American Postfeminist Cinema: Women, Romance and Contemporary Culture
Examines a cycle of postfeminist films that adopt the conventions of romanceIn light of their tremendous gains in the political and professional sphere, and their ever expanding options, why do most contemporary American films aimed at women still focus almost exclusively on their pursuit of a heter...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
|
| Schriftenreihe: | Traditions in American Cinema : TAC
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Examines a cycle of postfeminist films that adopt the conventions of romanceIn light of their tremendous gains in the political and professional sphere, and their ever expanding options, why do most contemporary American films aimed at women still focus almost exclusively on their pursuit of a heterosexual romantic relationship? American Postfeminist Cinema explores this question and is the first book to examine the symbiotic relationship between heterosexual romance and postfeminist culture. The book argues that since 1980, postfeminism's most salient tensions and anxieties have been reflected in the American romance film. Case studies of a broad range of Hollywood and independent films reveal how the postfeminist romance cycle is intertwined with contemporary women's ambivalence and broader cultural anxieties about women's changing social and political status.Key FeaturesOffers a new perspective on both popular American romance films and postfeminist cultural criticism by examining the symbiotic relationship between romance and postfeminismAnalyses the recurring narrative and discursive patterns of postfeminist cinemaIncludes 13 case studies of popular postfeminist films and other media texts, including television programmesContinues the tradition of feminist analysis of romance as a significant media genre for women |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (208 pages) |
| ISBN: | 9780748693375 |
| DOI: | 10.1515/9780748693375 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV047869393 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220308s2022 |||| o||u| ||||||eng d | ||
| 020 | |a 9780748693375 |9 978-0-7486-9337-5 | ||
| 024 | 7 | |a 10.1515/9780748693375 |2 doi | |
| 035 | |a (ZDB-23-DGG)9780748693375 | ||
| 035 | |a (OCoLC)1304484440 | ||
| 035 | |a (DE-599)BVBBV047869393 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1043 |a DE-1046 |a DE-858 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 | ||
| 100 | 1 | |a Schreiber, Michele |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a American Postfeminist Cinema |b Women, Romance and Contemporary Culture |c Michele Schreiber |
| 264 | 1 | |a Edinburgh |b Edinburgh University Press |c [2022] | |
| 264 | 4 | |c © 2014 | |
| 300 | |a 1 Online-Ressource (208 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Traditions in American Cinema : TAC | |
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | ||
| 520 | |a Examines a cycle of postfeminist films that adopt the conventions of romanceIn light of their tremendous gains in the political and professional sphere, and their ever expanding options, why do most contemporary American films aimed at women still focus almost exclusively on their pursuit of a heterosexual romantic relationship? American Postfeminist Cinema explores this question and is the first book to examine the symbiotic relationship between heterosexual romance and postfeminist culture. The book argues that since 1980, postfeminism's most salient tensions and anxieties have been reflected in the American romance film. Case studies of a broad range of Hollywood and independent films reveal how the postfeminist romance cycle is intertwined with contemporary women's ambivalence and broader cultural anxieties about women's changing social and political status.Key FeaturesOffers a new perspective on both popular American romance films and postfeminist cultural criticism by examining the symbiotic relationship between romance and postfeminismAnalyses the recurring narrative and discursive patterns of postfeminist cinemaIncludes 13 case studies of popular postfeminist films and other media texts, including television programmesContinues the tradition of feminist analysis of romance as a significant media genre for women | ||
| 546 | |a In English | ||
| 650 | 4 | |a Film, Media & Cultural Studies | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / General |2 bisacsh | |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9780748693375 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033251886 | ||
| 966 | e | |u https://doi.org/10.1515/9780748693375 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780748693375 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780748693375 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780748693375 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780748693375 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780748693375 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780748693375 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780748693375 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804183450106724352 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Schreiber, Michele |
| author_facet | Schreiber, Michele |
| author_role | aut |
| author_sort | Schreiber, Michele |
| author_variant | m s ms |
| building | Verbundindex |
| bvnumber | BV047869393 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9780748693375 (OCoLC)1304484440 (DE-599)BVBBV047869393 |
| doi_str_mv | 10.1515/9780748693375 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03588nmm a2200481zc 4500</leader><controlfield tag="001">BV047869393</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220308s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780748693375</subfield><subfield code="9">978-0-7486-9337-5</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780748693375</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780748693375</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1304484440</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047869393</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Schreiber, Michele</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">American Postfeminist Cinema</subfield><subfield code="b">Women, Romance and Contemporary Culture</subfield><subfield code="c">Michele Schreiber</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh</subfield><subfield code="b">Edinburgh University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2014</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (208 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Traditions in American Cinema : TAC</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Examines a cycle of postfeminist films that adopt the conventions of romanceIn light of their tremendous gains in the political and professional sphere, and their ever expanding options, why do most contemporary American films aimed at women still focus almost exclusively on their pursuit of a heterosexual romantic relationship? American Postfeminist Cinema explores this question and is the first book to examine the symbiotic relationship between heterosexual romance and postfeminist culture. The book argues that since 1980, postfeminism's most salient tensions and anxieties have been reflected in the American romance film. Case studies of a broad range of Hollywood and independent films reveal how the postfeminist romance cycle is intertwined with contemporary women's ambivalence and broader cultural anxieties about women's changing social and political status.Key FeaturesOffers a new perspective on both popular American romance films and postfeminist cultural criticism by examining the symbiotic relationship between romance and postfeminismAnalyses the recurring narrative and discursive patterns of postfeminist cinemaIncludes 13 case studies of popular postfeminist films and other media texts, including television programmesContinues the tradition of feminist analysis of romance as a significant media genre for women</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media & Cultural Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / General</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780748693375</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033251886</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748693375</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748693375</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748693375</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748693375</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748693375</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748693375</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748693375</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748693375</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV047869393 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:19:57Z |
| indexdate | 2024-07-10T09:23:38Z |
| institution | BVB |
| isbn | 9780748693375 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033251886 |
| oclc_num | 1304484440 |
| open_access_boolean | |
| owner | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| owner_facet | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| physical | 1 Online-Ressource (208 pages) |
| psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Edinburgh University Press |
| record_format | marc |
| series2 | Traditions in American Cinema : TAC |
| spelling | Schreiber, Michele Verfasser aut American Postfeminist Cinema Women, Romance and Contemporary Culture Michele Schreiber Edinburgh Edinburgh University Press [2022] © 2014 1 Online-Ressource (208 pages) txt rdacontent c rdamedia cr rdacarrier Traditions in American Cinema : TAC Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Examines a cycle of postfeminist films that adopt the conventions of romanceIn light of their tremendous gains in the political and professional sphere, and their ever expanding options, why do most contemporary American films aimed at women still focus almost exclusively on their pursuit of a heterosexual romantic relationship? American Postfeminist Cinema explores this question and is the first book to examine the symbiotic relationship between heterosexual romance and postfeminist culture. The book argues that since 1980, postfeminism's most salient tensions and anxieties have been reflected in the American romance film. Case studies of a broad range of Hollywood and independent films reveal how the postfeminist romance cycle is intertwined with contemporary women's ambivalence and broader cultural anxieties about women's changing social and political status.Key FeaturesOffers a new perspective on both popular American romance films and postfeminist cultural criticism by examining the symbiotic relationship between romance and postfeminismAnalyses the recurring narrative and discursive patterns of postfeminist cinemaIncludes 13 case studies of popular postfeminist films and other media texts, including television programmesContinues the tradition of feminist analysis of romance as a significant media genre for women In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh https://doi.org/10.1515/9780748693375 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Schreiber, Michele American Postfeminist Cinema Women, Romance and Contemporary Culture Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh |
| title | American Postfeminist Cinema Women, Romance and Contemporary Culture |
| title_auth | American Postfeminist Cinema Women, Romance and Contemporary Culture |
| title_exact_search | American Postfeminist Cinema Women, Romance and Contemporary Culture |
| title_exact_search_txtP | American Postfeminist Cinema Women, Romance and Contemporary Culture |
| title_full | American Postfeminist Cinema Women, Romance and Contemporary Culture Michele Schreiber |
| title_fullStr | American Postfeminist Cinema Women, Romance and Contemporary Culture Michele Schreiber |
| title_full_unstemmed | American Postfeminist Cinema Women, Romance and Contemporary Culture Michele Schreiber |
| title_short | American Postfeminist Cinema |
| title_sort | american postfeminist cinema women romance and contemporary culture |
| title_sub | Women, Romance and Contemporary Culture |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General |
| url | https://doi.org/10.1515/9780748693375 |
| work_keys_str_mv | AT schreibermichele americanpostfeministcinemawomenromanceandcontemporaryculture |