The Cinema of Theo Angelopoulos:
Demonstrates how the films of Theo Angelopoulos react aesthetically to their historical periodThe Cinema of Theo Angelopoulos is the first critical assessment of one of the leading figures of modernist European art cinema. Assessing his complete works, this groundbreaking collection brings together...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
|
| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 URL des Erstveröffentlichers |
| Zusammenfassung: | Demonstrates how the films of Theo Angelopoulos react aesthetically to their historical periodThe Cinema of Theo Angelopoulos is the first critical assessment of one of the leading figures of modernist European art cinema. Assessing his complete works, this groundbreaking collection brings together a team of internationally regarded experts and emerging scholars from multiple disciplines, to provide a definitive account of Angelopoulos' formal reactions to the historical events that determined life during the twentieth and early twenty-first centuries. Refusing to restrict its approach to the confines of the Greek national film industry, the book approaches his work as representative of modernism more generally, and in particular of the modernist imperative to document its allusive historical objects through artistic innovation.Retrospective in nature, The Cinema of Theo Angelopoulos argues that Angelopoulos' films are not emblems of a bygone historical and cultural era or abstract exercises in artistic style, but are foreshadowing documents that speak to the political complexities and economic contradictions of the present.Read the introduction online for free (pdf)ContributorsMaria Chalkou holds a PhD in Film Theory and History (University of Glasgow).Stephanie Hemelryk Donald is Head of the School of the Arts at the University of Liverpool. Caroline Eades is Associate Professor in the School of Languages, Literatures and Cultures at the University of Maryland, College Park. Hamish Ford is a Senior Lecturer in Film Studies at the University of Newcastle, Australia.Dan Georgakas has been one of the editors of Cineaste film quarterly since 1969. Asbjørn Grønstad is Professor of Visual Culture in the Department of Information Science and Media Studies at the University Of Bergen.Andrew Horton is Jeanne H. Smith Professor of Film and Media Studies at the University of Oklahoma, an award-winning screenwriter, and the author of twenty-seven books on film, screenwriting and cultural studies.Fredric Jameson is the author of Postmodernism, or The Cultural Logic of Late Capitalism (1991), which won the MLA Lowell Award.Smaro Kamboureli is the Avie Bennett Professor in Canadian Literature at the University of Toronto.Vrasidas Karalis is a Professor of Modern Greek at the University of Sydney.Alexander Kluge is a political philosopher, author, filmmaker and co-writer of the Oberhausen Manifesto (1962). |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (336 pages) 21 B/W illustrations |
| ISBN: | 9780748697960 |
Internformat
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV047869466 | ||
| 003 | DE-604 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220308s2022 xx a||| o|||| 00||| eng d | ||
| 020 | |a 9780748697960 |9 978-0-7486-9796-0 | ||
| 024 | 7 | |a 10.1515/9780748697960 |2 doi | |
| 035 | |a (ZDB-23-DGG)9780748697960 | ||
| 035 | |a (OCoLC)1304475987 | ||
| 035 | |a (DE-599)BVBBV047869466 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1043 |a DE-1046 |a DE-858 |a DE-859 |a DE-860 |a DE-473 |a DE-739 | ||
| 082 | 0 | |a 791.4/30233092 |2 23 | |
| 100 | 1 | |a Koutsourakis, Angelos |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The Cinema of Theo Angelopoulos |c Angelos Koutsourakis, Mark Steven |
| 264 | 1 | |a Edinburgh |b Edinburgh University Press |c [2022] | |
| 264 | 4 | |c © 2015 | |
| 300 | |a 1 Online-Ressource (336 pages) |b 21 B/W illustrations | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | ||
| 520 | |a Demonstrates how the films of Theo Angelopoulos react aesthetically to their historical periodThe Cinema of Theo Angelopoulos is the first critical assessment of one of the leading figures of modernist European art cinema. Assessing his complete works, this groundbreaking collection brings together a team of internationally regarded experts and emerging scholars from multiple disciplines, to provide a definitive account of Angelopoulos' formal reactions to the historical events that determined life during the twentieth and early twenty-first centuries. | ||
| 520 | |a Refusing to restrict its approach to the confines of the Greek national film industry, the book approaches his work as representative of modernism more generally, and in particular of the modernist imperative to document its allusive historical objects through artistic innovation.Retrospective in nature, The Cinema of Theo Angelopoulos argues that Angelopoulos' films are not emblems of a bygone historical and cultural era or abstract exercises in artistic style, but are foreshadowing documents that speak to the political complexities and economic contradictions of the present.Read the introduction online for free (pdf)ContributorsMaria Chalkou holds a PhD in Film Theory and History (University of Glasgow).Stephanie Hemelryk Donald is Head of the School of the Arts at the University of Liverpool. Caroline Eades is Associate Professor in the School of Languages, Literatures and Cultures at the University of Maryland, College Park. | ||
| 520 | |a Hamish Ford is a Senior Lecturer in Film Studies at the University of Newcastle, Australia.Dan Georgakas has been one of the editors of Cineaste film quarterly since 1969. Asbjørn Grønstad is Professor of Visual Culture in the Department of Information Science and Media Studies at the University Of Bergen.Andrew Horton is Jeanne H. Smith Professor of Film and Media Studies at the University of Oklahoma, an award-winning screenwriter, and the author of twenty-seven books on film, screenwriting and cultural studies.Fredric Jameson is the author of Postmodernism, or The Cultural Logic of Late Capitalism (1991), which won the MLA Lowell Award.Smaro Kamboureli is the Avie Bennett Professor in Canadian Literature at the University of Toronto.Vrasidas Karalis is a Professor of Modern Greek at the University of Sydney.Alexander Kluge is a political philosopher, author, filmmaker and co-writer of the Oberhausen Manifesto (1962). | ||
| 546 | |a In English | ||
| 650 | 4 | |a Film, Media & Cultural Studies | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / Direction & Production |2 bisacsh | |
| 700 | 1 | |a Chalkou, Maria |e Sonstige |4 oth | |
| 700 | 1 | |a Eades, Caroline |e Sonstige |4 oth | |
| 700 | 1 | |a Ford, Hamish |e Sonstige |4 oth | |
| 700 | 1 | |a Georgakas, Dan |e Sonstige |4 oth | |
| 700 | 1 | |a Grønstad, Asbjørn |e Sonstige |4 oth | |
| 700 | 1 | |a Hemelryk Donald, Stephanie |e Sonstige |4 oth | |
| 700 | 1 | |a Horton, Andrew |e Sonstige |4 oth | |
| 700 | 1 | |a Jameson, Fredric |e Sonstige |4 oth | |
| 700 | 1 | |a Kamboureli, Smaro |e Sonstige |4 oth | |
| 700 | 1 | |a Kluge, Alexander |e Sonstige |4 oth | |
| 700 | 1 | |a Koutsourakis, Angelos |e Sonstige |4 oth | |
| 700 | 1 | |a Murphet, Julian |e Sonstige |4 oth | |
| 700 | 1 | |a Nobus, Dany |e Sonstige |4 oth | |
| 700 | 1 | |a Pouli, Nektaria |e Sonstige |4 oth | |
| 700 | 1 | |a Rollet, Sylvie |e Sonstige |4 oth | |
| 700 | 1 | |a Rushton, Richard |e Sonstige |4 oth | |
| 700 | 1 | |a Sinnerbrink, Robert |e Sonstige |4 oth | |
| 700 | 1 | |a Steven, Mark |e Sonstige |4 oth | |
| 700 | 1 | |a Steven, Mark |e Sonstige |4 oth | |
| 856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780748697960 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-033251959 | |
| 966 | e | |u https://www.degruyter.com/isbn/9780748697960 |l DE-1046 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9780748697960 |l DE-1043 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9780748697960 |l DE-858 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9780748697960 |l DE-859 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9780748697960 |l DE-860 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9780748697960 |l DE-739 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9780748697960 |l DE-473 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1824507999618596864 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Koutsourakis, Angelos |
| author_facet | Koutsourakis, Angelos |
| author_role | aut |
| author_sort | Koutsourakis, Angelos |
| author_variant | a k ak |
| building | Verbundindex |
| bvnumber | BV047869466 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9780748697960 (OCoLC)1304475987 (DE-599)BVBBV047869466 |
| dewey-full | 791.4/30233092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4/30233092 |
| dewey-search | 791.4/30233092 |
| dewey-sort | 3791.4 830233092 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV047869466</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220308s2022 xx a||| o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780748697960</subfield><subfield code="9">978-0-7486-9796-0</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780748697960</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780748697960</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1304475987</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047869466</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.4/30233092</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Koutsourakis, Angelos</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The Cinema of Theo Angelopoulos</subfield><subfield code="c">Angelos Koutsourakis, Mark Steven</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh</subfield><subfield code="b">Edinburgh University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (336 pages)</subfield><subfield code="b">21 B/W illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Demonstrates how the films of Theo Angelopoulos react aesthetically to their historical periodThe Cinema of Theo Angelopoulos is the first critical assessment of one of the leading figures of modernist European art cinema. Assessing his complete works, this groundbreaking collection brings together a team of internationally regarded experts and emerging scholars from multiple disciplines, to provide a definitive account of Angelopoulos' formal reactions to the historical events that determined life during the twentieth and early twenty-first centuries.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Refusing to restrict its approach to the confines of the Greek national film industry, the book approaches his work as representative of modernism more generally, and in particular of the modernist imperative to document its allusive historical objects through artistic innovation.Retrospective in nature, The Cinema of Theo Angelopoulos argues that Angelopoulos' films are not emblems of a bygone historical and cultural era or abstract exercises in artistic style, but are foreshadowing documents that speak to the political complexities and economic contradictions of the present.Read the introduction online for free (pdf)ContributorsMaria Chalkou holds a PhD in Film Theory and History (University of Glasgow).Stephanie Hemelryk Donald is Head of the School of the Arts at the University of Liverpool. Caroline Eades is Associate Professor in the School of Languages, Literatures and Cultures at the University of Maryland, College Park.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Hamish Ford is a Senior Lecturer in Film Studies at the University of Newcastle, Australia.Dan Georgakas has been one of the editors of Cineaste film quarterly since 1969. Asbjørn Grønstad is Professor of Visual Culture in the Department of Information Science and Media Studies at the University Of Bergen.Andrew Horton is Jeanne H. Smith Professor of Film and Media Studies at the University of Oklahoma, an award-winning screenwriter, and the author of twenty-seven books on film, screenwriting and cultural studies.Fredric Jameson is the author of Postmodernism, or The Cultural Logic of Late Capitalism (1991), which won the MLA Lowell Award.Smaro Kamboureli is the Avie Bennett Professor in Canadian Literature at the University of Toronto.Vrasidas Karalis is a Professor of Modern Greek at the University of Sydney.Alexander Kluge is a political philosopher, author, filmmaker and co-writer of the Oberhausen Manifesto (1962).</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media & Cultural Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / Direction & Production</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Chalkou, Maria</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Eades, Caroline</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Ford, Hamish</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Georgakas, Dan</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Grønstad, Asbjørn</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hemelryk Donald, Stephanie</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Horton, Andrew</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Jameson, Fredric</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Kamboureli, Smaro</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Kluge, Alexander</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Koutsourakis, Angelos</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Murphet, Julian</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Nobus, Dany</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Pouli, Nektaria</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Rollet, Sylvie</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Rushton, Richard</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Sinnerbrink, Robert</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Steven, Mark</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Steven, Mark</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780748697960</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033251959</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9780748697960</subfield><subfield code="l">DE-1046</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9780748697960</subfield><subfield code="l">DE-1043</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9780748697960</subfield><subfield code="l">DE-858</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9780748697960</subfield><subfield code="l">DE-859</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9780748697960</subfield><subfield code="l">DE-860</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9780748697960</subfield><subfield code="l">DE-739</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9780748697960</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV047869466 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:19:57Z |
| indexdate | 2025-02-19T17:33:39Z |
| institution | BVB |
| isbn | 9780748697960 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033251959 |
| oclc_num | 1304475987 |
| open_access_boolean | |
| owner | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| owner_facet | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| physical | 1 Online-Ressource (336 pages) 21 B/W illustrations |
| psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Edinburgh University Press |
| record_format | marc |
| spelling | Koutsourakis, Angelos Verfasser aut The Cinema of Theo Angelopoulos Angelos Koutsourakis, Mark Steven Edinburgh Edinburgh University Press [2022] © 2015 1 Online-Ressource (336 pages) 21 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Demonstrates how the films of Theo Angelopoulos react aesthetically to their historical periodThe Cinema of Theo Angelopoulos is the first critical assessment of one of the leading figures of modernist European art cinema. Assessing his complete works, this groundbreaking collection brings together a team of internationally regarded experts and emerging scholars from multiple disciplines, to provide a definitive account of Angelopoulos' formal reactions to the historical events that determined life during the twentieth and early twenty-first centuries. Refusing to restrict its approach to the confines of the Greek national film industry, the book approaches his work as representative of modernism more generally, and in particular of the modernist imperative to document its allusive historical objects through artistic innovation.Retrospective in nature, The Cinema of Theo Angelopoulos argues that Angelopoulos' films are not emblems of a bygone historical and cultural era or abstract exercises in artistic style, but are foreshadowing documents that speak to the political complexities and economic contradictions of the present.Read the introduction online for free (pdf)ContributorsMaria Chalkou holds a PhD in Film Theory and History (University of Glasgow).Stephanie Hemelryk Donald is Head of the School of the Arts at the University of Liverpool. Caroline Eades is Associate Professor in the School of Languages, Literatures and Cultures at the University of Maryland, College Park. Hamish Ford is a Senior Lecturer in Film Studies at the University of Newcastle, Australia.Dan Georgakas has been one of the editors of Cineaste film quarterly since 1969. Asbjørn Grønstad is Professor of Visual Culture in the Department of Information Science and Media Studies at the University Of Bergen.Andrew Horton is Jeanne H. Smith Professor of Film and Media Studies at the University of Oklahoma, an award-winning screenwriter, and the author of twenty-seven books on film, screenwriting and cultural studies.Fredric Jameson is the author of Postmodernism, or The Cultural Logic of Late Capitalism (1991), which won the MLA Lowell Award.Smaro Kamboureli is the Avie Bennett Professor in Canadian Literature at the University of Toronto.Vrasidas Karalis is a Professor of Modern Greek at the University of Sydney.Alexander Kluge is a political philosopher, author, filmmaker and co-writer of the Oberhausen Manifesto (1962). In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Chalkou, Maria Sonstige oth Eades, Caroline Sonstige oth Ford, Hamish Sonstige oth Georgakas, Dan Sonstige oth Grønstad, Asbjørn Sonstige oth Hemelryk Donald, Stephanie Sonstige oth Horton, Andrew Sonstige oth Jameson, Fredric Sonstige oth Kamboureli, Smaro Sonstige oth Kluge, Alexander Sonstige oth Koutsourakis, Angelos Sonstige oth Murphet, Julian Sonstige oth Nobus, Dany Sonstige oth Pouli, Nektaria Sonstige oth Rollet, Sylvie Sonstige oth Rushton, Richard Sonstige oth Sinnerbrink, Robert Sonstige oth Steven, Mark Sonstige oth https://www.degruyter.com/isbn/9780748697960 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Koutsourakis, Angelos The Cinema of Theo Angelopoulos Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh |
| title | The Cinema of Theo Angelopoulos |
| title_auth | The Cinema of Theo Angelopoulos |
| title_exact_search | The Cinema of Theo Angelopoulos |
| title_exact_search_txtP | The Cinema of Theo Angelopoulos |
| title_full | The Cinema of Theo Angelopoulos Angelos Koutsourakis, Mark Steven |
| title_fullStr | The Cinema of Theo Angelopoulos Angelos Koutsourakis, Mark Steven |
| title_full_unstemmed | The Cinema of Theo Angelopoulos Angelos Koutsourakis, Mark Steven |
| title_short | The Cinema of Theo Angelopoulos |
| title_sort | the cinema of theo angelopoulos |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production |
| url | https://www.degruyter.com/isbn/9780748697960 |
| work_keys_str_mv | AT koutsourakisangelos thecinemaoftheoangelopoulos AT chalkoumaria thecinemaoftheoangelopoulos AT eadescaroline thecinemaoftheoangelopoulos AT fordhamish thecinemaoftheoangelopoulos AT georgakasdan thecinemaoftheoangelopoulos AT grønstadasbjørn thecinemaoftheoangelopoulos AT hemelrykdonaldstephanie thecinemaoftheoangelopoulos AT hortonandrew thecinemaoftheoangelopoulos AT jamesonfredric thecinemaoftheoangelopoulos AT kambourelismaro thecinemaoftheoangelopoulos AT klugealexander thecinemaoftheoangelopoulos AT murphetjulian thecinemaoftheoangelopoulos AT nobusdany thecinemaoftheoangelopoulos AT poulinektaria thecinemaoftheoangelopoulos AT rolletsylvie thecinemaoftheoangelopoulos AT rushtonrichard thecinemaoftheoangelopoulos AT sinnerbrinkrobert thecinemaoftheoangelopoulos AT stevenmark thecinemaoftheoangelopoulos |