Cinema (NQC)Clear structure with each section addressing a key topic in the study of NQCThemes covered include genre, gender and race, politics, media, and the relationship between NQC and the mainstream | ||
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| spelling | Aaron, Michele Verfasser aut New Queer Cinema A Critical Reader Michele Aaron Edinburgh Edinburgh University Press [2022] © 2004 1 Online-Ressource (224 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Coined in the early 1990s to describe a burgeoning film movement, 'New Queer Cinema' has turned the attention of film theorists, students and audiences to the proliferation of intelligent, stylish and daring work by lesbian and gay filmmakers within independent cinema, and to the proliferation of 'queer' images and themes within the mainstream. But what constituted New Queer Cinema then and now? And was it political gains, cultural momentum or market forces that determined its evolution?New Queer Cinema is divided into sections on the definition, the filmmakers, the geography, and the spectator of New Queer Cinema. Chapters address the pivotal directors (e.g. Todd Haynes and Gregg Araki) and the salient films (e.g. Paris is Burning and Boys Don't Cry) but also non-mainstream and non-Anglo-American work (e.g. experimental film and third cinema). With a critical eye to its uneasy relationship to the mainstream, the volume explores the aesthetic, socio-cultural, political and, necessarily, commercial investments of New Queer Cinema. This book, the first full-length study of the subject, offers the definitive guide to New Queer Cinema combining indispensable discussions of its central issues with exciting new work by keywriters.FeaturesProvides a definitive introduction to New Queer Cinema (NQC)Clear structure with each section addressing a key topic in the study of NQCThemes covered include genre, gender and race, politics, media, and the relationship between NQC and the mainstream In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Gays in motion pictures Homosexuality in motion pictures Aaron, Michele Sonstige oth Benshoff, Harry M. Sonstige oth Contreras, Daniel T. Sonstige oth Davis, Glen Sonstige oth DeAngelis, Michael Sonstige oth Jennings, Ros Sonstige oth Leung, Helen Hok-Sze Sonstige oth Lominé, Loykie Sonstige oth Pearl, Monica B. Sonstige oth Pick, Anat Sonstige oth Pidduck, Julianne Sonstige oth Rich, B. Ruby Sonstige oth Smelik, Anneke Sonstige oth Wallenberg, Louise Sonstige oth https://doi.org/10.1515/9781474463768 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Aaron, Michele New Queer Cinema A Critical Reader Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Gays in motion pictures Homosexuality in motion pictures |
| title | New Queer Cinema A Critical Reader |
| title_auth | New Queer Cinema A Critical Reader |
| title_exact_search | New Queer Cinema A Critical Reader |
| title_exact_search_txtP | New Queer Cinema A Critical Reader |
| title_full | New Queer Cinema A Critical Reader Michele Aaron |
| title_fullStr | New Queer Cinema A Critical Reader Michele Aaron |
| title_full_unstemmed | New Queer Cinema A Critical Reader Michele Aaron |
| title_short | New Queer Cinema |
| title_sort | new queer cinema a critical reader |
| title_sub | A Critical Reader |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Gays in motion pictures Homosexuality in motion pictures |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism Gays in motion pictures Homosexuality in motion pictures |
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