French-language Road Cinema: Borders, Diasporas, Migration and 'New Europe'
An examination of contemporary French-language road movies within the cultural and political context of 'New Europe'Over the past two decades road cinema has become an increasingly popular form of expression for European directors. Focusing on a corpus of films from France, Belgium and Swi...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
|
| Schriftenreihe: | Traditions in World Cinema : TWC
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | An examination of contemporary French-language road movies within the cultural and political context of 'New Europe'Over the past two decades road cinema has become an increasingly popular form of expression for European directors. Focusing on a corpus of films from France, Belgium and Switzerland, including works by Ismaël Ferroukhi, Bouli Lanners, Aki Kaurismäki and Jacqueline Audry amongst many others, French-language Road Cinema contends that nowhere is the impulse to remap the spaces and identities of 'New Europe' more evident than in French-language cinema. Drawing on mobility studies, cultural geography and film theory, this innovative work sketches out the flexible yet distinctive parameters of contemporary French-language road cinema, and argues for an understanding of the 'road movie' not as a genre but as a thematic and formal template that crosses cinematic categories to bring together a wide array of films that narrate the movements of migrants, tourists and business executives.Key FeaturesThe first monograph to focus on transnational French-language (from or co-produced by France, Belgium and Switzerland) European road cinemaEach chapter analyses key formal characteristics of a carefully chosen selection of films through the optic of a significant cultural or political issue facing 'New Europe'Examines the unique formal and thematic qualities of French-language European road movies in relationship to American and European traditionsCase studies examine well-known films, as well as those that have not yet received scholarly attention but are commercially available with English subtitlesCompares and contrasts more positive vantage points on cinematic mobility with recent migrant cinema Read the introduction for free |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (208 pages) |
| ISBN: | 9780748698684 |
| DOI: | 10.1515/9780748698684 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV047869474 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220308s2022 |||| o||u| ||||||eng d | ||
| 020 | |a 9780748698684 |9 978-0-7486-9868-4 | ||
| 024 | 7 | |a 10.1515/9780748698684 |2 doi | |
| 035 | |a (ZDB-23-DGG)9780748698684 | ||
| 035 | |a (OCoLC)1304484340 | ||
| 035 | |a (DE-599)BVBBV047869474 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1043 |a DE-1046 |a DE-858 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 | ||
| 100 | 1 | |a Gott, Michael |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a French-language Road Cinema |b Borders, Diasporas, Migration and 'New Europe' |c Michael Gott |
| 264 | 1 | |a Edinburgh |b Edinburgh University Press |c [2022] | |
| 264 | 4 | |c © 2016 | |
| 300 | |a 1 Online-Ressource (208 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Traditions in World Cinema : TWC | |
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | ||
| 520 | |a An examination of contemporary French-language road movies within the cultural and political context of 'New Europe'Over the past two decades road cinema has become an increasingly popular form of expression for European directors. Focusing on a corpus of films from France, Belgium and Switzerland, including works by Ismaël Ferroukhi, Bouli Lanners, Aki Kaurismäki and Jacqueline Audry amongst many others, French-language Road Cinema contends that nowhere is the impulse to remap the spaces and identities of 'New Europe' more evident than in French-language cinema. Drawing on mobility studies, cultural geography and film theory, this innovative work sketches out the flexible yet distinctive parameters of contemporary French-language road cinema, and argues for an understanding of the 'road movie' not as a genre but as a thematic and formal template that crosses cinematic categories to bring together a wide array of films that narrate the movements of migrants, tourists and business executives.Key FeaturesThe first monograph to focus on transnational French-language (from or co-produced by France, Belgium and Switzerland) European road cinemaEach chapter analyses key formal characteristics of a carefully chosen selection of films through the optic of a significant cultural or political issue facing 'New Europe'Examines the unique formal and thematic qualities of French-language European road movies in relationship to American and European traditionsCase studies examine well-known films, as well as those that have not yet received scholarly attention but are commercially available with English subtitlesCompares and contrasts more positive vantage points on cinematic mobility with recent migrant cinema Read the introduction for free | ||
| 546 | |a In English | ||
| 650 | 4 | |a Film, Media & Cultural Studies | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / General |2 bisacsh | |
| 650 | 4 | |a Motion pictures |z French-speaking countries |x History | |
| 650 | 4 | |a Motion pictures, French |x History | |
| 650 | 4 | |a National characteristics, French, in motion pictures | |
| 650 | 4 | |a Road films |z French-speaking countries |x History | |
| 650 | 4 | |a Travel in motion pictures | |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9780748698684 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033251967 | ||
| 966 | e | |u https://doi.org/10.1515/9780748698684 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780748698684 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780748698684 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780748698684 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780748698684 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780748698684 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780748698684 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780748698684 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804183450483163136 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Gott, Michael |
| author_facet | Gott, Michael |
| author_role | aut |
| author_sort | Gott, Michael |
| author_variant | m g mg |
| building | Verbundindex |
| bvnumber | BV047869474 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9780748698684 (OCoLC)1304484340 (DE-599)BVBBV047869474 |
| doi_str_mv | 10.1515/9780748698684 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04291nmm a2200541zc 4500</leader><controlfield tag="001">BV047869474</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220308s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780748698684</subfield><subfield code="9">978-0-7486-9868-4</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780748698684</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780748698684</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1304484340</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047869474</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Gott, Michael</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">French-language Road Cinema</subfield><subfield code="b">Borders, Diasporas, Migration and 'New Europe'</subfield><subfield code="c">Michael Gott</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh</subfield><subfield code="b">Edinburgh University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (208 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Traditions in World Cinema : TWC</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">An examination of contemporary French-language road movies within the cultural and political context of 'New Europe'Over the past two decades road cinema has become an increasingly popular form of expression for European directors. Focusing on a corpus of films from France, Belgium and Switzerland, including works by Ismaël Ferroukhi, Bouli Lanners, Aki Kaurismäki and Jacqueline Audry amongst many others, French-language Road Cinema contends that nowhere is the impulse to remap the spaces and identities of 'New Europe' more evident than in French-language cinema. Drawing on mobility studies, cultural geography and film theory, this innovative work sketches out the flexible yet distinctive parameters of contemporary French-language road cinema, and argues for an understanding of the 'road movie' not as a genre but as a thematic and formal template that crosses cinematic categories to bring together a wide array of films that narrate the movements of migrants, tourists and business executives.Key FeaturesThe first monograph to focus on transnational French-language (from or co-produced by France, Belgium and Switzerland) European road cinemaEach chapter analyses key formal characteristics of a carefully chosen selection of films through the optic of a significant cultural or political issue facing 'New Europe'Examines the unique formal and thematic qualities of French-language European road movies in relationship to American and European traditionsCase studies examine well-known films, as well as those that have not yet received scholarly attention but are commercially available with English subtitlesCompares and contrasts more positive vantage points on cinematic mobility with recent migrant cinema Read the introduction for free</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media & Cultural Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / General</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="z">French-speaking countries</subfield><subfield code="x">History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures, French</subfield><subfield code="x">History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">National characteristics, French, in motion pictures</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Road films</subfield><subfield code="z">French-speaking countries</subfield><subfield code="x">History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Travel in motion pictures</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780748698684</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033251967</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748698684</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748698684</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748698684</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748698684</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748698684</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748698684</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748698684</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748698684</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV047869474 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:19:57Z |
| indexdate | 2024-07-10T09:23:38Z |
| institution | BVB |
| isbn | 9780748698684 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033251967 |
| oclc_num | 1304484340 |
| open_access_boolean | |
| owner | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| owner_facet | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| physical | 1 Online-Ressource (208 pages) |
| psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Edinburgh University Press |
| record_format | marc |
| series2 | Traditions in World Cinema : TWC |
| spelling | Gott, Michael Verfasser aut French-language Road Cinema Borders, Diasporas, Migration and 'New Europe' Michael Gott Edinburgh Edinburgh University Press [2022] © 2016 1 Online-Ressource (208 pages) txt rdacontent c rdamedia cr rdacarrier Traditions in World Cinema : TWC Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) An examination of contemporary French-language road movies within the cultural and political context of 'New Europe'Over the past two decades road cinema has become an increasingly popular form of expression for European directors. Focusing on a corpus of films from France, Belgium and Switzerland, including works by Ismaël Ferroukhi, Bouli Lanners, Aki Kaurismäki and Jacqueline Audry amongst many others, French-language Road Cinema contends that nowhere is the impulse to remap the spaces and identities of 'New Europe' more evident than in French-language cinema. Drawing on mobility studies, cultural geography and film theory, this innovative work sketches out the flexible yet distinctive parameters of contemporary French-language road cinema, and argues for an understanding of the 'road movie' not as a genre but as a thematic and formal template that crosses cinematic categories to bring together a wide array of films that narrate the movements of migrants, tourists and business executives.Key FeaturesThe first monograph to focus on transnational French-language (from or co-produced by France, Belgium and Switzerland) European road cinemaEach chapter analyses key formal characteristics of a carefully chosen selection of films through the optic of a significant cultural or political issue facing 'New Europe'Examines the unique formal and thematic qualities of French-language European road movies in relationship to American and European traditionsCase studies examine well-known films, as well as those that have not yet received scholarly attention but are commercially available with English subtitlesCompares and contrasts more positive vantage points on cinematic mobility with recent migrant cinema Read the introduction for free In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Motion pictures French-speaking countries History Motion pictures, French History National characteristics, French, in motion pictures Road films French-speaking countries History Travel in motion pictures https://doi.org/10.1515/9780748698684 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Gott, Michael French-language Road Cinema Borders, Diasporas, Migration and 'New Europe' Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Motion pictures French-speaking countries History Motion pictures, French History National characteristics, French, in motion pictures Road films French-speaking countries History Travel in motion pictures |
| title | French-language Road Cinema Borders, Diasporas, Migration and 'New Europe' |
| title_auth | French-language Road Cinema Borders, Diasporas, Migration and 'New Europe' |
| title_exact_search | French-language Road Cinema Borders, Diasporas, Migration and 'New Europe' |
| title_exact_search_txtP | French-language Road Cinema Borders, Diasporas, Migration and 'New Europe' |
| title_full | French-language Road Cinema Borders, Diasporas, Migration and 'New Europe' Michael Gott |
| title_fullStr | French-language Road Cinema Borders, Diasporas, Migration and 'New Europe' Michael Gott |
| title_full_unstemmed | French-language Road Cinema Borders, Diasporas, Migration and 'New Europe' Michael Gott |
| title_short | French-language Road Cinema |
| title_sort | french language road cinema borders diasporas migration and new europe |
| title_sub | Borders, Diasporas, Migration and 'New Europe' |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Motion pictures French-speaking countries History Motion pictures, French History National characteristics, French, in motion pictures Road films French-speaking countries History Travel in motion pictures |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General Motion pictures French-speaking countries History Motion pictures, French History National characteristics, French, in motion pictures Road films French-speaking countries History Travel in motion pictures |
| url | https://doi.org/10.1515/9780748698684 |
| work_keys_str_mv | AT gottmichael frenchlanguageroadcinemabordersdiasporasmigrationandneweurope |