Hong Kong Neo-Noir:
The first comprehensive collection on the subject of Hong Kong neo-noir cinemaThe first comprehensive collection on Hong Kong neo-noir cinema, this book examines the way Hong Kong has developed its own unique version of noir since the late 1940s, while drawing upon and enriching global neo-noir cine...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Schriftenreihe: | Edinburgh Studies in East Asian Film : ESEAF
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | The first comprehensive collection on the subject of Hong Kong neo-noir cinemaThe first comprehensive collection on Hong Kong neo-noir cinema, this book examines the way Hong Kong has developed its own unique version of noir since the late 1940s, while drawing upon and enriching global neo-noir cinemas. With a range of contributions from established and emerging scholars, this book illuminates the origins of Hong Kong neo-noir, its styles and contemporary manifestations, and its connection to mainland China before and after the 1997 Handover.Case studies include classics such as The Wild, Wild Rose (1960) and more recent films like Full Alert (1997), Exiled (2007) and Shinjuku Incident (2008). It provides a fresh look at the careers of iconic figures Johnnie To, Jackie Chan and Fruit Chan. By examining the films of émigré Shanghai directors, the cool women killers, the hybrids and noir cityscapes, Hong Kong Neo-Noir explores the complex connections between a vibrant cinema and global noir.ContributorsAdam Bingham, Edge Hill UniversityJinhee Choi, King's College LondonDavid Desser, University of IllinoisKenneth E. Hall, East Tennessee State UniversityLaw Kar, Hong Kong Film ArchiveKwai-Cheung Lo, Hong Kong Baptist UniversityGina Marchetti, University of Hong KongLisa Odham Stokes, Seminole State College in Central FloridaJulian Stringer, University of NottinghamKristof Van den Troost, Chinese University of Hong KongTony Williams, Southern Illinois University, CarbondaleEsther C. M. Yau, University of Hong Kong |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (280 pages) 30 B/W illustrations |
| ISBN: | 9781474412674 |
| DOI: | 10.1515/9781474412674 |
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Datensatz im Suchindex
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| author | Yau, Esther |
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| dewey-sort | 3791.43 9655095125 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| doi_str_mv | 10.1515/9781474412674 |
| format | Electronic eBook |
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| index_date | 2024-07-03T19:19:58Z |
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| spelling | Yau, Esther Verfasser aut Hong Kong Neo-Noir Esther Yau, Tony Williams Edinburgh Edinburgh University Press [2022] © 2016 1 Online-Ressource (280 pages) 30 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Edinburgh Studies in East Asian Film : ESEAF Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) The first comprehensive collection on the subject of Hong Kong neo-noir cinemaThe first comprehensive collection on Hong Kong neo-noir cinema, this book examines the way Hong Kong has developed its own unique version of noir since the late 1940s, while drawing upon and enriching global neo-noir cinemas. With a range of contributions from established and emerging scholars, this book illuminates the origins of Hong Kong neo-noir, its styles and contemporary manifestations, and its connection to mainland China before and after the 1997 Handover.Case studies include classics such as The Wild, Wild Rose (1960) and more recent films like Full Alert (1997), Exiled (2007) and Shinjuku Incident (2008). It provides a fresh look at the careers of iconic figures Johnnie To, Jackie Chan and Fruit Chan. By examining the films of émigré Shanghai directors, the cool women killers, the hybrids and noir cityscapes, Hong Kong Neo-Noir explores the complex connections between a vibrant cinema and global noir.ContributorsAdam Bingham, Edge Hill UniversityJinhee Choi, King's College LondonDavid Desser, University of IllinoisKenneth E. Hall, East Tennessee State UniversityLaw Kar, Hong Kong Film ArchiveKwai-Cheung Lo, Hong Kong Baptist UniversityGina Marchetti, University of Hong KongLisa Odham Stokes, Seminole State College in Central FloridaJulian Stringer, University of NottinghamKristof Van den Troost, Chinese University of Hong KongTony Williams, Southern Illinois University, CarbondaleEsther C. M. Yau, University of Hong Kong In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Film noir China Hong Kong History and criticism Bingham, Adam Sonstige oth Choi, Jinhee Sonstige oth Desser, David Sonstige oth Hall, Kenneth E. Sonstige oth Kar, Law Sonstige oth Lo, Kwai-Cheung Sonstige oth Marchetti, Gina Sonstige oth Stokes, Lisa Odham Sonstige oth Stringer, Julian Sonstige oth Troost, Kristof Van den Sonstige oth Williams, Tony Sonstige oth Yau, Esther C. M. Sonstige oth https://doi.org/10.1515/9781474412674 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Yau, Esther Hong Kong Neo-Noir Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Film noir China Hong Kong History and criticism |
| title | Hong Kong Neo-Noir |
| title_auth | Hong Kong Neo-Noir |
| title_exact_search | Hong Kong Neo-Noir |
| title_exact_search_txtP | Hong Kong Neo-Noir |
| title_full | Hong Kong Neo-Noir Esther Yau, Tony Williams |
| title_fullStr | Hong Kong Neo-Noir Esther Yau, Tony Williams |
| title_full_unstemmed | Hong Kong Neo-Noir Esther Yau, Tony Williams |
| title_short | Hong Kong Neo-Noir |
| title_sort | hong kong neo noir |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Film noir China Hong Kong History and criticism |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production Film noir China Hong Kong History and criticism |
| url | https://doi.org/10.1515/9781474412674 |
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