Cheap Modernism: Expanding Markets, Publishers' Series and the Avant-Garde
The first sustained account of cheap series of reprints that transformed literary modernism from a little-read movement into a mainstream phenomenonWe often think of Mrs Dalloway or A Portrait of the Artist as a Young Man as difficult books, originally published in small print runs for a handful of...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
|
| Schriftenreihe: | Edinburgh Critical Studies in Modernist Culture : ECCSMC
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | The first sustained account of cheap series of reprints that transformed literary modernism from a little-read movement into a mainstream phenomenonWe often think of Mrs Dalloway or A Portrait of the Artist as a Young Man as difficult books, originally published in small print runs for a handful of readers. But from the mid-1920s, these texts and others were available in cheap format across Europe. Uniform series of reprints such as the Travellers' Library, the Phoenix Library, Tauchnitz and Albatross sold modernism to a wide audience - thus transforming a little-read highbrow" movement into a popular phenomenon. The expansion of the readership for modernism was not only vertical (from "high" to "low") but also spatial - since publisher's series were distributed within and outside metropolitan centres in Britain, continental Europe and elsewhere. Many non-English native speakers discovered texts by Joyce, Woolf and others in the original language - a fact that has rarely been mentioned in histories of modernism. Drawing on extensive work in neglected archives, Cheap Modernism will be of interest to all those who want to know how the new literature became a global commercial hit.Key FeaturesThe first account of European reprint series that sold modernism to a wide, international public at the beginning of the twentieth centuryDraws on extensive work in neglected publishers' archivesSheds new light on the relationship between publishers and major modernist writers (including Virginia Woolf, T. S. Eliot, James Joyce and Wyndham Lewis)Prompts a rethinking of modernist institutions, away from small presses and little magazines and towards large-scale publishing enterprises |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (184 pages) 18 B/W illustrations 5 colour illustrations |
| ISBN: | 9781474417259 |
| DOI: | 10.1515/9781474417259 |
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| 520 | |a The first sustained account of cheap series of reprints that transformed literary modernism from a little-read movement into a mainstream phenomenonWe often think of Mrs Dalloway or A Portrait of the Artist as a Young Man as difficult books, originally published in small print runs for a handful of readers. But from the mid-1920s, these texts and others were available in cheap format across Europe. Uniform series of reprints such as the Travellers' Library, the Phoenix Library, Tauchnitz and Albatross sold modernism to a wide audience - thus transforming a little-read highbrow" movement into a popular phenomenon. The expansion of the readership for modernism was not only vertical (from "high" to "low") but also spatial - since publisher's series were distributed within and outside metropolitan centres in Britain, continental Europe and elsewhere. Many non-English native speakers discovered texts by Joyce, Woolf and others in the original language - a fact that has rarely been mentioned in histories of modernism. Drawing on extensive work in neglected archives, Cheap Modernism will be of interest to all those who want to know how the new literature became a global commercial hit.Key FeaturesThe first account of European reprint series that sold modernism to a wide, international public at the beginning of the twentieth centuryDraws on extensive work in neglected publishers' archivesSheds new light on the relationship between publishers and major modernist writers (including Virginia Woolf, T. S. Eliot, James Joyce and Wyndham Lewis)Prompts a rethinking of modernist institutions, away from small presses and little magazines and towards large-scale publishing enterprises | ||
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| isbn | 9781474417259 |
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| spelling | Jaillant, Lise Verfasser aut Cheap Modernism Expanding Markets, Publishers' Series and the Avant-Garde Lise Jaillant Edinburgh Edinburgh University Press [2022] © 2017 1 Online-Ressource (184 pages) 18 B/W illustrations 5 colour illustrations txt rdacontent c rdamedia cr rdacarrier Edinburgh Critical Studies in Modernist Culture : ECCSMC Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) The first sustained account of cheap series of reprints that transformed literary modernism from a little-read movement into a mainstream phenomenonWe often think of Mrs Dalloway or A Portrait of the Artist as a Young Man as difficult books, originally published in small print runs for a handful of readers. But from the mid-1920s, these texts and others were available in cheap format across Europe. Uniform series of reprints such as the Travellers' Library, the Phoenix Library, Tauchnitz and Albatross sold modernism to a wide audience - thus transforming a little-read highbrow" movement into a popular phenomenon. The expansion of the readership for modernism was not only vertical (from "high" to "low") but also spatial - since publisher's series were distributed within and outside metropolitan centres in Britain, continental Europe and elsewhere. Many non-English native speakers discovered texts by Joyce, Woolf and others in the original language - a fact that has rarely been mentioned in histories of modernism. Drawing on extensive work in neglected archives, Cheap Modernism will be of interest to all those who want to know how the new literature became a global commercial hit.Key FeaturesThe first account of European reprint series that sold modernism to a wide, international public at the beginning of the twentieth centuryDraws on extensive work in neglected publishers' archivesSheds new light on the relationship between publishers and major modernist writers (including Virginia Woolf, T. S. Eliot, James Joyce and Wyndham Lewis)Prompts a rethinking of modernist institutions, away from small presses and little magazines and towards large-scale publishing enterprises In English Literary Studies LITERARY CRITICISM / American / General bisacsh English literature 20th century Publishing Modernism (Literature) Series (Publications) History https://doi.org/10.1515/9781474417259 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Jaillant, Lise Cheap Modernism Expanding Markets, Publishers' Series and the Avant-Garde Literary Studies LITERARY CRITICISM / American / General bisacsh English literature 20th century Publishing Modernism (Literature) Series (Publications) History |
| title | Cheap Modernism Expanding Markets, Publishers' Series and the Avant-Garde |
| title_auth | Cheap Modernism Expanding Markets, Publishers' Series and the Avant-Garde |
| title_exact_search | Cheap Modernism Expanding Markets, Publishers' Series and the Avant-Garde |
| title_exact_search_txtP | Cheap Modernism Expanding Markets, Publishers' Series and the Avant-Garde |
| title_full | Cheap Modernism Expanding Markets, Publishers' Series and the Avant-Garde Lise Jaillant |
| title_fullStr | Cheap Modernism Expanding Markets, Publishers' Series and the Avant-Garde Lise Jaillant |
| title_full_unstemmed | Cheap Modernism Expanding Markets, Publishers' Series and the Avant-Garde Lise Jaillant |
| title_short | Cheap Modernism |
| title_sort | cheap modernism expanding markets publishers series and the avant garde |
| title_sub | Expanding Markets, Publishers' Series and the Avant-Garde |
| topic | Literary Studies LITERARY CRITICISM / American / General bisacsh English literature 20th century Publishing Modernism (Literature) Series (Publications) History |
| topic_facet | Literary Studies LITERARY CRITICISM / American / General English literature 20th century Publishing Modernism (Literature) Series (Publications) History |
| url | https://doi.org/10.1515/9781474417259 |
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