Extreme Cinema: Affective Strategies in Transnational Media
Examines how extreme cinema mobilises explicit content and highly embellished aesthetics to affect spectatorsExtreme Cinema examines the highly stylized treatment of sex and violence in post-millennial transnational cinema, where the governing convention is not the narrative but the spectacle. Using...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 URL des Erstveröffentlichers |
| Zusammenfassung: | Examines how extreme cinema mobilises explicit content and highly embellished aesthetics to affect spectatorsExtreme Cinema examines the highly stylized treatment of sex and violence in post-millennial transnational cinema, where the governing convention is not the narrative but the spectacle. Using profound experiments in form and composition, including jarring editing, extreme close-ups, visual disorientation and sounds that straddle the boundary between non-diegetic and diegetic registers, this mode of cinema dwells instead on the exhibition of intense violence and an acute intimacy with the sexual body. Interrogating works such as Wetlands and A Serbian Film, as well as the sub-culture of YouTube 'reaction videos', Aaron Michael Kerner and Jonathan L. Knapp demonstrate the way content and form combine in extreme cinema to affectively manipulate the viewing body.Key featuresConsiders a wide scope of international approaches to extreme cinemaDraws together a diverse body of theoretical ideas to work towards a conceptualisation of the affective potential in the cinemaEngages critically with films that have received little scholarly attentionCases studies include Wetlands, A Serbian Film and Helter Skelter |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (192 pages) |
| ISBN: | 9781474402910 |
| DOI: | 10.1515/9781474402910 |
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| dewey-search | 791.409 |
| dewey-sort | 3791.409 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
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| doi_str_mv | 10.1515/9781474402910 |
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| index_date | 2024-07-03T19:19:58Z |
| indexdate | 2024-07-10T09:23:39Z |
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| isbn | 9781474402910 |
| language | English |
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| spelling | Kerner, Aaron 1972- Verfasser (DE-588)1072168987 aut Extreme Cinema Affective Strategies in Transnational Media Aaron Kerner, Jonathan Knapp Edinburgh Edinburgh University Press [2022] © 2016 1 Online-Ressource (192 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Examines how extreme cinema mobilises explicit content and highly embellished aesthetics to affect spectatorsExtreme Cinema examines the highly stylized treatment of sex and violence in post-millennial transnational cinema, where the governing convention is not the narrative but the spectacle. Using profound experiments in form and composition, including jarring editing, extreme close-ups, visual disorientation and sounds that straddle the boundary between non-diegetic and diegetic registers, this mode of cinema dwells instead on the exhibition of intense violence and an acute intimacy with the sexual body. Interrogating works such as Wetlands and A Serbian Film, as well as the sub-culture of YouTube 'reaction videos', Aaron Michael Kerner and Jonathan L. Knapp demonstrate the way content and form combine in extreme cinema to affectively manipulate the viewing body.Key featuresConsiders a wide scope of international approaches to extreme cinemaDraws together a diverse body of theoretical ideas to work towards a conceptualisation of the affective potential in the cinemaEngages critically with films that have received little scholarly attentionCases studies include Wetlands, A Serbian Film and Helter Skelter In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Motion pictures History Motion pictures Sex in motion pictures Violence in motion pictures Gewalt Motiv (DE-588)4113748-6 gnd rswk-swf Erotik Motiv (DE-588)4123157-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Film (DE-588)4017102-4 s Gewalt Motiv (DE-588)4113748-6 s Erotik Motiv (DE-588)4123157-0 s DE-604 Knapp, Jonathan Sonstige oth https://doi.org/10.1515/9781474402910 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Kerner, Aaron 1972- Extreme Cinema Affective Strategies in Transnational Media Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Motion pictures History Motion pictures Sex in motion pictures Violence in motion pictures Gewalt Motiv (DE-588)4113748-6 gnd Erotik Motiv (DE-588)4123157-0 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4113748-6 (DE-588)4123157-0 (DE-588)4017102-4 |
| title | Extreme Cinema Affective Strategies in Transnational Media |
| title_auth | Extreme Cinema Affective Strategies in Transnational Media |
| title_exact_search | Extreme Cinema Affective Strategies in Transnational Media |
| title_exact_search_txtP | Extreme Cinema Affective Strategies in Transnational Media |
| title_full | Extreme Cinema Affective Strategies in Transnational Media Aaron Kerner, Jonathan Knapp |
| title_fullStr | Extreme Cinema Affective Strategies in Transnational Media Aaron Kerner, Jonathan Knapp |
| title_full_unstemmed | Extreme Cinema Affective Strategies in Transnational Media Aaron Kerner, Jonathan Knapp |
| title_short | Extreme Cinema |
| title_sort | extreme cinema affective strategies in transnational media |
| title_sub | Affective Strategies in Transnational Media |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Motion pictures History Motion pictures Sex in motion pictures Violence in motion pictures Gewalt Motiv (DE-588)4113748-6 gnd Erotik Motiv (DE-588)4123157-0 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production Motion pictures History Motion pictures Sex in motion pictures Violence in motion pictures Gewalt Motiv Erotik Motiv Film |
| url | https://doi.org/10.1515/9781474402910 |
| work_keys_str_mv | AT kerneraaron extremecinemaaffectivestrategiesintransnationalmedia AT knappjonathan extremecinemaaffectivestrategiesintransnationalmedia |