Expressionism in the Cinema:
From classical to contemporary narratives, this book redefines the expressionist aestheticOne of the most visually striking traditions in cinema, for too long Expressionism has been a neglected critical category of research in film history and aesthetics. The fifteen essays in this anthology remedie...
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| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Edinburgh
Edinburgh University Press
[2022]
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| Series: | Traditions in World Cinema : TWC
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| Subjects: | |
| Online Access: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Summary: | From classical to contemporary narratives, this book redefines the expressionist aestheticOne of the most visually striking traditions in cinema, for too long Expressionism has been a neglected critical category of research in film history and aesthetics. The fifteen essays in this anthology remedies this by revisiting key German films like The Cabinet of Dr. Caligari (1920) and Nosferatu (1922), and also provides original critical research into more obscure titles like Nerven (1919) and The Phantom Carriage (1921), films that were produced in the silent and early sound era in countries ranging from France, Sweden and Hungary, to the United States and Mexico.An innovative and wide-ranging collection, Expressionism in the Cinema re-canonizes the classical Expressionist aesthetic, extending the critical and historical discussion beyond pre-existing scholarship into comparative and interdisciplinary areas of film research that reach across national boundaries.Contributors Steve Choe, University of IowaPaul Cuff, University of WarwickThomas Elsaesser, University of AmsterdamRobert Guffey, California State University-Long BeachGraeme Harper, Oakland University (Michigan)David J. Hogan, Independent ScholarMirjam Kappes, Independent ScholarBernard McCarron, Independent ScholarDaniel Rafaelic, Independent ScholarRobert Singer, CUNY Graduate CenterPhilip Sipiora, University of South FloridaJohn Soister, Independent Scholar |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
| Physical Description: | 1 Online-Ressource (336 pages) |
| ISBN: | 9781474403269 |
| DOI: | 10.1515/9781474403269 |
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| author | Brill, Olaf |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
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| doi_str_mv | 10.1515/9781474403269 |
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| index_date | 2024-07-03T19:19:58Z |
| indexdate | 2025-02-19T17:33:49Z |
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| isbn | 9781474403269 |
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| spelling | Brill, Olaf Verfasser aut Expressionism in the Cinema Olaf Brill, Gary D Rhodes Edinburgh Edinburgh University Press [2022] © 2016 1 Online-Ressource (336 pages) txt rdacontent c rdamedia cr rdacarrier Traditions in World Cinema : TWC Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) From classical to contemporary narratives, this book redefines the expressionist aestheticOne of the most visually striking traditions in cinema, for too long Expressionism has been a neglected critical category of research in film history and aesthetics. The fifteen essays in this anthology remedies this by revisiting key German films like The Cabinet of Dr. Caligari (1920) and Nosferatu (1922), and also provides original critical research into more obscure titles like Nerven (1919) and The Phantom Carriage (1921), films that were produced in the silent and early sound era in countries ranging from France, Sweden and Hungary, to the United States and Mexico.An innovative and wide-ranging collection, Expressionism in the Cinema re-canonizes the classical Expressionist aesthetic, extending the critical and historical discussion beyond pre-existing scholarship into comparative and interdisciplinary areas of film research that reach across national boundaries.Contributors Steve Choe, University of IowaPaul Cuff, University of WarwickThomas Elsaesser, University of AmsterdamRobert Guffey, California State University-Long BeachGraeme Harper, Oakland University (Michigan)David J. Hogan, Independent ScholarMirjam Kappes, Independent ScholarBernard McCarron, Independent ScholarDaniel Rafaelic, Independent ScholarRobert Singer, CUNY Graduate CenterPhilip Sipiora, University of South FloridaJohn Soister, Independent Scholar In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Expressionism in motion pictures Brill, Olaf Sonstige oth Choe, Steve Sonstige oth Cuff, Paul Sonstige oth Elsaesser, Thomas Sonstige oth Guffey, Robert Sonstige oth Harper, Graeme Sonstige oth Hogan, David J. Sonstige oth Kappes, Mirjam Sonstige oth McCarron, Bernard Sonstige oth Rafaelic, Daniel Sonstige oth Rhodes, Gary D Sonstige oth Rhodes, Gary D. Sonstige oth Singer, Robert Sonstige oth Sipiora, Phillip Sonstige oth Soister, John T. Sonstige oth https://doi.org/10.1515/9781474403269 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Brill, Olaf Expressionism in the Cinema Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Expressionism in motion pictures |
| title | Expressionism in the Cinema |
| title_auth | Expressionism in the Cinema |
| title_exact_search | Expressionism in the Cinema |
| title_exact_search_txtP | Expressionism in the Cinema |
| title_full | Expressionism in the Cinema Olaf Brill, Gary D Rhodes |
| title_fullStr | Expressionism in the Cinema Olaf Brill, Gary D Rhodes |
| title_full_unstemmed | Expressionism in the Cinema Olaf Brill, Gary D Rhodes |
| title_short | Expressionism in the Cinema |
| title_sort | expressionism in the cinema |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Expressionism in motion pictures |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General Expressionism in motion pictures |
| url | https://doi.org/10.1515/9781474403269 |
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