Indie Reframed: Women's Filmmaking and Contemporary American Independent Cinema
Explores the films, practitioners, production and distribution contexts that currently represent American women's independent cinemaWith the consolidation of 'indie' culture in the 21st century, female filmmakers face an increasingly indifferent climate. Within this sector, women work...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Schriftenreihe: | Traditions in American Cinema : TAC
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Explores the films, practitioners, production and distribution contexts that currently represent American women's independent cinemaWith the consolidation of 'indie' culture in the 21st century, female filmmakers face an increasingly indifferent climate. Within this sector, women work across all aspects of writing, direction, production, editing and design, yet the dominant narrative continues to construe 'maverick' white male auteurs such as Quentin Tarantino or Wes Anderson as the face of indie discourse. Defying the formulaic myths of the mainstream 'chick flick' and the ideological and experimental radicalism of feminist counter-cinema alike, women's indie filmmaking is neither ironic, popular nor political enough to be readily absorbed into pre-existing categories. This ground-breaking collection, the first sustained examination of the work of female practitioners within American independent cinema, reclaims the 'difference' of female indie filmmaking. Through a variety of case studies of directors, writers and producers such as Ava DuVernay, Lena Dunham and Christine Vachon, contributors explore the innovation of a range of female practitioners by attending to the sensibilities, ideologies and industrial practices that distinguish their work - while embracing the 'in-between' space in which the narratives they represent and embody can be revealed.Key FeaturesCovers American women's independent cinema since the late 1970sAnalyses the work of acclaimed but critically overlooked female practitioners such as Kelly Reichardt, Christine Vachon, Miranda July, Kasi Lemmons, Nicole Holofcener, Mira Nair, Lisa Cholodenko, Megan Ellison, Lynn Shelton, Ava DuVernay, Mary Harron and Debra GranikDistinguishes four different approaches to analysing women's independent cinema through: production and industry perspectives; genre and other classificatory modalities; political, cultural, social and professional identities; and collaborative and collectivist practicesContributorsJohn Alberti, Northern Kentucky UniversityLinda Badley, Middle Tennessee State UniversityCynthia Baron, Bowling Green State UniversityShelley Cobb, University of SouthamptonCorinn Columpar, University of TorontoChris Holmlund, University of Tennessee-KnoxvilleGeoff King, Brunel University, LondonChristina Lane, University of MiamiJames Lyons, University of ExeterKathleen A. McHugh, UCLAKent A. Ono, University of UtahLydia Papadimitriou, Liverpool John Moores UniversityClaudia Costa Pederson, Wichita State UniversityClaire Perkins, Monash UniversitySarah Projansky, University of UtahMaria San Filippo, Goucher CollegeMichele Schreiber, Emory UniversitySarah E. S. Sinwell, University of UtahYannis Tzioumakis, University of LiverpoolPatricia White, Swarthmore CollegePatricia R. Zimmermann, Ithaca College |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (320 pages) 30 B/W illustrations |
| ISBN: | 9781474403931 |
| DOI: | 10.1515/9781474403931 |
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| id | DE-604.BV047869702 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:19:58Z |
| indexdate | 2024-07-10T09:23:39Z |
| institution | BVB |
| isbn | 9781474403931 |
| language | English |
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| oclc_num | 1304488551 |
| open_access_boolean | |
| owner | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| owner_facet | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| physical | 1 Online-Ressource (320 pages) 30 B/W illustrations |
| psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Edinburgh University Press |
| record_format | marc |
| series2 | Traditions in American Cinema : TAC |
| spelling | Badley, Linda Verfasser aut Indie Reframed Women's Filmmaking and Contemporary American Independent Cinema Claire Perkins, Michele Schreiber, Linda Badley Edinburgh Edinburgh University Press [2022] © 2016 1 Online-Ressource (320 pages) 30 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Traditions in American Cinema : TAC Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Explores the films, practitioners, production and distribution contexts that currently represent American women's independent cinemaWith the consolidation of 'indie' culture in the 21st century, female filmmakers face an increasingly indifferent climate. Within this sector, women work across all aspects of writing, direction, production, editing and design, yet the dominant narrative continues to construe 'maverick' white male auteurs such as Quentin Tarantino or Wes Anderson as the face of indie discourse. Defying the formulaic myths of the mainstream 'chick flick' and the ideological and experimental radicalism of feminist counter-cinema alike, women's indie filmmaking is neither ironic, popular nor political enough to be readily absorbed into pre-existing categories. This ground-breaking collection, the first sustained examination of the work of female practitioners within American independent cinema, reclaims the 'difference' of female indie filmmaking. Through a variety of case studies of directors, writers and producers such as Ava DuVernay, Lena Dunham and Christine Vachon, contributors explore the innovation of a range of female practitioners by attending to the sensibilities, ideologies and industrial practices that distinguish their work - while embracing the 'in-between' space in which the narratives they represent and embody can be revealed.Key FeaturesCovers American women's independent cinema since the late 1970sAnalyses the work of acclaimed but critically overlooked female practitioners such as Kelly Reichardt, Christine Vachon, Miranda July, Kasi Lemmons, Nicole Holofcener, Mira Nair, Lisa Cholodenko, Megan Ellison, Lynn Shelton, Ava DuVernay, Mary Harron and Debra GranikDistinguishes four different approaches to analysing women's independent cinema through: production and industry perspectives; genre and other classificatory modalities; political, cultural, social and professional identities; and collaborative and collectivist practicesContributorsJohn Alberti, Northern Kentucky UniversityLinda Badley, Middle Tennessee State UniversityCynthia Baron, Bowling Green State UniversityShelley Cobb, University of SouthamptonCorinn Columpar, University of TorontoChris Holmlund, University of Tennessee-KnoxvilleGeoff King, Brunel University, LondonChristina Lane, University of MiamiJames Lyons, University of ExeterKathleen A. McHugh, UCLAKent A. Ono, University of UtahLydia Papadimitriou, Liverpool John Moores UniversityClaudia Costa Pederson, Wichita State UniversityClaire Perkins, Monash UniversitySarah Projansky, University of UtahMaria San Filippo, Goucher CollegeMichele Schreiber, Emory UniversitySarah E. S. Sinwell, University of UtahYannis Tzioumakis, University of LiverpoolPatricia White, Swarthmore CollegePatricia R. Zimmermann, Ithaca College In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Alberti, John Sonstige oth Badley, Linda Sonstige oth Baron, Cynthia Sonstige oth Cobb, Shelley Sonstige oth Columpar, Corinn Sonstige oth Filippo, Maria San Sonstige oth Holmlund, Chris Sonstige oth King, Geoff Sonstige oth Lane, Christina Sonstige oth Lyons, James Sonstige oth McHugh, Kathleen A. Sonstige oth Ono, Kent A. Sonstige oth Papadimitriou, Lydia Sonstige oth Pederson, Claudia Costa Sonstige oth Perkins, Claire Sonstige oth Projansky, Sarah Sonstige oth Schreiber, Michele Sonstige oth Sinwell, Sarah E. S. Sonstige oth Tzioumakis, YannisXX4ctbXX4https://id.loc.gov/vocabulary/relators/ctb Sonstige oth White, PatriciaXX4ctbXX4https://id.loc.gov/vocabulary/relators/ctb Sonstige oth Zimmermann, Patricia R.XX4ctbXX4https://id.loc.gov/vocabulary/relators/ctb Sonstige oth https://doi.org/10.1515/9781474403931 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Badley, Linda Indie Reframed Women's Filmmaking and Contemporary American Independent Cinema Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh |
| title | Indie Reframed Women's Filmmaking and Contemporary American Independent Cinema |
| title_auth | Indie Reframed Women's Filmmaking and Contemporary American Independent Cinema |
| title_exact_search | Indie Reframed Women's Filmmaking and Contemporary American Independent Cinema |
| title_exact_search_txtP | Indie Reframed Women's Filmmaking and Contemporary American Independent Cinema |
| title_full | Indie Reframed Women's Filmmaking and Contemporary American Independent Cinema Claire Perkins, Michele Schreiber, Linda Badley |
| title_fullStr | Indie Reframed Women's Filmmaking and Contemporary American Independent Cinema Claire Perkins, Michele Schreiber, Linda Badley |
| title_full_unstemmed | Indie Reframed Women's Filmmaking and Contemporary American Independent Cinema Claire Perkins, Michele Schreiber, Linda Badley |
| title_short | Indie Reframed |
| title_sort | indie reframed women s filmmaking and contemporary american independent cinema |
| title_sub | Women's Filmmaking and Contemporary American Independent Cinema |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General |
| url | https://doi.org/10.1515/9781474403931 |
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