Cold War Legacies: Legacy, Theory, Aesthetics
Connects Cold War material and conceptual technologies to 21st century arts, society and cultureFrom futures research, pattern recognition algorithms, nuclear waste disposal and surveillance technologies, to smart weapons systems, contemporary fiction and art, this book shows that we live in a world...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Schriftenreihe: | Technicities : TECH
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| Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Zusammenfassung: | Connects Cold War material and conceptual technologies to 21st century arts, society and cultureFrom futures research, pattern recognition algorithms, nuclear waste disposal and surveillance technologies, to smart weapons systems, contemporary fiction and art, this book shows that we live in a world imagined and engineered during the Cold War. Key FeaturesMakes connections between Cold War material and conceptual technologies, as they relate to the arts, society and cultureDraws on theorists such as Paul Virilio, Jacques Derrida, Luce Irigaray, Friedrich Kittler, Jean Baudrillard, Michel Foucault, Michel Serres, Bernard Stiegler, Peter Sloterdijk and Carl SchmittThe contributors include leading humanities and critical military studies scholars, and practising artists, writers, curators and broadcastersContributorsJohn Beck is Professor of Modern Literature and Director of the Institute for Modern and Contemporary Culture at the University of Westminster, London.Ryan Bishop is Professor of Global Arts and Politics, Director of Research and Co-Director of the Winchester Centre for Global Futures in Art Design & Media at the Winchester School of Art, University of Southampton. Ele Carpenter is a curator and writer, and senior lecturer in MFA Curating and convenor of the Nuclear Culture Research Group at Goldsmiths, University of London. Fabienne Collignon is Lecturer in Contemporary Literature at the University of Sheffield. Mark Coté is Lecturer in Digital Culture and Society at King's College London.Daniel Grausam is Lecturer in the Department of English at Durham University. Ken Hollings is a writer and broadcaster, visiting tutor at the Royal College of Art and Associate Lecturer at Central Saint Martins School of Art and Design. Adrian Mackenzie is Professor of Technological Cultures at Lancaster University. Jussi Parikka is a media theorist and writer, and Professor of Technological Culture and Aesthetics at Winchester School of Art, University of Southampton. John W. P. Phillips is Associate Professor in the Department of English at the National University of Singapore. Adam Piette is Professor of English at the University of Sheffield. |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (320 pages) 20 illustrations |
| ISBN: | 9781474409490 |
| DOI: | 10.1515/9781474409490 |
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| spelling | Beck, John Verfasser aut Cold War Legacies Legacy, Theory, Aesthetics John Beck, Ryan Bishop Edinburgh Edinburgh University Press [2022] © 2016 1 Online-Ressource (320 pages) 20 illustrations txt rdacontent c rdamedia cr rdacarrier Technicities : TECH Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Connects Cold War material and conceptual technologies to 21st century arts, society and cultureFrom futures research, pattern recognition algorithms, nuclear waste disposal and surveillance technologies, to smart weapons systems, contemporary fiction and art, this book shows that we live in a world imagined and engineered during the Cold War. Key FeaturesMakes connections between Cold War material and conceptual technologies, as they relate to the arts, society and cultureDraws on theorists such as Paul Virilio, Jacques Derrida, Luce Irigaray, Friedrich Kittler, Jean Baudrillard, Michel Foucault, Michel Serres, Bernard Stiegler, Peter Sloterdijk and Carl SchmittThe contributors include leading humanities and critical military studies scholars, and practising artists, writers, curators and broadcastersContributorsJohn Beck is Professor of Modern Literature and Director of the Institute for Modern and Contemporary Culture at the University of Westminster, London.Ryan Bishop is Professor of Global Arts and Politics, Director of Research and Co-Director of the Winchester Centre for Global Futures in Art Design & Media at the Winchester School of Art, University of Southampton. Ele Carpenter is a curator and writer, and senior lecturer in MFA Curating and convenor of the Nuclear Culture Research Group at Goldsmiths, University of London. Fabienne Collignon is Lecturer in Contemporary Literature at the University of Sheffield. Mark Coté is Lecturer in Digital Culture and Society at King's College London.Daniel Grausam is Lecturer in the Department of English at Durham University. Ken Hollings is a writer and broadcaster, visiting tutor at the Royal College of Art and Associate Lecturer at Central Saint Martins School of Art and Design. Adrian Mackenzie is Professor of Technological Cultures at Lancaster University. Jussi Parikka is a media theorist and writer, and Professor of Technological Culture and Aesthetics at Winchester School of Art, University of Southampton. John W. P. Phillips is Associate Professor in the Department of English at the National University of Singapore. Adam Piette is Professor of English at the University of Sheffield. In English Philosophy ART / Criticism bisacsh Civilization History 20th century Civilization, Modern 20th century Civilization; History, 20th century Cold War Influence Beck, John Sonstige oth Bishop, Ryan Sonstige oth Carpenter, Ele Sonstige oth Collignon, Fabienne Sonstige oth Coté, Mark Sonstige oth Grausam, Daniel Sonstige oth Hollings, Ken Sonstige oth Mackenzie, Adrian Sonstige oth Parikka, Jussi Sonstige oth Phillips, John W. P. Sonstige oth Piette, Adam Sonstige oth Purdon, James Sonstige oth Satz, Aura Sonstige oth White, Neal Sonstige oth https://doi.org/10.1515/9781474409490 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Beck, John Cold War Legacies Legacy, Theory, Aesthetics Philosophy ART / Criticism bisacsh Civilization History 20th century Civilization, Modern 20th century Civilization; History, 20th century Cold War Influence |
| title | Cold War Legacies Legacy, Theory, Aesthetics |
| title_auth | Cold War Legacies Legacy, Theory, Aesthetics |
| title_exact_search | Cold War Legacies Legacy, Theory, Aesthetics |
| title_exact_search_txtP | Cold War Legacies Legacy, Theory, Aesthetics |
| title_full | Cold War Legacies Legacy, Theory, Aesthetics John Beck, Ryan Bishop |
| title_fullStr | Cold War Legacies Legacy, Theory, Aesthetics John Beck, Ryan Bishop |
| title_full_unstemmed | Cold War Legacies Legacy, Theory, Aesthetics John Beck, Ryan Bishop |
| title_short | Cold War Legacies |
| title_sort | cold war legacies legacy theory aesthetics |
| title_sub | Legacy, Theory, Aesthetics |
| topic | Philosophy ART / Criticism bisacsh Civilization History 20th century Civilization, Modern 20th century Civilization; History, 20th century Cold War Influence |
| topic_facet | Philosophy ART / Criticism Civilization History 20th century Civilization, Modern 20th century Civilization; History, 20th century Cold War Influence |
| url | https://doi.org/10.1515/9781474409490 |
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