Memory, Subjectivity and Independent Chinese Cinema:
A historically informed examination of independent moving image works made between 1990 and 2010 in ChinaMemory, Subjectivity and Independent Chinese Cinema provides a historically informed examination of independent moving image works made between 1990 and 2010 in China. Showcasing an evolving pers...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Schriftenreihe: | Edinburgh Studies in East Asian Film : ESEAF
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | A historically informed examination of independent moving image works made between 1990 and 2010 in ChinaMemory, Subjectivity and Independent Chinese Cinema provides a historically informed examination of independent moving image works made between 1990 and 2010 in China. Showcasing an evolving personal mode of narrating memory, documenting reality, and inscribing subjectivity in over sixteen selected works that range from narrative film and documentary to experimental video and digital media (even including a multimedia avant-garde play), this book presents a provocative portrait of the independent filmmakers as a peculiarly pained yet active group of historical subjects of the transitional, post-socialist era.Through a connected investigation of cultural and cinematic concepts including historical consciousness, personal memory, narrative, performance, subjectivity, spatiality, and the body, Wang weaves a critical narrative of the formation of a unique post-socialist cultural consciousness that enables independent cinema and media to become a highly significant and effective conduit for historical thinking in contemporary China.Covers the following directorsZhang Yimou, Chen Kaige, Jia Zhangke, Jiang Wen, Lou Ye, Meng Jinghui, Wang Bing, Wang Guangli, Duan Jinchuan, Cui Zi'en, Shi Tou, and Tang Danhong, this book is essential reading for all students and scholars in Chinese film |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (264 pages) 36 B/W illustrations |
| ISBN: | 9780748692347 |
| DOI: | 10.1515/9780748692347 |
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| 520 | |a A historically informed examination of independent moving image works made between 1990 and 2010 in ChinaMemory, Subjectivity and Independent Chinese Cinema provides a historically informed examination of independent moving image works made between 1990 and 2010 in China. Showcasing an evolving personal mode of narrating memory, documenting reality, and inscribing subjectivity in over sixteen selected works that range from narrative film and documentary to experimental video and digital media (even including a multimedia avant-garde play), this book presents a provocative portrait of the independent filmmakers as a peculiarly pained yet active group of historical subjects of the transitional, post-socialist era.Through a connected investigation of cultural and cinematic concepts including historical consciousness, personal memory, narrative, performance, subjectivity, spatiality, and the body, Wang weaves a critical narrative of the formation of a unique post-socialist cultural consciousness that enables independent cinema and media to become a highly significant and effective conduit for historical thinking in contemporary China.Covers the following directorsZhang Yimou, Chen Kaige, Jia Zhangke, Jiang Wen, Lou Ye, Meng Jinghui, Wang Bing, Wang Guangli, Duan Jinchuan, Cui Zi'en, Shi Tou, and Tang Danhong, this book is essential reading for all students and scholars in Chinese film | ||
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Datensatz im Suchindex
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| doi_str_mv | 10.1515/9780748692347 |
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| illustrated | Illustrated |
| index_date | 2024-07-03T19:19:57Z |
| indexdate | 2024-07-10T09:23:38Z |
| institution | BVB |
| isbn | 9780748692347 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033251870 |
| oclc_num | 1304484749 |
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| owner_facet | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| physical | 1 Online-Ressource (264 pages) 36 B/W illustrations |
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| spelling | Wang, Qi Verfasser aut Memory, Subjectivity and Independent Chinese Cinema Qi Wang Edinburgh Edinburgh University Press [2022] © 2014 1 Online-Ressource (264 pages) 36 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Edinburgh Studies in East Asian Film : ESEAF Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) A historically informed examination of independent moving image works made between 1990 and 2010 in ChinaMemory, Subjectivity and Independent Chinese Cinema provides a historically informed examination of independent moving image works made between 1990 and 2010 in China. Showcasing an evolving personal mode of narrating memory, documenting reality, and inscribing subjectivity in over sixteen selected works that range from narrative film and documentary to experimental video and digital media (even including a multimedia avant-garde play), this book presents a provocative portrait of the independent filmmakers as a peculiarly pained yet active group of historical subjects of the transitional, post-socialist era.Through a connected investigation of cultural and cinematic concepts including historical consciousness, personal memory, narrative, performance, subjectivity, spatiality, and the body, Wang weaves a critical narrative of the formation of a unique post-socialist cultural consciousness that enables independent cinema and media to become a highly significant and effective conduit for historical thinking in contemporary China.Covers the following directorsZhang Yimou, Chen Kaige, Jia Zhangke, Jiang Wen, Lou Ye, Meng Jinghui, Wang Bing, Wang Guangli, Duan Jinchuan, Cui Zi'en, Shi Tou, and Tang Danhong, this book is essential reading for all students and scholars in Chinese film In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Motion pictures Political aspects China Motion pictures Social aspects China Motion pictures China History 20th century Motion pictures China History 21st century https://doi.org/10.1515/9780748692347 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Wang, Qi Memory, Subjectivity and Independent Chinese Cinema Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Motion pictures Political aspects China Motion pictures Social aspects China Motion pictures China History 20th century Motion pictures China History 21st century |
| title | Memory, Subjectivity and Independent Chinese Cinema |
| title_auth | Memory, Subjectivity and Independent Chinese Cinema |
| title_exact_search | Memory, Subjectivity and Independent Chinese Cinema |
| title_exact_search_txtP | Memory, Subjectivity and Independent Chinese Cinema |
| title_full | Memory, Subjectivity and Independent Chinese Cinema Qi Wang |
| title_fullStr | Memory, Subjectivity and Independent Chinese Cinema Qi Wang |
| title_full_unstemmed | Memory, Subjectivity and Independent Chinese Cinema Qi Wang |
| title_short | Memory, Subjectivity and Independent Chinese Cinema |
| title_sort | memory subjectivity and independent chinese cinema |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Motion pictures Political aspects China Motion pictures Social aspects China Motion pictures China History 20th century Motion pictures China History 21st century |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General Motion pictures Political aspects China Motion pictures Social aspects China Motion pictures China History 20th century Motion pictures China History 21st century |
| url | https://doi.org/10.1515/9780748692347 |
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