International Noir:
Examines the influence of film noir on visual narrative and technique in global cinematic traditions.Following World War II, film noir became the dominant cinematic expression of Cold War angst, influencing new trends in European and Asian filmmaking. International Noir examines film noir's inf...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
|
| Schriftenreihe: | Traditions in World Cinema : TWC
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Zusammenfassung: | Examines the influence of film noir on visual narrative and technique in global cinematic traditions.Following World War II, film noir became the dominant cinematic expression of Cold War angst, influencing new trends in European and Asian filmmaking. International Noir examines film noir's influence on the cinematic traditions of Britain, France, Scandinavia, Japan, Hong Kong, Korea, and India.This book suggests that the film noir style continues to appeal on such a global scale because no other cinematic form has merged style and genre to effect a vision of the disturbing consequences of modernity. International noir has, however, adapted and adopted noir themes and aesthetic elements so that national cinemas can boast an independent and indigenous expression of the genre. Ranging from Japanese silent films and women's films to French, Hong Kong, and Nordic New Waves, this book also calls into question critical assessments of noir in international cinemas. In short, it challenges prevailing film scholarship to renegotiate the concept of noir.Ending with an examination of Hollywood's neo-noir recontextualization of the genre, and post-noir's reinvigorating critique of this aesthetic, International Noir offers Film Studies scholars an in-depth commentary on this influential global cinematic art form, further offering extensive bibliography and filmographies for recommended reading and viewing.Key FeaturesExamines noir's influence on film narrative and technique in several different national cinemasCovers British, French and Japanese noir as well as the influence of noir on Scandivavian, Chinese and Korean cinemaIncludes chapters on neo-noir and post-noir films |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (288 pages) 28 B/W illustrations |
| ISBN: | 9780748691111 |
| DOI: | 10.1515/9780748691111 |
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| 520 | |a Examines the influence of film noir on visual narrative and technique in global cinematic traditions.Following World War II, film noir became the dominant cinematic expression of Cold War angst, influencing new trends in European and Asian filmmaking. International Noir examines film noir's influence on the cinematic traditions of Britain, France, Scandinavia, Japan, Hong Kong, Korea, and India.This book suggests that the film noir style continues to appeal on such a global scale because no other cinematic form has merged style and genre to effect a vision of the disturbing consequences of modernity. International noir has, however, adapted and adopted noir themes and aesthetic elements so that national cinemas can boast an independent and indigenous expression of the genre. Ranging from Japanese silent films and women's films to French, Hong Kong, and Nordic New Waves, this book also calls into question critical assessments of noir in international cinemas. In short, it challenges prevailing film scholarship to renegotiate the concept of noir.Ending with an examination of Hollywood's neo-noir recontextualization of the genre, and post-noir's reinvigorating critique of this aesthetic, International Noir offers Film Studies scholars an in-depth commentary on this influential global cinematic art form, further offering extensive bibliography and filmographies for recommended reading and viewing.Key FeaturesExamines noir's influence on film narrative and technique in several different national cinemasCovers British, French and Japanese noir as well as the influence of noir on Scandivavian, Chinese and Korean cinemaIncludes chapters on neo-noir and post-noir films | ||
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Datensatz im Suchindex
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| author | Pettey, Homer B. |
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| dewey-full | 791.409 |
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| dewey-ones | 791 - Public performances |
| dewey-raw | 791.409 |
| dewey-search | 791.409 |
| dewey-sort | 3791.409 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| doi_str_mv | 10.1515/9780748691111 |
| format | Electronic eBook |
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| illustrated | Illustrated |
| index_date | 2024-07-03T19:19:57Z |
| indexdate | 2024-07-10T09:23:38Z |
| institution | BVB |
| isbn | 9780748691111 |
| language | English |
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| spelling | Pettey, Homer B. Verfasser aut International Noir Homer B. Pettey, R. Barton Palmer Edinburgh Edinburgh University Press [2022] © 2014 1 Online-Ressource (288 pages) 28 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Traditions in World Cinema : TWC Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Examines the influence of film noir on visual narrative and technique in global cinematic traditions.Following World War II, film noir became the dominant cinematic expression of Cold War angst, influencing new trends in European and Asian filmmaking. International Noir examines film noir's influence on the cinematic traditions of Britain, France, Scandinavia, Japan, Hong Kong, Korea, and India.This book suggests that the film noir style continues to appeal on such a global scale because no other cinematic form has merged style and genre to effect a vision of the disturbing consequences of modernity. International noir has, however, adapted and adopted noir themes and aesthetic elements so that national cinemas can boast an independent and indigenous expression of the genre. Ranging from Japanese silent films and women's films to French, Hong Kong, and Nordic New Waves, this book also calls into question critical assessments of noir in international cinemas. In short, it challenges prevailing film scholarship to renegotiate the concept of noir.Ending with an examination of Hollywood's neo-noir recontextualization of the genre, and post-noir's reinvigorating critique of this aesthetic, International Noir offers Film Studies scholars an in-depth commentary on this influential global cinematic art form, further offering extensive bibliography and filmographies for recommended reading and viewing.Key FeaturesExamines noir's influence on film narrative and technique in several different national cinemasCovers British, French and Japanese noir as well as the influence of noir on Scandivavian, Chinese and Korean cinemaIncludes chapters on neo-noir and post-noir films In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Barton Palmer, R. Sonstige oth Bould, Mark Sonstige oth Creekmur, Corey K. Sonstige oth Desser, David Sonstige oth Hayward, Susan Sonstige oth Leach, Jim Sonstige oth Nestingen, Andrew Sonstige oth Palmer, R. Barton Sonstige oth Pettey, Homer B. Sonstige oth Teo, Stephen Sonstige oth Turim, Maureen Cheryn 1951- Sonstige (DE-588)136692435 oth https://doi.org/10.1515/9780748691111 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Pettey, Homer B. International Noir Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh |
| title | International Noir |
| title_auth | International Noir |
| title_exact_search | International Noir |
| title_exact_search_txtP | International Noir |
| title_full | International Noir Homer B. Pettey, R. Barton Palmer |
| title_fullStr | International Noir Homer B. Pettey, R. Barton Palmer |
| title_full_unstemmed | International Noir Homer B. Pettey, R. Barton Palmer |
| title_short | International Noir |
| title_sort | international noir |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General |
| url | https://doi.org/10.1515/9780748691111 |
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